Les Grosses Têtes

LES IMMANQUABLES - Le meilleur de l'émission du 8 avril 2026

22 min
Apr 8, 202611 days ago
Listen to Episode
Summary

This episode of Les Grosses Têtes features a compilation of highlights from the April 8, 2026 broadcast, with discussions centered on aging in entertainment, career longevity, cosmetic surgery ethics, and appearances on popular TV shows like 'Danse avec les Stars.' The hosts and guests debate generational humor, the pressure on women to maintain youth, and share anecdotes about their professional experiences.

Insights
  • Career longevity in entertainment extends well beyond traditional retirement age, with older performers finding renewed audiences through modern platforms and TV appearances
  • Generational disconnect in humor and entertainment creates challenges for established performers to maintain relevance with younger audiences unfamiliar with their work
  • Cosmetic surgery in entertainment raises ethical questions about professional standards and whether practitioners should counsel clients on sustainability of appearance-dependent careers
  • Participation in mainstream TV competitions can significantly expand audience reach across age demographics, introducing established performers to younger viewers
Trends
Extended career trajectories in entertainment driven by health/longevity and media platform diversityGenerational gaps in entertainment consumption and recognition of established performersEthical considerations around cosmetic enhancement in performance-based industriesReality TV and competition shows as audience-building tools for established entertainersInternational performance opportunities for French entertainers in English-speaking marketsAging and appearance standards as recurring cultural debate topics in mainstream media
Topics
Career longevity in entertainment industryGenerational humor and audience recognitionCosmetic surgery ethics in performance careersReality TV competition show participationInternational touring and performance opportunitiesAging and appearance standards in mediaFemale performers and youth pressureTelevision casting and costume designAudience renewal through new media platformsProfessional standards in aesthetic medicine
Companies
RTL
Radio broadcaster and network home of Les Grosses Têtes podcast with dedicated application for episode replays
Deezer
Music streaming platform where song 'La Vie est Belle' by Isabelle Aubrey is available
Spotify
Music streaming platform where song 'La Vie est Belle' by Isabelle Aubrey is available
Sofitel
Hotel chain where one guest performed in New York theatrical production
People
Charlotte de Turckheim
Long-time cast member since the 1980s; participated in Danse avec les Stars competition
Valérie Mairesse
Long-time cast member since the 1980s; discussed cosmetic surgery and career longevity
Laurent Ruquier
Primary host and moderator of the episode discussion
Dominique
Cast member who shared anecdote about pharmacy encounter and discussed career recognition
Frédéric
Guest participant in episode discussion; profession and background discussed by hosts
Patrick Sébastien
Discussed international touring experiences in New York, San Francisco, and Los Angeles
Yann Alri
Partner of Charlotte de Turckheim in Danse avec les Stars competition
Frank Leboeuf
Mentioned as competitor in Danse avec les Stars who influenced elimination outcomes
Isabelle Aubrey
Song 'La Vie est Belle' discussed in context of music streaming platforms and voice assistant recognition
Jane Fonda
Referenced as example of 85-year-old maintaining youthful appearance and its cultural implications
Quotes
"Voilà pourquoi les vieux, on va faire carrière pendant longtemps ! On va occuper le terrain longtemps !"
Cast memberMid-episode
"Il y a une injonction pour les femmes à rester jeunes. C'est une injonction."
Cast memberMid-episode
"C'est 5 heures de danse chaque jour. Je pensais que j'allais être crevée à certains moments, honnêtement."
Charlotte de TurckheimDanse avec les Stars discussion
"Ça a renouvelé mon audience. Pas votre génération, parce que vous ne me connaissiez pas. Mais en revanche, maintenant, les jeunes de 16 ans me connaissent."
