60 Songs That Explain the '90s

The Darkness — “I Believe in a Thing Called Love”

104 min
Mar 4, 20263 months ago
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Summary

This episode of '60 Songs That Explain the '90s' examines 'I Believe in a Thing Called Love' by The Darkness, a 2003 glam rock revival band that brought flamboyant showmanship and humor back to rock music. Host Rob Harvilla traces the lineage of hair metal and power ballads from the 1970s through the early 2000s, arguing that grunge didn't kill rock—it merely shifted the spotlight while bands like The Darkness continued the theatrical tradition. Guest Jill Hopkins, a Chicago music journalist, discusses seeing The Darkness live and their role in revitalizing joy and spectacle in rock during the post-grunge era.

Insights
  • Grunge's dominance in the early 1990s was a media narrative that obscured the continued commercial viability of hair metal and hard rock bands throughout the decade
  • The Darkness succeeded by embracing theatrical absurdity and humor rather than irony—they were genuinely committed to the spectacle while acknowledging its ridiculousness
  • Rock music in the early 2000s suffered from a lack of joy and showmanship until bands like The Darkness, Queens of the Stone Age, and The White Stripes reintroduced fun and visual spectacle
  • Regional identity and local pride significantly enhance a rock band's authenticity and appeal, as demonstrated by The Darkness's emphasis on their English heritage
  • Frontman charisma and visual presentation are as important as musical ability in rock music's appeal, particularly when combined with vocal range and stage presence
Trends
Cyclical revival of 1970s-80s glam rock aesthetics in early 2000s rock music as reaction against grunge's seriousnessIncreasing importance of humor and self-awareness in rock music marketing and performance as bands reject overly earnest alternative rock positioningRock bands leveraging regional/national identity as differentiation strategy in globalized music marketReturn of theatrical frontman archetype (David Lee Roth, Freddie Mercury-inspired) after 1990s minimalism in rock performanceLive music experience and visual spectacle becoming primary value proposition for rock bands in streaming eraResurgence of guitar-driven rock with prominent solos and instrumental showcases as counterpoint to electronic/hip-hop dominanceTongue-in-cheek marketing and self-parody becoming acceptable in rock music after years of irony-free alternative rockImportance of band chemistry and brother/family dynamics in rock music credibility and longevity
Topics
Hair Metal and Glam Rock Revival in Early 2000sGrunge's Impact on Rock Music Industry and Media NarrativeFrontman Charisma and Visual Presentation in Rock PerformanceRock Music Showmanship and Theatrical ElementsRegional Identity in Rock Band MarketingLive Music Experience and Concert CultureVocal Range and Technical Skill in Rock MusicHumor and Self-Awareness in Rock MusicGuitar Solos and Instrumental ShowcasesMusic Video Production and Visual StorytellingRock Band Dynamics and Family RelationshipsAlternative Rock vs. Hard Rock Commercial SuccessMTV's Role in Rock Music Discovery and PromotionRock Music Authenticity and CredibilityEarly 2000s Rock Music Scene and Trends
Companies
Spotify
Music streaming service that obliterated the unnamed music streaming company where Harvilla worked as managing editor...
MTV
Cable network that played hair metal and power ballad videos extensively in the 1980s and early 1990s, shaping Harvil...
Spin Magazine
Music publication where Harvilla worked briefly and contributed to a 2013 list of 40 hard rock songs that grunge coul...
Geffen Records
Record label that signed both Nirvana and Jackyl, making them label mates in the early 1990s
Sony
Parent company whose A&R representative Nick Raphael discussed attempting to sign The Darkness before their major suc...
British Gas
Energy company that sponsored the podcast episode with an advertisement for their Peaks Ave service
People
Justin Hawkins
The Darkness frontman known for flamboyant stage presence, falsetto vocals, and cat suits; struggled with cocaine add...
Dan Hawkins
The Darkness guitarist and Justin's brother; contributed to band's success and regional English identity
Steven Tyler
Aerosmith frontman whose vocal style and showmanship influenced The Darkness and other rock bands discussed
Freddie Mercury
Queen frontman whose theatrical performance style and vocal range directly influenced Justin Hawkins and The Darkness
David Lee Roth
Van Halen frontman whose swagger and showmanship influenced The Darkness and early 2000s rock revival
Joe Perry
Aerosmith lead guitarist whose guitar work influenced The Darkness and power ballad rock music
Chuck Eddie
Rock critic and editor at Spin Magazine who was a driving force behind the 2013 'No Alternative' hard rock songs list
Nick Raphael
Sony A&R representative who discussed attempting to sign The Darkness before their commercial breakthrough
Jill Hopkins
Chicago journalist and podcast host who attended The Darkness concert at Double Door in 2003 and discussed early 2000...
Rufus Tiger Taylor
Current drummer for The Darkness; son of Roger Taylor (Queen drummer) given middle name Tiger by Freddie Mercury
Quotes
"Rock is funny by definition. ACDC had a dude in school uniform for no reason and they've done it ever since. Now there is a culture of that can't be real. Rock is about the suspension of belief."
Justin HawkinsEarly 2000s interview
"There couldn't have been less of a buzz. And only two record labels showed any interest in them. The business as a whole thought they were uncool. In fact, people were saying that they were a joke and that they weren't real. Now, 3.5 million records later, they're one of the greatest of all bands in the world."
Nick Raphael, Sony A&R2005 interview
"I had this thing in my head that if we had songs with love in the title, we'd be successful. There were a lot of bands that were trying not to write about love, or they were writing about love, but without saying the word, like they were too cool to say it. I thought, fuck that."
Justin Hawkins2018 interview
"You can't tell the cool bands from the uncool bands you can't tell the old bands from the new bands. Oh you say you want fun party music but rock and roll doesn't do that anymore."
Rob HarvillaEpisode narrative
"There needed to be some smiles at the show. There needed to be dancing on the dance floor. There needed to be girls in the front row. Like, there needed to be this kind of attitude that I don't think we had seen since the late 80s and early 90s that they really captured."