Charlotte de TurckheimDanse avec les Stars discussion
Full Transcript
90 seconds so thank you best bless Frédéric s'exprimait, car Frédéric ne nous considère peut-être pas comme des vieilles. Peut-être que nous avons notre chance avec Frédéric. Alors est où le bachelor ? Il est là, il est là. Mais pourquoi c'est des chrysanthèmes ? C'est vrai qu'on a là quand même deux des noyennes, des grosses têtes, parce que Charlotte de Turcaïm et Valérie Méret, c'était là dès les années 80 chez Philippe Bouvard. Oh, des années 50 même ! Il faut quand même le rappeler. Et on vous emmerdait déjà à l'époque, non ? Mr. Haas, you know Charles II Turquay ? De nom, de nom. Ah, when même ? De nom, I've already seen her name. What's she does for you, then ? All right, all the... Des fleurs ? No, it's a theater in theater. And of cinema. No, but on says theater, because on says theater, no, and actress. And actress, actress. Actress, yeah, yeah. Realisatrice. Yeah, yeah. And I was humorist, my dad, but you weren't born. And it's funny, because it's there that you realize that the humor, it's kind of generational. because we have filled the halls for years and then we are not in the house and then the young people don't know they say what do you do in life I have to make a little bit of a little bit of a little bit of a little bit of a band the cafe of the gas but it doesn't tell me but it doesn't tell me if you have continued to have a success you would have the problem it's that it's you have to open your pressing to La Rochelle the people have forgotten I have opened a room to Egalier And you know, the good news, Az, it's that in 20 years, there's a little con who will be at your place and who will tell you the same thing. It's true. There's a injunction, it's not new, I repeat things that everyone says there's years, there's a injunction for the women to stay young. It's a injunction. And then, this injunction becomes... And then they do it for fun. And then the same men say, they have the têtes of sorcery. But not at all. And I'm sure with you, I think that unfortunately, it hasn't been very well. Because the new generation, all the generation Kim Kardashian and so on, I think they make a male fool also. And I don't know if a woman like Jane Fonda, who's 85 years old, has a look at 35, does a lot for women. But it depends. Cyril Ferrault, it goes well, by example. The life of everyone, of everyone, it's going to be published. It's going to be 50 years? No? I'm going to be a flick. Excuse me, because I'm still a career. I'm going to be a flick. I'm going to be a flick. I'm going to be a flick. I'm going to be a flick. Why is it that the career and the life are not going to be a 50 years? Now, you can continue. But it's going to be a 60. You've also got to sing it. Exactly, so you'll see when you're in the middle. How long, 60 years! With the new botox! When I told him, he told me, he told me, it's for a gendarme. He told me, you're a gendarmer. And the insect or the guy with the képi? The what? The little pestiole in the garden? Because if you... I told him, he told you, he told me, he told me, he told me, and I was going to put the blouse on the bottom. I've seen a lot of meurtres and now again, six episodes But we felt that they had a good job to find the costume Not at all They have a good job You can see Charlotte Charlotte, that's the end of career Effectivement, when I told you how to do it, it's impossible I have 70 years I'm sorry, the gendarmes are in the job But now that you're talking, I remember, I've seen a film of you. It's not you who played Navarro? And so, they said, I said, how do you solve this enigre, when you're in the house? He said, well, in fact, you're a gentleman at the retirement. Ah, finally. And as these little children don't come to solve an inquiry, they'll search my my gendarmer. And then I solve all the problems, because, just like, the life... It's a good interview. It's brilliant, it's brilliant. Voilà, voilà pourquoi les vieux, on va faire carrière pendant longtemps ! On va occuper le terrain longtemps ! Et je vous rappelle aussi... Mani, tais-toi, tais-toi ! Quand j'ai fait « Danse avec les stars » l'année dernière... C'est magnifique ! Ah bah voilà ! Mais vous avez dansé avec les stars ? Et ça, tu ne l'as pas vu non plus ! Je n'ai pas entendu ! And he asked if you were dancing with which stars? You know what? It's what I said my little-fils. You don't have to dance with my little-fils. He said, it's true, Amar, you're going to dance with the stars? I said, yes, my dear, he told me, with which stars you're going to dance? But the question that I'm asking is that when a surgeon sees a nana who is already quite d and who asks to do a little thing in plus a little thing in plus He gives his rib and it all But at a moment there no one of the professional consciousness that makes you say to the lady Is that how it works Is that at least when they do these operations, they continue to work? Because otherwise, it's really all lost. No, not really. Not even. But not. Not even for a pub for Jika or a meubre. And you know, I