Jill HopkinsGuest interview
Full Transcript
I have not worked in an office in 13 years. A work exclusively at home in near total isolation and in sweatpants, mumbling to myself and enjoying very little in-person social contact outside of my immediate family. And that's all very much for the best. I am isolated for my own protection and for the protection of others. Why did I stop working in an office? You ask? Oh, various reasons. Various noble and ignoble reasons. One ignoble reason I started working exclusively at home is that one time at my last office job I was reprimanded by HR for emailing everyone in our office. The YouTube link to an Aerosmith video. Let me answer your first question. I'm alone. Yeah, I don't know if I can face that. Yeah, whatever Aerosmith video you were thinking of, I didn't send that one. Wasn't love in an elevator or crazy or pink or dude looks like a lady? No, I emailed all my co-workers the video for Angel. An electrifying power ballad. Often 1987 Aerosmith comeback album, permanent vacation. Angel, a relatively wholesome, chased, soaring, transcendent, majestic, piano-driven power ballad. Frontman Steven Tyler is not actually singing while stranded on the surface of the moon. That is a state of the art in 1987's Special Effect. Yeah, it's 2012 or so and I'm wearing jeans and working in the San Francisco office of a music streaming service that got totally obliterated by the existence of Spotify. It's tough break. I was the managing editor, which is not a real job title at a technology company or anyway, it's not a job title. My co-workers are obligated to respect managing editor. I can't even manage not to get yelled at by HR. I'm sitting in the office one day and I'm trying to give away two tickets to see Aerosmith live at Oracle Arena in Oakland, California. I fire up a jaunty little email and I CC everybody and I'm like, hey, you want to go see Aerosmith. I got two tickets to Paradise. Maybe they'll play the greatest power ballad in rock and roll history and I throw in the YouTube link to Angel because this song whips ass. I didn't say it whips ass in the email. That would be unprofessional. I'm not an idiot, but I love Angel very much. The incendiary guitar action punctuating every word right there. I want you to believe Aerosmith lead guitarist Joe Perry is wind milling those righteous power chords. While standing in the middle of a real life desert highway, I believe that part of the Angel video was filmed on location. Don't make it tough. I throw away my pride. The yearning, viral, super 80s grand tour of this pre-course, man. I caught Angel at random on MTV when I was nine years old and it was the best song I'd ever heard in my life. And it felt like MTV would never play Angel again. This is a deep cut relatively. They kept playing dude parenthesis looks like a lady closed parenthesis instead. And so I sat there every day with our VCR turned on and a blank VHS tape queued up so I could tape the Angel video if it ever came on again. And the day I got it, the day Angel came back on MTV and I leapt off my couch and I hurtled our coffee table and I mashed the record button like five seconds into the video. That was the greatest day of my life up to that point. It's like I won the Super Bowl. Enough enough of suffering I've seen. Can you blame me really for wanting to share some modest portion of my joy with my co-workers at this doomed streaming service? No you can't blame me. Corus. B-A-E-B-Y-M-A-J. Go say it tonight. Fun fact, five years later in 1992, the Angel in the Angel video played the ghost of Christmas past in the Muppet Christmas Carol. That's not true. Unbelievable song. Fantastic song. So I see the whole office and I say how do you do fellow important co-workers who wants to go see Aerosmith? Check out this red video. I have a real job and I get pretty much no reply for several hours and then I get an email from HR. And I don't remember exactly what the email said but it was words to the effect of knock it off, right? Right. I actually got an email from our lawyer who like all my co-workers had way better things to do and she's very polite and diplomatic but she's like, please don't email everyone here anything like that ever again. And I'm like, oh shit. And I go back and I rewatch the whole Angel video at my desk at work. And now I'm worried that there's an orgy in it or something but there isn't. The spiciest moment I can find in this video is honestly a quite tasteful silhouette of a Foxy lady, undulating behind a large billowing sheet. The Foxy lady is maybe probably mostly naked and Stephen Tyler's on the street in a trench coat. And okay, I see the problem now. All right. That's my bad dudes. I'm sorry I emailed that to everyone. That's not how a managing editors should behave. I maybe shouldn't work in an office anymore. I should probably move back to Ohio and never go anywhere or talk to anyone again. Pretty much. Look, I'm not at my best in 2012. You know what I'm at my best? Back in the 80s when I just sat around all day watching rad hair metal videos on MTV. I am confident that you can hear this guy's mullet even if you are not partaking in the video version of this podcast business upfront party in the back does not suffice to describe the gargantuan voluminousness of this guy's mullet a fortune 500 company in the front. A J Gatsby party in the back. No, that's dumb. This man's hair is large. Biblically large. Now it is 1988 and I am 10 years old and I have just seen the face and the hair of God in a striper video striper the venerated Southern California Christian metal band. This song is called I Believe in You and it is an even more wholesome chase soaring transcendent majestic piano driven 80s hair metal power ballad. You are the one and so be the way in my heart you stay. The way striper frontman Michael sweet points emphatically when he hits that last note in my heart you stay. That's how you know this chorus is going to biblically whip ass from their 1988 album in God we trust. This is I believe in you. Striper is a literally biblical name. Isaiah chapter 53 verse 5, King James version quote, but he was wounded for our transgressions. He was bruised for our iniquities. The chest diesment of our peace was upon him and with his stripes we are healed. End quote striper with a Y. That's Michael sweet's brother Robert sweets on drums metal bands are cooler if there's brothers in them. I saw the I believe in you video on MTV when I was 10 years old and I was mesmerized. I am mesmerized by those righteous power cords. I am mesmerized by Robert sweet's drum kit with all the symbols hung from chains overhead. I don't know if that sounds good from a drum tech perspective but it looks cool as hell. I'm mesmerized by the string section of tastefully dressed Foxy ladies playing see through violins and whatnot and I'm mesmerized as Michael sweet keeps hitting notes higher than the towering peaks of Mount Sinai. Striper's famous black and yellow color scheme also extremely cool extremely metal would it shock you to learn that this song I believe in you has a key change would it shock you to learn that this song peaks with Michael sweet hitting an even higher note I suspect this does not shock you at all. The striper awesome mullet guy is singing way too hard to point this time it's not a true classic hair metal song if it doesn't have at least one note that would physically kill you if you attempted to sing it. What's that? Oh you don't like piano driven hair metal power ballads? Okay that's fine I respect that. Let me ask you something do you know a second song by the rock band Europe? You 100% know at least one song by the rock band Europe they're from Sweden you know the final countdown right that one sorry I had to do the whole thing it felt rude not to do the whole thing but do you know another Europe song because I know three I know the final countdown I know let the good times rock and I know this one I know open your heart from the 1984 Europe album wings of tomorrow open your heart is a power ballad and Europe's keyboard player is prominently involved but this tune is not piano driven per se instead it's driven by the part where the guitar player physically throws his acoustic guitar off screen and switches to electric guitar and starts whipping ass. I don't think I got to tell you how psyched I was sitting on my couch the first time I watched Europe's guitar player go thoop and then go boom boom boom boom boom. I picked up our coffee table and I threw it at the ceiling MTV used to play this stuff all the time MTV used to be all hair metal all the time all majestic power ballads all the time all mulits all the time now that's not true technically factually but that's what it felt like to me it was all mulits to me emotionally when I was 10 years old MTV was the whole world to me and to me this was MTV's whole world righteous power chords glass pianos spandex medium-disfear ludeness and magnificence plumage you wouldn't call this sort of thing critically acclaimed or even especially cool but by the mid 80s hair metal was ridiculously huge and yeah I never mind it was incredibly cool and it did indisputably define the first decade plus of my life I'll put it you like this I heard black flag the king's ex song way before I ever heard black flag the punk rock band yeah yes in high school in the mid 90s the first several times somebody cool mentioned black flag the band I just naturally assumed they were referring to black flag the song by king's ex a hair metal adjacent trio from springfield Missouri holy crap I had no idea these dudes lived in Missouri I thought all the cool metal bands lived in california or europe I lived in Missouri for most of the first decade of my life I lived in ureca Missouri near six flags and also near a super fun site and no offense but I can assure you Missouri was not this cool and yet here is king's ex here is king's ex frontman Doug pinnick the coolest guy named Doug whoever lived Doug is rocking a more mohawk based sort of magnificence plumage and Doug is starring in a weird cool unsettling rock video that features awesome state of the art in 1992 special effects the black flag video walked so the black hole sun video