think Valérie and I, you should congratulate us because we're not at all refaite. Oh, that's true. Bonjour Dominique. Bonjour Laurent. Bonjour les grosses pettes. Good morning, Mr. Dominic. It was a weird thing to say, when I talked to the episode, it's Isabelle Aubrey, right? Yes, I listen to the podcast in my car. And you have announced that you would like to listen to your music the morning and that when you're in the morning, you say, okay Google, pass me, it's beautiful, the life of Isabelle Aubrey. And then, My phone has quit the app RTL and my phone has responded I don't find it's a beautiful life in your playlist. But still, it's on Deezer, on Spotify, on all the music platforms. I love it. It's beautiful, the life, the vent in your hair and the sun to the horizon. It's a beautiful when it's a L who sings it. I'm sorry, it's a beautiful that's the second time you've heard Yes, it's true. When you say OK Google, there are all the instances Google. And now, in fact, you are in the way to me pourri my prochain podcast. I'm going to make sure that's it, Dominique. It's been a story that I marked. I'm in a pharmacy from the Place Blanche. The pharmacy is archi-bourred. I'm in the pharmacy and the pharmacist me recognizes and makes a little hello. I'm proud of you in my pharmacy. And then there's a guy a little more loin qu'il me regarde un peu et moi, bêtement, je me dis, ah, il veut un autographe. Et là, le mec devant tout le monde, il dit, eh ben dis donc, t'as dû en sucer des bites pour en arriver là. Et là... Mais attends, mais il te connaissait ? Alors, attends, tu vas voir. Et en fait, bon, ça, ça m'a pas beaucoup vexé, mais ce qui m'a vexé, c'est la réaction de la pharmacienne qui a pris ma défense et qui a dit, ah ben non, non, elle n'a jamais personne. J'avais dit genre, bah si, un peu quand même. It's that who I'm a vexer. I'm also a chonchon d'Inde. How does it make that people allow it to be with you? They're maybe confused with someone else. She's not confused with Michel Larocque? It's a question, I don't know. But you know, it's also a whole idea on the job. But yes, not at all. Not at all. I've wanted to go out, but no one wants. They're not good at all. Frédéric has a lot of taste. It's his own hobby, maybe. You are what in the life, Frédéric ? Excuse me, there's an episode that's going on. That's what we're doing for later. Not an infirmier aesthetic, an infirmier. I'm sorry, Charlotte Turquay is talking about the first round. I'm going to get a little bit of a relationship with Frédéric and Fredo. All right. All right. But in plus, Fredo, he doesn't say no. I feel like he's going to be a flic. You have already heard of the Carmaniole, Charles. Yes, it's still a chant for the little little little. You don't have a little child at home, it's for that. Yes, he's a infant, though, he's a little. On the name at the Coranique, he's very happy. I've prepared for the future. He's at which age, your little child? I don't know. What's his name, already? Charles-Henri Mouloud, three names. Like that, he's ready. And what he arrived in 2027, he's ready. Charlie Mouloud, he's not going to be able to do it. All right, patron, I'm going to go. That's what I want to do, d'abord. That's the carmagnole, all right, patron. No, it's Mr. Ayoub who could dance the carmagnole. I don't have any idea. No, I've never heard of the carmagnole. Charlotte, you're at next to you a dance of the world. I'm not going to present it. But we were presented it earlier, and I'm very proud of you. He's very honored, too. He's a dissident. Comment it's a dissident? He's got to go to the opera. He was a hetero, it was complicated. It was completely ostracized Because you know how they are It's very interesting The first thing is being done Of course When they're in the opera It's a mess of the way it's been It's a mess of the way it's gering It's very courageous The fact that he's Let's see I was accueilli Généreusement by Laurent in the gross set, I'm happy. You've made a classic dance, Charlotte? Eh yes, it can be a surprise, but I've made a classic dance. Yeah, it's called the carmanual. I've seen it in Dance with the Stars, there were some rest, when I was in the rest. You've seen it in Dance with the Stars. There were some rest, you know. There was a lot of rest. You've been in the jury, our friend François Lue. You've been in the jury? Yeah, two years. But no, it's not that you've been... And his compagnie is always in Dance with the Stars. But yes, it's the place, it's the place. Patrick Jure. But no! I saw you, that you were coming once! You weren't coming once? It was another show. It was another show. It was another show. Oh, it was a joke. You're not with her? Yes, I'm always with her. Oh, well, I did a gaffe. I don't know. I don't know. I don't know. You're not a little stagiaire? It's a change. It's a change. You've got to do it? You've got to do it? You've got to do it? Yeah, it was very interesting. I loved it We let you go It an energy I going to get evincer Your partner it was who I was Yann Alri But it kind of a thing that I was