could run meanwhile Doug is hitting a climactic high note that would kill me if I attempted it yes I said 1992 you heard me correctly black flag by king's ex came out in 1992 and got played a lot on mtv in 1992 now you may have also heard me say dozens if not hundreds of times that hair metal did not exist in 1992 what's that dumb a historical wildly exaggerated cliched statement I'm always making ah yes grunge killed hair metal that's what I always say in september 1991 the very first time nirvana smells like teen spirit video appears on mtv within five seconds burn an arch into burn on a hair metal is dead five seconds the smells like teen spirit video premieres and hair metal spontaneously combusts hair metal chokes on someone else's vomit hair metal dies in a bizarre gardening accident but that's not true and that's giving grunge way too much credit for existing and I'm giving hair metal nowhere near enough credit for surviving yes in the early 90s and beyond the likes of poison and white snake and Cinderella and warrant and winger and what not enjoyed markedly less commercial success and media attention and critical acclaim compared to nirvana and pearl jam and sound garden and so forth but plenty of early 90s hard rock did not qualify as alternative rock at all you know what video played on mtv constantly in 1992 everything about you by ugly kid Joe ugly kid Joe or from Sweden that's not true they're from southern california the everything about you video takes place on the beach the lush cinematography the righteous head banging the disconcertingly handsome lead singer think of this as the temple of the dog hunger strike video for dickheads I don't even mean that ugly dickheads complimentary dickheads is the ugly kid Joe vibe on purpose these dudes had another big hit in 92 with a weirdly awesome dead serious cover of cats in the cradle the 1974 hairy chapern weepy folk lousy father anthem cats in the cradle my boy was just learning me but like listen to everything about you again sometime it's got rude scrappy punk adjacent energy it's got a grunge crunch to it it's got a disquieting red hot chili peppers style funk metal breakdown well I know you know everybody know you can talk yourself into ugly kid Joe as lala pelusa material yes they maybe are alternative yes but no everything about you is a hair metal song in sound and vision and temperament for one thing in the video they're flying what appears to be a sex doll kite on the beach that is hair metal ass behavior for another thing ugly kid Joe's frontman sounds an awful lot like David Lee Roth also on purpose everything above you that hate everything about is primo David Lee Roth that's primo classic van hailin shout out van hailin metal bands are cooler with brothers in them the early 90s was not all nirvana all the time alternative rock was not the only kind of rock all sorts of additional non-alternative flavors of rock back then plenty of impressively cropped and man-scaped dudes bellowing chaste soaring transcendent majestic acoustic guitar driven hair metal power ballads and if you don't believe then love is on the way is on the way from their 1992 album the lizard here we have cygon kick with love is on the way i feel bad for cygon kicks drummer because his bands biggest hit has basically no drums in it so in the video they just hand him mallets and one drums we can go periodically here play with this cygon kick uh-huh they must be from florida cygon kicker from choral springs florida please don't tell me why they name themselves that no thank you also the japanese version of this album the lizard includes cygon kicks cover of deer prudence by the beetles also no thank you moving on to 1993 oh look who it is yes it's aero smith with livin on the edge the lead single off their 1993 album get a grip if you saw a brief shot of steven tyler riding around with half his body painted black just forget you saw that also you can't tell in that clip but he's naked just forget i told you that it's not safe for work get a grip is the aero smith album with cryon amazing and crazy on it the elicia silverstone video trilogy the godfather trilogy of its time aero smith are absolutely nobody's idea of an alternative rock band and yet aero smith are absolutely thriving on nineties mtv does the name budnic mean anything to you bobby budnic the dickhead bully from the early nineties nicolodian summer camp sitcom salute your shorts the redhead mullet kid who was also in terminator two he looked like muppet babies axel rose this actor's name is danny cuxi did you know that danny was also the frontman for a rough tough mean hair metal band called bad for good i overused the muppet babies as a reference point but this kid really does look like muppet babies axel rose he looks like super mario cart axel rose that's bad for good bad numeral for good all one word and i personally am totally convinced that budnic is rough tough mean bad and 19 i believe at least 20% of those things that's rude i'm sorry i really like this song 19 is a cover of a fill linoht song the great fill line out from thin lizy coolest guy named fill ever and look given the choice between a hair metal song about how the singer is 19 in a hair metal song about how the singers girlfriend is 17 i will always enthusiastically take this yes incredibly budnic is my second favorite member of bad for good whose lead guitarist is named tamis mcrockland tamis mcrockland not tami mcrockland not even tam mcrockland i am smitten by both the formality and the flagrant informality of tamis mcrockland oh he must be irish all of these songs i got from this incredible 2013 spin magazine list called no alternative 40 hard rock songs that nirvana couldn't kill i was working at spin at the time i worked there for like 10 minutes total it's not my fault not an office job and not my fault but i got to write a few blurbs for this phenomenal list of not alternative early 90s rock songs that my brilliant co-workers put together chuck eddie the amazing rock critic and editor and author of stairway to hell the 500 best heavy metal albums in the universe chuck was a driving force on this list and i was delighted just to be along for the ride this list is not really online the slideshow doesn't work now it's not my fault but i emailed my old spin colleague Christopher R. Winegarten and i'm like do you remember this 90s hard rock song list we did do you have it saved anywhere and Chris writes back immediately and he says yeah i found it by searching my email for jackal for you audio-only consumers your ears do not deceive you that was a chainsaw solo that was a chainsaw chorus actually to a 1992 hit song called the lumber jack jackal hail from the suburbs of Atlanta Georgia jackal are on geffen records which means jackal and nirvana are label mates sure that's jackal with a y jackyl it's way cooler with a y as striper taught us any hair metal band name is cooler with a y let me break this down for you you know it's not cool a hair metal band named dentist what the dentist no i don't want to listen i think those guys sound terrible you know what's cool a hair metal band named dentist d-e-n-t-y-s-t ooh they replaced the eye with a y that's super tough i'm intrigued you know it's incredibly cool a hair metal band named dentist d-y-n-t-y-s-t oh shit they replaced both the e and the i with wise that is rough and tough and metal as hell i loved that spin list so much 40 hard rock songs that nirvana couldn't kill the alternative to the alternative rad saws by warrant slaughter acdc motorhead extreme death leopard queens rike etc that's queens rike with a y and there's an umlaut over the y holy shit the list was ranked i believe and so you know the number one the very best early 90s hard rock song nirvana couldn't kill that would be november rain by guns and roses led by acsil rose real life full-size non super mario cart acsil rose yes november rain is the correct choice for the number one non nirvana early 90s rock song yes of course however i was there i was there sitting in a sold out movie theater in the suburbs of cleveland o'hio on friday february 14th 1992 valentine's day i might have actually been on a junior high date scare quotes with a young lady who as it turns out was just not that end to me good for her it's a good call i was there for opening night of the best movie i'd ever seen in my life and i found out that the best non nirvana hard rock song of the early 90s might have actually come out in 1975 i think will go with a little bohemian rhapsody gentleman good call the wanes world movie directed by panellope sphiris panellope is the best wanes world opening night the bohemian rhapsody scene bohemian rhapsody by queen yes wanes world is set in present day aurora illinois and a subtle joke amid all the phenomenal unsuddle jokes here is that early 90s cable access tv era aurora illinois looks like and is basically still fully living in the 70s the second best song in this movie is wanes girl friends bands cover of ballroom blitz a song originally released by the glam rock band sweet in 1974 great song great cover in this movie shout out tia carera shout out crucial taunts wanes about to swing by a rock club where meet loaf the 70s and 90s rock star meet loaf he plays the bouncer who's playing the shitty beetles are they any good they suck i love every last second of the wanes world movie so much in all this movies super 70s glory no stairway denied but nothing compares to the bohemian rhapsody scene i see a little silhouette of a mask who's gonna move to the foundation go bouncer fighting very very fight in me it's the dudes in the back seat wanes best friend garrath is driving wanes riding shotgun it's their movie but this scene's not the same without the two long hair burn out dumbasses in the back seat in all their 90s via 70s hair metal glory the guy in the back on the left is about to operatically raise both his hands and roll his eyes skyward as he sings mama me let me go and i will never forget the glorious joyful goofy look on this dude's face for as long as i live there's another guy in the back seat now the drunk guy in the middle who's singing along but he's also maybe gonna hurl absolute bedlam in my movie theater in suburban cleveland on valentine's day 1992 when the bohemian rhapsody scene hit screaming laughter total chaos unremitting joy it was the minecraft movie of its day this is unequivocally my all-time greatest movie theater memory this scene we come to this place for magic etc until this day i'm curious this is 1992 we are 90s teenagers to be clear queen are eternally cool queen are eternally huge queen do not require redemption or rediscovery bohemian rhapsody is not a deep cut that this movie is shrewdly excavating but bohemian rhapsody blaring in a room full of 90s teenagers this is not our song this is not our time this is not our generation this is not alternative rock this song is pure uncut 1975 this song is our parents in song form and here on valentine's day 1992 we love this scene immediately and permanently and bohemian rhapsody is suddenly present tense again in 1976 the song peaked at number nine on the billboard hot 100 after the wanes world movie bohemian rhapsody re-entered the charts and now it peaks at number two beaten out only by jump jump by criss-cross all of all it the wanes world bump it's delightful did you know that the sequel wanes world two came out just a year and a half later in late 1993 that's efficiency you know what happens at the end of wanes world two an erosmith concert look who it is but yeah to this day i'm curious thinking about that packed joyful theater full of 90s teenagers how well did we know queen and know bohemian rhapsody before wanes world how well did i know this song is it bohemian rhapsody specifically and exclusively that has this timeless teenager delighting time warp ability or does all ridiculous operatic 70s glam rock carry this potential because i feel like all my life long before wanes world and long after ostensibly new rock bands have been actively trying to teleport us all back to the 70s and the farther away we all got from the actual 70s the harder those bands tried and look nothing else is bohemian rhapsody nobody else is queen except no substitutes however The little guitar shutter there, the vibrato, the derter, within six seconds, this song is an all-timeer. My name is Rob Harvilla. This is the 35th episode of 60 Songs That Explain the 90s Cold in the 2000s. And this week we are discussing, I believe in a thing called love by The Darkness. From their 2003 debut album called Permission to Land. Also darkness frontman Justin Hawkins is naked as this video begins and I think his nudity is somehow audible. I gotta do an ad break now or HR is gonna yell at me again. If you wanna save a few quid British gas have a way you get half price leaky and it's called Peaks Ave. On every Sunday it's the smart thing to do if you're regular folk or furry and blue. 11 till 4 let the good times begin you could charge up the car or take the dryer for a spin. Half price electricity what joy that brings with British gas Peaks Ave we're taking care of things. TZC supply eligible tariff and smart meter required. Alright fantastic grunge did not kill hair metal rock and roll is not a monolith. As a naive impressionable wanes world loving teenager I struggled to wrap my head around this. The media attention the critical attention the hype at any given time led me to the conclusion that there was only one type of rock music happening at that particular time. But just as queen was not the only type of rock music happening in 1975 grunge was not the only type of rock music in the early 90s pop punk green day the offspring etc. was not the only type of rock music in the mid 90s new metal with the turntables and the wrapping and what not limp biscuit and various other dickheads new metal was not the only type of rock music in the late 90s. In the super cool garage adjacent rock is back crew the strokes the white stripes the hives etc. That was not the only type of rock music in the early 2000s anywhere in that span anywhere in the span of human history you can also find an anachronistic rowdy sleazy heavily tattooed so uncool they're kind of cool. Peyton potatoes all caps rock and roll band singing about how much they love cocaine sometimes those bands could be hard to spot though. Not this time here we have the anaheim california rock band buck cherry one word and they're hit 1999 debut single lit up mama can you wait I forgot about that part referring to an attractive lady as mama is an aerosmith coated move for me I realize aerosmith did not invent that but I always think of aerosmith anyway. The shirtless gyrating super tattooed cocaine love in gentlemen in the lit up video is of course buck cherry frontman Josh Todd who has two first names Josh is always talking to the press about how rock and roll is trying so hard to be cool that it's not actually cool anymore talking to Rolling Stone australia in 2016 about why he wrote a song called tight pants Josh says quote because a woman's arse is fantastic and he laughs and he says quote let me tell you what's missing in rock and roll you used to be able to dance to it there was also a lot of sexual innuendo it was fun it was a party it was a really good time you can't find that anymore unless you go to pop music people aren't singing about stuff that's sexy and fun plus there's not a lot of great frontman the ones I love are those that the guys want to be and the girls want to fuck we also need more guitar heroes we need more great frontman with both of those in place there'd be a really good movement again end quote that is Josh's legitimately thoughtful response to the question why did you write a song called tight pants verbatim the question is quote why write a song parenthesis tight pants close parenthesis about a woman's arse end quote that's a great question buck cherry did not sound very much like 1999 in 1999 but that was the point that was buck cherries value proposition every era of rock and roll needs let me tell you what's missing in rock and roll tight bands buck cherry where your favorite rock band in 1999 if you thought most other rock bands in 1999 sucked and these fellas have put out 11 albums and prospered and persevered and only grown more sophisticated for example in 2014 buck cherry released an EP called fuck six songs total on the fuck EP track one somebody fucked with me track two say fuck it track three the motherfucker uh track four i don't give a fuck track five it's a fucking disaster and finally track six fist fuck i wish that one weren't last i will say that i would have preferred to say one of those other song titles last but i was trying to respect buck cherries intent i should have just made up my own track listing nobody would have checked that also buck cherry released their fuck EP on their very own record label which they named f bomb records f hyphen bomb would i respect buck cherry just a tiny bit more if they'd summoned the necessary courage to name their label fuck records yes yes i would respect them a tiny bit more are we doing this or are we doing this f bomb records now is not the time for half measures buck cherry let me refer you to track two on your own fuck EP which if you'll recall is called say fuck it hey guess what it turns out that say fuck it by buck cherry is a cover of i love it the 2012 smash hits i love the cocaine pop song by iconopop and charlie xe x with the line i love it replaced by say fuck it it's a great idea meanwhile by 2003 the rock and roll landscape has gotten even more chaotic and confusing in that it's increasingly hard to tell the old bands from the new bands and to tell the cool bands from the so uncool they're almost cool bands since your question how cool or not cool is this precisely here we have jet from melbourne australia with their blockbuster 2003 debut hit single are you going to be my girl no question mark and by one way of thinking this is peak 2003 it's scruffy strokes adjacent garage rock it's soundtracking a viral ipod ad it is absolutely loaded with 70 signifiers in an emphatically 21st century sort of way the black and white video the guitarists acdc t-shirt the tambourine the quasi-motown bum bum bum bum bum bum bum bum bounce that sounds like icky pops lust for life even if jett insists they weren't trying to rip off lust for life does all of that make this song cool or hopelessly uncool jet frontman nicks cester talks a lot about how he wrote a lot of the first jet album while sitting on the toilet that also could go either way coolness wise yes i said are you going to be my girl the singers prodigious mutton chops are quite two thousands via nineteen seventies as well that's jet frontman nicks cester's brother criss cester on drums by the way rock bands are cooler if there's brothers in them talking to ticket master in twenty twenty four that's cool nicks says quote the whole premise of jet was to write straight up rock and roll we grew up listening to our parents rock and roll records so what was interesting to us was rock and roll that had swagger and was sexy you could dance to it and quote that's buck cherry talk though that doesn't sound like a guy trying to be cool or current that sounds like a guy trying to start the band you loved in two thousand three if you thought all other two thousand three rock bands sucked and that attitude of course leads to cool people thinking that jet sucks jet second album released in two thousand six and called shine on that's the album that pitch fork famously reviews by simply posting a gift of a monkey peeing in its own mouth we're a video podcast now we can show that gift there it is no it is it that's that that's the ikea monkey that's my mistake that's the monkey that they found slagging through an ikea in Toronto in 2012 jet cool with me but nobody in jet is pulling off that coat i'll tell you that much i love the ikea monkey and if we're talking viral monkeys i vastly prefer the ikea monkey to the jet pitch fork peeing monkey just a personal preference for a band that sounds an awful out like the strokes i have never personally equated jet with the strokes because the strokes are cool and jet are not rock and roll is very confusing to me in the early two thousand you can't tell the cool bands from the uncool bands you can't tell the old bands from the new bands oh you say