nervous It that they had eliminated the three of us in the first place It was kind of... It's an emissary dance. Well, just my little Sebastian, you've been watching. It's kind of a great thing. It's me who talked about it, by the way. Charlotte was very emotional. Yes. Oh, yeah. When she got a song with Yann Riu, she got a documentary animal. But I'm sorry. It was super emboldened. No, I was not emboldened. I was impressed. No, emboldened. Because you were not as good as the others. But you were at a level of a high level. In emotion. And it was incredible to see you. Yes, you were emboldened. I was emboldened. And frankly, if this chocote of Frank Leboeuf, the footballer, they're all around the doigt, they're rolling by the ground, like they do. I would have done one or two more, monsieur. It's because of him that you've lost? No, it's not because of the week I lost it. But the day I had to do one more, he made the guy blesses. Yes, but it doesn't matter. There's a role of flic to learn, I don't know. But they're in that costume? I'm sure I'm going to do another episode. What's very nice is that it's 5 hours of dance every day. I thought I was going to be crevée at some moments, honestly. But it's not that I was going to be very proud of myself. And in addition, it has renewed my audience. Not your generation, because you don't know me. But in revanche... It's a very good time. It's a bit of an intermittent, right? When you don't turn a lot like that, it's a bit... That's a bit of a crazy thing. Because now, the young people of 16 years me know. It's nice to dance with the stars. It's funny to dance with the stars. It's funny to dance with the stars. So you only have two years, jury? Yeah. After you've been able to dance? I know you arrived, it's part. And in the way, it's easy to find for us? Well, listen. You can't find out, Valérie. I don't know if you've seen the clothes that I have. They made me do things on the way. And frankly, they were adorable. And then my wife told me, I didn't ask you, I didn't ask you, I didn't ask you, I didn't ask you, I want to make a bowl tango. I'm a little ronde. So I want to make a lot of water. I want to clear the floor. you know I'm not going to play with a black I'm going to play with a black I'm going to say Charlotte that you only see me I don't know if it's good because I'm already in a hotel where they do club and discotheque we don't do it in fact it's true that New York we've had a little box in the hotel and it's true that when you're in the box it's a great deal the people who dorm it's insupportable you're going to go to New York that's the two? Of course. All the two? Not all the two, there was constant. You looked at a CD? What did you do? How did you know that? Because Laurent produces Aze. I'm like, I'm a producteur. It's by a friend who I'm a ramené, I'm not a product. It's not that all the producteurs don't take a new york. Just a sense. You're all going to New York? No, we're all going to play. We're all going to play in New York. We're all going to play in New York. We're all going to play in New York. We're all going to play in New York. That's the way you're going to play. Well, my little guy, I played in New York. Where did you play in New York? At the hotel sofitel. I've forgotten the name of the theater, but I played in New York. I played in San Francisco and Los Angeles. And you were raised to that moment? But in English? In French, in French. For the expats. And on par où cet été patron ? Yes, because for the Angles, they don't understand what they're doing. You, I don't know where you parted, but with Az on the return to New York. It's true, you parted all the time to New York? Yes, of course. Yes, not all the time. We're not together, no? Oh, he's not that. He's not that. In a career, it's important. You're right, you're right. Why don't you invite Sebastian to New York? Oh, please. Please please. I support you. I'm going to go home with good friends. We also, Charles Lasson, sometimes we have some time together. Oh yes, we're going to go home. And when are you going to go home, Bolloré? What? When are you going to go home, Bolloré? We're going to go home all the month of August. And we're going to clap for Islamo-Gauchir. It's true, between the Puy-Dufu and New York, I hesitate. Well, it's true that the company, you know... The wife, I'm a married man. You know, you know, not Cher Haz, but Charlotte of Turquay, she married a Afghan. No, it's true. She's a spouse. Oh, no, no. A society protectors of the Afghans. No. And it's why... But it's a real story, this thing of an autrux. But no, it's a levier. I have a levier Afghan. And he does what in life? He's doing very, very well. He's doing the hotel to Charlotte. Oh, it's a hotel. He is hotelier and he is restaurateur And he makes the dinner afghan You are of aristocracy He? No, not him, an afghan aristocrat I'm not a lot of people I'm not a man of the mill Excuse me, but you are really a pluck Because in all countries I've never met two Mohammeds Two Mohammeds, two Nabil It's a prince, he? Exactly Toi, you're