you want fun party music but rock and roll doesn't do that anymore try finding anybody partying harder than this guy andrew wk party hard 2001 andrew is returning rock and roll to first principles specifically the principle of partying hard and the party hard video is just robust sweaty dudes thrashing around buck cherry style but party hard the song sounds like you're getting beaten to death by a giant sentient iPod is this man from the future is this man from the distance past is this man serious maybe that's the confusion of early two thousand's rock music are you serious was a question i was constantly asking back then as a confused 20 something are these people serious are the critics who love these people serious the donnas take it off 2002 the donnas are from palo alto california the key to a high school talent show themed video is to have a few scruffy burnout kids in the audience who really dig your band but not too many people because too many people digging your band isn't cool do you know days didn't confused the great Richard link later movie from 1993 about 70s high school kids Matthew McConaughey going all right all right all right and so forth a question for you do you remember days didn't confuse now as a 90s movie or a 70s movie or specifically as a 90s doing the 70s movie i am similarly pleasantly temporally vexed by the donnas who debuted in 1998 with an album called american teenage rock and roll machine and put out an album called the donnas turn 21 in 2001 and yet every word of every donnas song sounds like it was scratched with a butterfly knife into a high school desk in 1976 they sound a little bit like the runaways and a lot like kiss and they're very clearly very serious about sounding like a 21st century american young adult rock and roll machine but they also look and sound and act like their geometry teacher put them in detention for 25 years same with the band drunk horse do you know drunk horse is a great band name drunk horse are from Oakland California i love Oakland in 2003 drunk horse put out an album called adult situations it's a great title with an album cover i would characterize as tastelessly censored and this song is called national lust it's a great title and national lust was one of my favorite rock and roll songs of 2003 in part because even now every few months a line from this song pops into my head and instantly i'm in a fantastic the line is tight pants make it hard not to think about sexual intercourse i think we've established that this is a fantastic premise for a rock and roll song it is 2003 and with lots of rock bands we're dancing we're having fun we're having a party we're pissing off our parents but also directly emulating the music of our parents and as requested we're indulging in lots of sexual innuendo but this word innuendo it implies a sneakiness a caginous a plausible deniability double and tendras and that sort of thing whereas we're looking for single and tendras and we'd like our new stuck-in detention rock stars to be as direct as possible get your pants off of my world but no more gold get your pants off of my world but no more gold they are called the darkness it's a great band name it's pretty dark they are from low-stuffed east suffoc england i have never been there but it sounds lovely and they first break out via a ridiculous operatic 70s glam rock anthem called get your hands off my woman the darkness consists of just in hawkins on lead vocals and guitar his big brother dan hawkins also on guitar rock bands are cooler if there's brothers in them frankie pulein on bass and ed gram on drums unfortunately even when you're staring right at them it's easy to forget there's three other guys in this band when you got frontman just in hawkins prancing around in a bare-chested zebra striped cat suit like he's porno beetle juice did you know that the first line of this song is you are drunk and you are surly i didn't i really dig just in hawkins singing that line like he's auditioning for the barber of civile all these concert-based rock videos spanning 30 years now they all look remarkably alike don't they you got four or five hairy grimy surly dudes rocking out on stage there is a comforting similarity but falsetto porno beetle juice this guy's a little bit out of the ordinary yes the silliness the freddy mercury swagger the uncouth language the flagrant what's wrong with being sexiness just in hawkins is really going for it and in early 2000s rock and roll culture where most frontman aren't really going for it you don't see a lot of zebra striped cat suits in 2003 this song get your hands off my woman is about some mother fucker who won't get his hands off Justin's woman in the pre-chorus Justin valiantly acknowledges his woman's bodily autonomy oh i've got no right to lay claim to her frame she's not my possession and then he calls the mother fucker another five thousand pound swear word oh i've got no right to lay claim to her frame she's not my possession the way that darkness frontman Justin Hawkins points emphatically when he hits that last note that's how you know this chorus is going to biblically whip ass are these people serious what does being serious mean in this context to put it in the crudest lazyist rock critic terms the formula here is acdc plus queen plus irony question mark equals the darkness the acdc part the exquisite knucklehead chunky guitar riff part you get that immediately on this first darkness album on the opening track which is called black shuck and is about a dog that doesn't give a fuck black shuck in fact is about a dog that doesn't give a fuck and mauled two churchgoers in the year 1577 in Blightberg, a small English town south of Lowstaffed. As the darkness guitar as Dan Hawkins told the magazine Total Guitar in 2011, quote, you wouldn't exactly hear Bon Jovi writing a song about a church in Blightberg. Would you? End quote, the darkness are extremely proudly, relentlessly English. They will take great pains throughout their tumultuous, but it probably length the career to remind you that they are English. And we start right here on Track 1 album 1. Talking to the website Music Radar about Lowstaffed in 2023, Justin Hawkins says, quote, I've definitely found there's a lot of truth in that expression. Never forget where you come from. What set us apart was that town. For us, it is really a geographical foundation. And if you don't have that framework, then you've lost it and you're just trying to be global. That was really important, lyrically, with stuff like Black Shuck. End quote, this song also gives Justin the chance to operatically sing the word parishioners. I had to get the in his eyes in there. The darkness are not screwing around or the darkness are blatantly screwing around. The sound of this permission to land record is gloriously an acronistic. The sound is 70s glam rock multiplied by 80s hair metal. But in 2003, we're used to new bands sounding like old bands. But now the style and the attitude is also an acronistic. Vocally and visually, Justin Hawkins is proudly channeling Freddie Mercury. He's channeling David Lee Roth. He's preening. He's mugging. He's porno clowning around. He's got armadillos in his trousers or his cat suits, whatever. He is preposterous. And the darkness are funny. But just because you're funny, that doesn't mean you're joking. Right? Talking to the English journalist James Gill in 2002 before the darkness even got a record deal. Justin Hawkins says quote, rock is funny by definition. ACDC had a dude in school uniform for no reason and they've done it ever since. Now there is a culture of that can't be real. Rock is about the suspension of belief. It's like that's not acceptable anymore. Just be moved by the music. Where's the problem? End quote. This song is called growing on me. One potential problem is that it's kind of gross. Yeah, this song is about having a sexually transmitted disease. Technically growing on me qualifies as a double in Tondra as in you endo. But only technically. I can't get you out of my head. That's gross. Man, that can't be real. Man, Justin Hawkins is frequently nude in this video as well. But at least he's tastefully pixelated. And what he's not nude in this video, Justin is often dressed in a sparkly white jumpsuit. Just in case you are tempted to forget that he is the front man. The chorus calling response there of you're really growing on me. Or am I growing on you? It's quite profound. Profound and also gross. Just because you got jokes doesn't mean you're a joke band. Yes, in 2005, the Sony A&R man Nick Raphael did an interview with the website hit quarters. And he talked about trying and failing to sign the darkness. Nick says quote, there couldn't have been less of a buzz. And only two record labels showed any interest in them. The business as a whole thought they were uncool. In fact, people were saying that they were a joke and that they weren't real. Now, 3.5 million records later, they're one of the greatest of all bands in the world. And that's because what they did was real. They weren't copying anyone. If they were copying, then they were copying someone from 20 years ago and no one else was doing that. End quote. Well said. Here's a darkness song called Friday Night. I just love the way Justin Hawkins sings the word badminton. I got playing, follow Wednesday, the video, I got first day, I got Josh, she got a Friday night. They're even playing badminton and ping pong in the video. That's dedication. Hey, here's another super fun upbeat chunky ACDC riff type delightfully jonti song called Oof, except my mama here actually refers to the singer's mother and, lyrically, this is a super gnarly song about being addicted to heroin. Dan Hawkins, the guitarist has healthily clarified that his little brother Justin has never actually tried heroin in his life, but nonetheless, drugs are a significant part of the equation with the darkness. And there's legit darkness amid the jauntiness. Though sometimes you do just want a soaring, transcendent majestic power ballad. Don't you? This song is called Holding My Own. I love this one. The incendiary guitar action punctuating every word right there. I'm holding my own. That's a double intandra. By the way, that phrase, I'll leave you to explore this song lyrically in private. This is a phenomenal debut rock and roll album permission to land and it is consistently phenomenal. And I say that even though one phenomenal song immediately eclipsed all the other ones. This dude really is naked and pixelated a lot. The first remarkable aspect of I believe in a thing called love to me is that the central guitar riff here is so fantastic. That it doesn't matter that the lyrics are pretty dumb. Endearingly so, the lyrics are stupider than they are clever. My heart's an overdrive and you're behind the steering wheel. That whin some clonkin as only underscores how in love Justin Hawkins is. He's so in love that his powers of wordplay have severely diminished. Indeed, the pre-chorus is just Justin Hawkins singing, touching you, touching me, touching you, yeah, you're touching me whilst wearing yet again a bare-chested cat suit and reclining on a giant pillow in a purple spaceship decorated with a statue of cavorting naked ladies. This dude takes great pains to remind you that he is the lead singer. I believe in a thing called love is a song about believing in a thing called love. Talking to songwriting magazine in 2018, Justin says, I had this thing in my head that if we had songs with love in the title, we'd be successful. There were a lot of bands that were trying not to write about love, or they were writing about love, but without saying the word, like they were too cool to say it. I thought, fuck that. Think about some of the greatest songs of all time. They have love in the title. It's there for a reason because it's something we can all feel and understand what it means. To feel embarrassed by it is a bit immature, really, end quote, and the darkness certainly don't want to seem immature. Chorus! It's the chorus to I believe in a thing called love that makes this the darkness song to rule them all. Yes, the ludicrous ultra falsetto karaoke heat check of this chorus. You're at karaoke, you've had 3.5 alcoholic beverages, and you stumble across I believe in a thing called love in this songbook, and you think I can do this. You can't. Every note of this chorus will physically kill you if you attempt to sing it. That's what makes this song great. That's what makes this song rock and roll. You know, it's also super rock and roll. The lead singer yelling guitar before the guitar solo, outro. At this point in the video, a giant space octopus, or something is attacking the band's Lord Helmet spaceship. I don't think you really want me trying to assess these videos on like a plot level. I believe in a thing called love is the song that lands the darkness on the cover of Spin Magazine. Well, it lands Justin Hawkins on the cover of Spin Magazine. Well, it lands Justin Hawkins on the cover of Spin with three other people under the headline, the next big things. This is February 2004. And if anybody knows what's going on, rock and roll wise, it's Spin Magazine. And yet with this cover, Spin Magazine is clearly saying nobody knows what's going on. Rock and roll wise. Left or right on this cover, we got Paul Banks of Interpol, Dapper, gloomy New Yorkers, emulating the 70s in a different way. We got Brody Dahl. She is the lead singer of the great LA Supergrimy punk band, The Distillers. We got Justin Hawkins wearing a giant white coat and pink and white striped pants making angel wings with his hands and his legs spread as wide as possible. And finally, we got Jeff Rickley of the New Jersey post hardcore band Thursday. Thursday are fantastic. And they can be quite bombastic. And yet Naria jumpsuit in Jeff's closet, I imagine. This magazine cover, these are four very distinct ideas of what the term rock star means. And rest assured, only Justin Hawkins is channeling rock stardom in the 70s glam rock and 80s hair metal sense. In this article, Spin asks all four of these people, what band they most admire? Whose career they most admire? And Justin Hawkins says, in terms of experiencing lineup changes and still maintaining credibility when you hit back its arosmith. They all had their differences. One of the best things about the Steven Davis Arosmith biography, it's called Walk This Way, is that there is no happy ending. They're all still bitter and they've still got issues with each other, but they're still working it. And it's still a valiant, enviable position to be in, to be a member of Arosmith. End quote, look who it is. The second darkness album is released in 2005 and is called One Way Ticket to Hell, dot, dot, dot, and back. Wordplay, two observations. This song's guitar riff is nearly identical to the outro of I believe in a thing called love. And also this song is about cocaine. Yeah, in the one way ticket video, Hell has frozen over with snow, and the darkness are stuck in a giant snow globe, and then they have to climb a giant mountain of snow. Also, this song starts with the sound of someone sniffing cocaine. Justin Hawkins has said in interviews that at his peak or his rock bottom, I suppose, he spent 150,000 pounds a year on cocaine. I don't know what that translates to in American dollars, but I imagine it's a lot. This song is dumb and repetitive, and I love it. I can imagine Wayne and Garth and the other guys in that blue car in the Ways World movie singing this. The second darkness album, okay, there's a song in this record called English Country Garden. There's a song on this record called Nockers, the full spectrum of the human experience. I picked up my 14 year old son from middle school the other day, and I was listening to this album, and I failed to anticipate the inevitable. Right? So I'm driving, and my son's riding shotgun and Nockers comes on, and it says that right on the little screen, and my son looks at the screen, looks out the window. Doesn't say anything. Doesn't acknowledge it. Just silent, palpable shame. Everyone in my family knows better than to engage with me at this point. I'm a liability. I've gone from unfit to work in an office, to unfit to work in my own house. I'm going to end up doing this show alone in a storage unit, or perhaps a sewer. From here, the darkness run into some drug-related issues, some extended hiatuses, etc. Let's not get into it. Here's what you need to know. And Buck Cherry knows this also. You can't be the I love the cocaine band for 25 years. You physically can't. You can be the I loved the cocaine band, but that is different. In 2012, seven years later, the darkness released their third album called Hot Cakes. I have been preparing myself to say that out loud for several weeks. Oh, wow, look at this cover. For you, audio-only folks, this cover, it's a tasteful illustration of three Foxy scantily clad ladies reclining on a bed of pancakes. Also, they are covered in what appears to be maple syrup. The pancakes are covered in maple syrup. And also the women. This cover is so incredible that I'm afraid to listen to the actual album. Lest it not live up to the cover. You feel me? Same deal actually with the sixth album by the darkness, which is released in 2019 and is called Easter is canceled. Holy shit. Get a load of this cover. Look at Superbuff Jesus smiling on the cross. What on earth is going on here? If I'm reading this image correctly, and I'd like to believe that I am, I believe the darkness are triumphantly disrupting and thus preventing the crucifixion of Jesus, which would mean that technically good Friday is canceled, but nevermind. Let them cook. That cover is amazing. I am amazed. I'm afraid to listen to this album also out of profound respect, but I will love this band forever. And I will love both of these albums forever, even if I never hear them. And I encourage you all to share these albums with your friends and your family. Just maybe don't talk about this band with your co-workers at work. We are delighted to be joined once again by Jill Hopkins, journalist and podcast superstar and Chicago institution. She is the civic events producer at Metro Chicago in G-Man Tavern. She hosts myriad live events. She is very busy and she is very tired. Jill, thank you so much for taking the time to be here. Thank you, Rob. I am out of bed. I am drinking a non-sleepy time tea for a change. I am so excited. Thank you for having me back. Of course, we are grateful to have you. You mentioned to me that you saw the darkness, I think in 2003 at the Double Door in Chicago. You also mentioned that that was your wedding venue. True. The Double Door. And so what was the better show? Okay, so my wedding, the greatest day of my life, listen. Sure. I don't have children. So that was the greatest day of my life. Not the day my kids were born, which I imagine were your best days. But the darkness put on a hell of a show. They were so good. Yes. They're one of those bands that even without knowing what they look like or having seen a video, you hear the album or whatever and you're like, I bet these guys really turn it out. Like you just tell. Yeah. So they were great. And it's the Double Door. And this was like in its heyday. And I missed that venue so much. It was my favorite place to see shows. But it was a small room. I don't remember what the capacity was, but I can't imagine it was more than like 400. And just on a single level, like not really a balcony situation. And those dudes just, they did not come to play. They were taking over. And so say all of us, let's tap into a mirror. It is. There is so much. I try to resist it, but there is just so much spinal tap in this entire situation. I just, I want to just quote the entire movie to myself and to others the entire time I'm listening to this. But I don't mean that as a slight. I mean, that is not hugely complimentary. Like they, they knew what we needed as a society. In 2003, which at the time felt, you know, as an American woman, felt like kind of drudgery. It was the Bush administration. You know, we're going to like, you know, the protests and stuff. Yeah. And we're like, I can't imagine I could get any worse than this. Yes. Yes. And here we are. And here we are. I know it was 20 plus years ago, but like, I imagine the crowd. Like when I saw the darkness, what I responded to was the joy, like the elation, like