aristocrat My name? I'm a baron. I'm a baron. I a baron Anne de Turquem But why do you work with the bloody When you Baron you have a thing in particular in life If you want we in Republic I remember Oh, it's an horary! So, the advantage that you have, it's to me frequent, for example. It's a good thing, you know. I mean, it's a good thing to be with you. I'm a little with you. You also, you love your Baron? Ah, yes. He is a cont, he is a cont, he is a cont as But you can call me Charlotte I'm still... In fact, I wanted to make a contest with the contest But I don't want to have a raté It's crazy because... Alexander Deban is a little bit perdu Autant here, you were perfect But today, I'm going to... But I think it's a new style, it's not bad The radio station is good I'm going to be no longer In fact, at the moment, it becomes an art. You see, people, by sympathy, they say, Oh, but they haven't understood. I've never heard of it. Allô, pourquoi tu ne réponds pas ? I'll never let you fall in the middle of the road. I'll never let you fall in the middle of the road. All right, let's go. All right, Thibaut, no, don't forget it. Let's go. Come on, frérot. Let's go. Let's go. Let's go. Bravo. Jérémy Frérot. Pour Frédéric Forgeron, qui habite Asbrook. Qui était le grand-père de Noé ? Vous connaissez l'arche de Noé ? Je vous demande le nom de son grand-père. Jacob. Le père Noé ? Yannick ? Ah non, Yannick Chouet. Qui a dit ça ? Moi. J'ai honte. Abraham. Abraham, non. Vous le connaissez tous, le grand-père de Noé. Zeus ? Non. Mais on le connaît par rapport à quoi ? C'est par rapport à autre chose. On le connaît tous à cause de quoi ? C'est chrétien ou c'est la mythologie ? C'est dans la Genèse. Non, c'est pas la mythologie. C'est dans la Genèse ? C'est une belle sauce. C'est quoi ? C'est une sauce, non, la Genèse ? La Bible, la Genèse. Ah, c'est celui qui a mis les bébés sur le bateau ? C'est Moïse ? C'est Pierre, Louis, Marc ? Non, c'est une figure du judaïsme, du christianisme. Salomon ? Non, pas Salomon. Abraham ? Non, il est juif. Il est dans l'Ancien Testament. Le judaïsme, c'est juif. Il est dans la Bible. Moïse. Il aurait d'ailleurs vécu, je vais vous le dire, 969 années quand même. Ah, le père Fouras ! Ah, ben c'est Jésus ? Non, pas Jésus, non. Pascal, le grand-père ? C'est le grand-père de Noé. 969 ans, il a vécu. Sharon ? Non, non. Pierre ? Non, non. He's got his name, obviously. Ah, Pitsu. Ah, L'Arche. Jesus. No, no. L'Immortel. Ah, Sander. Sander. Sander. Islander. Mais no, mais no, mais no. Pline l'Ancien ou un truc comme ça. Non, non, non. Attendez, vous avez un indice. Allez-y. Non, je n'ai pas d'indice. Non, il dit que dans son nom, son nom indique qu'il est vieux. Exactement. Ah, bah, Pline le Vieux. Ah, bah, le vieux con. Non, c'est le grand-père de Noé. Et quand on dit, oh là là. Paul Dalf. Non. He's centenaire. Bazette ? Ohlala ! Ohlala ! Ohlala ! Ohlala ! Ohlala ! Ohlala ! Pépin le vieux ! Parce qu'il y a Pépin le bref… Mais il n'y a pas le mot vieux dedans. Il n'y a pas le mot vieux. Il n'y a pas le mot vieux. Ça veut dire… Mathus Alem ! Quoi ? Mathus Alem ! Bon ! Je vous ai vu, Corène ! Parce que c'est la guerre avec Rossignol. Il est plus drôle mais je suis moins con. Vous avez refait un bras d'honneur. the next time I'm going to wake up Matthew Zalem it's the grandfather of Noé Matthew Zalem everyone knows this expression Matthew Zalem, 969 Matthew Zalem, it was the grandfather of Noé it's also a big bottle but on tells us what I think I believe in the autruches I don't believe in the man who has lived 900 years I believe more in the contract I believe more in the 99 19 ans, rather than a girl who is living by an old crutch. Yeah, because we're not a mécréant with Charlotte, we're not a communion. But 900 years, you're not long, in plus, you should be. And you should be confident in the other crutch. On part for the Indonésie, now. One and a woman have been, it was in the press, flagellés 100 times in public for having had a relationship sexuelle hors marriage. Putain, Laurent, you remember never going to go to go to a concert in Indonésie. There-bas, with a turn on the scene, I'm going to pick a pair of pairs. I'm going to be careful of your tournée, Patrick Sébastien. It's true that a concert in Indonésie could be very risky for you, Patrick. Ah, but, Laurent, without a coup of fouet, the relationship is not a marriage. I would have been so much of a mark that we would have to be with a zebra. I'm going to be careful, because a zebra is going like a cheval. But, I'm going to tell you a thing, Laurent. The couple who took the coups of fouet, I hope it was a couple of times. Why? Like that, for them, it was all good. Bah ouais D'ailleurs le terme exact c'est pas fouetter c'est flageolet Et autre punition dans le couple c'est le flageolet Et ça aussi C'est la tendance à fouetter Vous pouvez applaudir Marc-Antoine Lebray Bravo Bravo Retrouvez tous les replays des grosses têtes Sur l'application RTL Et pour ne rien rater Pensez à vous y abonner C'est évidemment gratuit. Merci et à très vite. À l'écoute des Grosses Têtes.