we're enjoying being a rock band. And you're enjoying watching this rock band, which is not a vibe as much as I love, like interpol, for example, like that joy is not the transmitted emotion there. Like do the darkness like sum it up sort of a joyful elation that not many rock bands in 2003 were trying to create. Oh, yeah, it was a very, it felt like nationally, internationally, Chicago's rock bands were all about the fun and the vibes and the joy. We had a great scene in 2003 still do. But like in 2003, there were bands like Bible Devil and Las Vegas and just, you know, really great swaggy, tongue-in-cheek people who got it. And then nationally, we're dealing with like the strokes and interpol. And I've seen interpol live and I've seen interpol live at like a house of bands in Brooklyn. There are people on skateboards while interport pole is playing. And it was still not a joyful. They were skateboarding solingly and within them. It was, it was all the, and I do, I do, I love interpol, I love Paul Banks. I think his album was at the Rizza or the Giza, one of the two guitar rap albums sure did. And it was great. I played the heck out of it on my radio show. I think he's a great songwriter, but there needed to be some, you know, smiles at the show. There needed to be dancing on the dance floor. There needed to be girls in the front row. Like, there needed to be this kind of attitude that I don't think we had seen since the late 80s and early 90s that they really captured. And they were so much fun. I shot out to my friend Hobbes, who gave me his extra ticket. So we could go to this show. And yeah, I mean, it was packed in. It was sold out. And folks were just beaming ear to ear. Just every, like, little element that they brought to the stage brought more, you know, people looking at each other just like, what is happening? At some point, so there's a, it was a flat floor with a staircase right in the middle that went down into the basement that had like another bar and like a closed circuit TV so you could see what was going on upstairs if you wanted to do that. And it's something from the stage, there was a stairwell that went down into the basement so you could get to the green room. So at some point, Justin Hawkins leaves through the stairwell on the stage, you know, the rest of the band is vamping or whatever. And he comes back up through the stairwell in the middle of the floor. All the shoulders of his tour manager in a different jumpsuit than he was wearing any left the stage. A costume change. A costume change. And everybody lost their minds. It was what I think people think kiss must have been like. But I've also seen kiss live and I can't imagine that it was that much fun in the 70s. I mean, there was just, it was just, it was just fun. It was just the embodiment of a fun show. And there's not enough of that anymore. Just in general, not even anymore. Just in general, we're not having the times that we should be having at the shows. Well, I was going to ask, I know you to be a big Pearl Jam person. And I was, you know, what you were interested in rock wise in the 2000s. We go from like peak grunge and alternative rock. And later in the 90s, that sort of fizzles out, maybe you're in a potpunk, maybe you're in a new metal. But like, what was your sense of what rock and roll was like in the early 2000s in 2003? And did the darkness like make sense in that context? It was the whole point of the darkness, how anomalous they were. What a blast from the past or just a breath of fresh air they were at that time. Like this is a podcast and people can't see the face that I made when you said potpunk or new metal. And it was. Yeah. Okay. I sensed that. I did sense that. Yes. But like, you know, like the early 2000s, when things were looking kind of dire there after the potpunk. And you know, no, there's, I've seen Fallout Boy much love to those those local boys. There's, you know, Chicago's also a great potpunk city. But it was bleak. I don't know how else to say it. And then like around 2022, when like, the white stripes and the strokes and even like even hip hop needed a little something and like any our team was was about. And there was the the the the hives and the vines. Oh my god. What a what a what an embarrassment of riches. It came out around then. There was a an ethos and a sound that came out that hadn't existed in a few years. And it was so grateful, so grateful for. And then I was at a party for a bunch of dudes on estrus records. Like that was a great record. So we had like, yeah, just it was a really good look it up. Hey, who's listening? Look up estrus records. Try to get them to come back. But so there was a party like a house party. And they were playing Queen to the Stone Age rated R like the full album at this party. And I had not heard it before. And when I tell you that it my ears perked up, I was like, what is this? And not even the feel good hit of the summer because that kind of blended into the background mostly because we were all also doing drugs. But yes, it just made it felt like he was just narrating your experience. I was like, oh, all those things I'll take to. So like there was this that kind of focused me. There was this great website called stonerock.com that was this like one stop shop for that kind of music, the desert sessions, kias, fumans, you know, all that kind of stuff. And that's where I was in the early 2000s. And despite all of that, I never had bad feelings for like glam metal, the LA sunset strip kind of plays and etc. I think I'm in like that exact right age where I was like, yeah, Unskini Bob is not offensive to me. I'm a 12 year old girl. This is great. The ideal age to be for us. Oh my god. I mean, honestly, who else was Unskini Bobbing? It was just the tweens. We were having a good time. So I didn't have like any ill will towards that kind of thing. So when the darkness came around, they felt like the exact right meld of this, this early 2000s rock sensibility and the showmanship of a late 80s sunset strip band. I loved it. I love that. That's a great, that's a great framing for that. That makes a lot of sense to me because I love Queens of the Stone Age too. And like they're not, they are laugh out loud. Funny. Like feel good hit of the summer is a laugh out loud. Funny song. Like there's a lot of, I see a lot of connection between the darkness and the Queens, just like the flamboyance and just the silliness almost like rocking silliness. Like is that element important to you in a rock band? You love Pearl Jam who are not the funniest band who ever lived, but ideally, is there some sense of humor about your ideal rock band? Oh my gosh. Yes. I mean, I saw Spinal Tap 2 in a theater. I spent money just a few months ago to just reclaim that emotion. I think a tongue and cheek attitude can really elevate a band. If you take yourself a little too seriously, then like, I don't need to take you seriously. You've taken myself seriously enough for all of us. And there's bands like, especially in the 70s, Velvet Underground, I feel like they took themselves pretty seriously. I feel like early YouTube did not take themselves seriously, but modern day YouTube totally takes themselves seriously. I think that REM wanted to make you think that they were taking themselves seriously, but honestly, they were just a bunch of silly geese in a band from the South. And I do, I very much appreciate a sense of humor in a band. In the same way that I take it seriously in a romantic partner. Like, you know how you got with somebody and you think they're hot or whatever, they're really good looking. And then you find out that they suck as a sense of humor person. Like, you can't tell a joke. They can't tell a joke. Disappointment. You're not going to marry someone who can't make you laugh. And I feel that way about bands. And the entire permission to land album is a laugh right? They know what they do. They do. They do. It's also extremely English, which I think is important. Like, this band is like very, very English. And I do think that that works for them. Like, does that work for you? Like, is there an exotic quality? Or is there like the silliness of singing about like, you know, churches in the 1500s or whatever's going on on that record is the Englishness importance to the joy that you get from this band? Just this morning. So we're listening to a permission to land on the big TV in the bedroom as I'm getting my life together. And I'm looking at the lyrics and my husband's looking over my shoulder. And there was a phrase there, I think it was the Alco Straits or something in some song at the top of the album. And he's like, oh, those lyrics are clearly AI. What is that? That's not a thing. And so I just looked it up. And I was like, it's a highway in like a town in English. It's like, okay. I mean, it's it's so some of the references are so niche. And I don't know if English shit is exotic, but that's the wrong word. It's whiteness in a different font. It's whiteness and more serifs. Yes. Yes. Yes. It's an old English font. But I do think that they're regional pride. I don't know what else to put it does make a difference. I like it when bands are just like, hey, we're from here and we're going to write this into it. Some people, there's, you know, there's a conversation about like, what's the greatest American rock band? And the answer is Arie. But there is a lot of talk about, you know, Bruce Springstreet in the East Street band or, you know, peak aerospace myth or whatever. And those, I think the thing about those groups is that they are very much from where they're from. Like, they do try to be like just a generic thing. They are talking about the stuff that's going on where they are. And Chicago has a lot of civic pride. And I love that. Even when like, they, people move away, they're still just a Chicagoanist about them. And there's, there's very, very, very Anglo thing is going on with the darkness. Well, also not having the thing that sometimes you know when bands are British and they don't sing in their accents, I don't know how, but the word is for that. And there's not like, they're not like, oh, my, we're, I'm so bad at that was great. That was fantastic. Perfect. It's perfect. Oh my god, I'm working here at the end of that. But they're, they're very British. Down to the teeth. They got British ass teeth. Yeah. It's true. They're going to be a great quiz. Go ahead. Just like, you can't tell the band from, from just this, I have British teeth and I'm from the South Side of Chicago. I don't know. But there is, there is something very quintessentially British about them that I think is endearing. And it does make them more likable, I think. It would be a great quiz. Like English or AI, like, lyrically, it's one, it's tough. It's, it's going to be harder than you think. I, you're not going to get on that. I think this is how you become a millionaire, Rob. You make that. And then you sell it to the NYT games. Yeah. Very nice to a word. All totally connections. Wordal, whatever you call this. Yes. It'll be less frustrating than connections. My kids don't like connections either. They get very angry at the purple. Because why are they just gaslighting us, Rob? It is. It's a no. It's, it's designed. It's designed to annoy you. That's the most annoying thing about The New York Times in 2026 by far. That's these. Yeah. You know, that's, that's, that's our biggest problem. I'm very jealous that you got two cat suits at the Darkness show that you got like a costume change, right? Because I do think Justin Hawkins looks, acts and dresses like a rock star in a way that I don't remember very many if any other people dressing in 2003 is like looking the parts, another key components of this band playing the part. Yeah. And as I, like I said, this is a podcast of people who don't see, but you can see behind me, there's a poster of Prince. There's a poster of David Lee Roth, Erra Van Halen. So I'm obviously a fan of a, of Schumann ship in a lease in a front person. And Justin Hawkins is all of those things rolled in one same with the Hikes. Those, there was another band that I was, what else are these dudes going to do for a living cell cars? Like they're not going to be like, yeah, like this is, this is their calling. Obviously. Yeah. Like he, he couldn't have done another job for work genetically blessed with that voice, but also with the kind of way fish male body that allows a, a women's extra small cats. Very, very, very, frame. Yes. Yeah. And like not everyone can just be carried around by their tour manager. You have to be, you'd have to be built a certain way. I am not a easily liftable person myself. People don't realize how much boobs and ass way. And they think that they can just get me up there, like baby house or at the end of dirty dancing. But no, I'm very dense as a human being. Justin Hawkins, if he told me that he could fly, I would believe him. He's like, he would take to the wind like a leaf in a breeze. That's right. Flying squirrel evil, con evil sort of vibe totally, totally. Yeah. And he's got that that range, the vocal range that's great. And you know, just the, like a curled lip kind of eye contact situation. There's a little bit of Elvis in there. There's a lot of David. There's a lot of Freddie Mercury in there. There's, and the, and also his own thing, his own thing. And like the fact that he and his brother are in the band together, they must have been a menace at home. I don't know what their parents. Yeah. Their parents are still recovering. I know. I hope they bought them a house or something. Out on the couch or something. Her RV at least. I don't know if that's an English conception. But yeah, the caravan. The caravan. There we go. Yeah. But I mean, there's, there's nothing that that guy could have done other than be the lead singer in a very flamboyant rock band. Like if he, if he just decided to do like a, you know, what do you got three thing? People would be like, no, I don't get out of here. Get. I don't want to hear about the dust bowl Justin. Thank you. We're all sad. Yeah. We've got enough songs about the troubles or whatever it is. Right. He's breaking. He's breaking. That's true. That's not even speculated. No, I won't. Because he's just so good at it. He's so good. They're still putting out albums. He's he's a good 20 plus years older and he's still just like, yeah, doing it. Good for him. I don't have that kind of energy anymore. No, no. I wouldn't wear a casute back then, but I would certainly would not wear a casute now. Yes. I mean, somebody wants to pay me enough. I probably. I'm making. Yeah, just putting that out there on your very top. You cannot go. That's right. Yeah. DM Joe Hopkins at your social media site of court in just New Ghost. Yeah, worked out. I mean, I, I own take the seat. Look in for an excuse. Do you do? Are you pro or anti guitar solo? Do we have too many guitar solos? They're not enough guitar solos in rock and roll, Jill. Pro guitar solo pro bass solo pro. Yeah. I'm solo. Sure. Pro vocal solo. Not enough. That's right. Not a scatting. Sure. I'm just saying that these people, professional musicians, have practiced and worked hard the whole lives. It's true. And they deserve a little moment in the sun. Also, I deserve to go to the restroom. Yes. Yes. Yes. I see it all the way. That'll be right. Yes. Totally. Totally. Yeah. You get your moment in the spotlight. I just don't have to be physically presence to it's the witness it. Exactly. But I can still hear it. That's true. Yeah. And I'm going to be, I'm going to be hovering over a seat and I'm just going to be like, damn, this guy is fucking rocking out. Yes. But I mean, honestly, if you are good enough that the rest of the people in your band have allowed you to have a solo. And especially if those people are still on stage while you have a solo, they haven't fucked up to the bathroom. Just like watching. Yeah. Yeah. I have seen Alex Manhalen do magic for four minutes in a row. That's a long time. That's a long time. I've seen Prince play a guitar for as long. I don't even know how long. As long in Prince time, 12 days. Yeah. Yes. A fortnight of Prince guitar soloing. Yes. Totally. I have been witness to some of the greatest musicians that have ever existed exhibiting their talent at, you know, at the highest level. And I think that should be acknowledged and rewarded. If you don't like a guitar solo, I'm sorry that you don't appreciate joy. Well said. Yeah. Absolutely. Just to wrap up, you mentioned to me, it was very funny the way you put it. You host live band karaoke or you used to host live band karaoke. And you said it around when the darkness hit when I believe in a thing called love hits, you said like the white boys discovered their falsettos. I believe was probably perfect the way. Yes. How what was that experience like and have you ever heard anyone competently sing? I believe in a thing called love in a karaoke setting. I will say that that was one of the best jobs I've ever had. It sounds like it. It was really fun. And it honestly prepared me for so many other things that I've done in my life because you have to be prepared for anything. You're working with musicians who have to recall music on a dime in seconds, honestly. And sometimes there's songs where as the host who, you know, you try to have as much knowledge of the song list as you can. Sometimes you're just going to be on stage to rescue somebody if they need it. Yeah. You would be surprised at how many people over the years were like, I want to sing baby gap back. And then you give them your lyrics and it just is like a Santa Claus scroll that keeps going. There's so many words. And they're like, oh, it's no lie. 15 15 seconds and it's like, I've made a tour of this day. Yeah. You just you want the you want the hook. You want the actual you want to be removed from the stage physically. So do you have to like go in like you're like a permanent understudy for whoever's on stage and you have to wrap the rest of baby gap back. Not the rest, but sometimes you just need to just like give them the cue. You have to just be like I like. Exactly. If there's sometimes people get all the way through verse, verse chorus verse. And then the bridge comes and they have no idea what the bridge is tripped up. Many so many people fail the bridge, but there's this this song I have seen several incredibly great versions of these dudes. I don't know what is happening in their homes, their cars or their showers, but they figured out that they can hit these notes and they want everyone to fucking know about it. And I am always so here for it. There is there was you know an eye contact that you make with the people in the band. You're just like, okay, all right. Oh, Chad's got it. It's Chad or Kevin or Gary 100%. Oh my goodness. James, the third is up here. Just getting out. Okay, Jimbo. And like you are always I feel so proud. I feel like a mom. I'm just like they come off the stage. I'm just like bring it in. Give it, get me in. And then you know, you get a hug from a Busty Black woman. I've made their week. You're just gonna put right on that cloud. Still telling that story in 2026 just as you are. There we go. What a beautiful thing. What a beautiful thing rock and roll is. It's one of my favorite beautiful things. I am I am just so jazzed about the darkness. Did you know that their current drummer is Roger Taylor from Queens Sun? I did not know that and yet I did nothing. Yeah, I knew that in my heart. I mean, it does make all the sense in the world because also this kid's name kid. He's probably a 40. Yeah, he's his first. His name is Rufus Tiger Taylor. And I was like, there's no right that he did not give himself the name Tiger. And then I looked into it and he was given the middle name Tiger by Freddie Mercury. No better. I'm a man of metal names. It was oh, Roger. What if we named him? Tidah. He's really good. I'm kind in it. I don't know. It's getting better. It's the accent is I don't know how it's possible, but your English accent is getting better. If anybody wants to hire me for that, um, that's right. On your bassly popular podcast, I'm just saying they can I'm here. I'm sag. Jill, it is wonderful talking to you. This has been fantastic and I'm so happy. Thank you. I've missed us, Rob. I missed us. I have. And you're going to be back soon. So don't worry about that. I hope so. I'll see you in Ohio.