"RE-RELEASE: Charlie Day"

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Now, listen, Jason, before we get too deep into the show, we need to talk about the crew collar. And now you've, tell us what, walk us through what happened this morning. Well, I went ahead and I got showered and changed prior to our record for my golf engagement following this record. Oh, you go. Yeah. Not proud to say, but Chuckles over there does it too. So, yeah, so I put on my collared shirt as you're required to do. And then it's a little chilly here in Los Angeles. I put on a nice wrap over the top of it, nice cashmere wrap. And the collar on that crew neck was a little tight. So it took the collar of my undershirt there and pushed it up. And then Will was hurting me, calling it a mock turtle neck. So that sweater's gone. I'm going to go to a V neck. And Will said we were talking about money for the producing the podcast. And Will said, what's the budget for a mock turtle neck for Jason for the coming out of the budget? It's a fair question. First of all, you're allowed to mock a mock turtle neck. It's built into the name. Okay. But by the way, I will never, you'll never see me in a mock turtle neck. You'll never see me in a turtle neck for sure, because I've got probably, you know, they ask you sometimes, you know, what's the one thing you change about your body? Yeah. It's probably my non superhero jawline. I've got sort of like a sort of a diagonal. A diagonal from the end of my chin to my Adam's apple as opposed to a 90 degree. So if I wear a turtle neck, I then have the turkey goblet hangover over the edge. The cascades, the skin that cascades over the edge of the turtle. I can't have it. Yeah. No, I get it. I disagree. You both have nice, nice silhouettes. Go back to the thing though about being cold. It's cold in LA. I came down the stairs today. I'm not, not making this up. I came downstairs and Scotty had the heat on on the first floor of Los Angeles and the heat. And I was sweating by the time I got to the bottom. Sean, do you come down the stairs, your Hollywood house every day like Gloria Swanson, right? That's right. Like from Hollywood blowing. In a flowing house coat. Yeah. Ready for my close up. It's so great to see you guys. It's so great to see you guys too. This is really exciting. I'm excited for you guys to talk to our guest today. Oh, I am excited to listen. Because our guest is somebody. It's a, this is a mega talent. This person is a person who's been doing it for a long time. This person is not just an actor. This person is a writer. This person is a skilled musician who started playing violin at the age of three. They can play the piano, accordion, trombone, guitar, harmonica, and has written and improvised music a lot in a show that they've done now for many, many years. This person received an honorary doctorate in performing arts from Merrimack College. This person, you know, was active at Williamstown Theatre Festival back in the day. This person has gone on to a huge career in television in, I guess, the longest running TV comedy of all time. This person has to be slow down here. I want to do some guesses here. Well, this is my guess and it makes sense because this is my friend and I'm so happy to have my friend. And I want you guys to start trying to guess. This person has done lots of movies. This person was in the Lego movie with me. Longest running comedy. The Lego movie too. Yeah. Pacific Rim. Longest running comedy. Horrible Bosses and its sequel. Well, it's got to be Chuck Dane. In Beth Narn Forest's show. It's Chuck Dane. Oh my God. Oh my God. Oh, right. I mean. You're scraping the bottom of the barrel, Matt. No, I was. Time to wrap the show up. So, Chuck, what about this is now? I think the reason you've taken so long to book on this is your schedule. It took a real long time for someone to ask me. I can't believe Rob McElhaney beat you onto this show. Oh, that's nonsense. What does that say about us? Here's here's my favorite part is that Bayman and Chuck, they have been friends for many years. They've done a few movies together. And I was so happy to steal Charlie as my guest from under Bayman. Just just a really point out. I'm on too. I know. I think maybe you did ask me. Yeah, definitely. And then you were saying, yeah, gosh, you know, I don't know. We're starting a podcast and I think you gave me a little bit of a run around and I don't like to pressure people. I know you were looking to get paid quite a bit of money for today. Yeah, I was waiting for you guys to make money so I could start make money, which is cool, because we'll cut me a great check for this. I had to send him over cash, a guy with a rucksack full of cash. Yeah. And that's a big up for me, guys. So we're not doing that well, right? You know, that show is not paying you. I've made a lot of bad decisions, though, you know, I mean, I made a lot of sketchy calls. Wait, we had Charlie, we had McElhaney on and what is it really the longest running sitcom in history? Yeah. Yeah. Well, years, if you don't count episodes, I think you did more episodes of Will and Grace in like two seasons. We've done, but. How many years is it now? This is something we don't want to gloss over because this is this is you should be and I'm sure you are so proud of how long this show has been on. Yeah, it's so cool. This doesn't just make us. We're talking, of course, about all of a sudden. I am 15 years. We just we just 15 years. You're about to do another one or two. I don't know, at least another one and we'll see after that. But look at the way he's positioning right there. I know. He knows Fox is listening. Of course. Or whatever the hell it is. And he's going to jam him again. He's going to get to 20. You know what it is? We've done a lot. We've done a lot of these. I don't know how long we can keep them on. Nothing adds more zeros than a foot out the door, right? I mean, that's just sketch them. That's true. Yeah. So Charlie, let's talk a little bit about because we were talking about all of a sudden in Philadelphia, which is a huge long running show, longest by years. Could you have imagined, take us back to the day when you actually when it actually became a TV show? Because we had Rob on here. We talked about it. You guys made some videos and stuff and you shot some stuff. Is that am I remembering that correctly? And you took it to FX. Yeah, that's basically it. I mean, we were shooting in my apartment, which was on the corner of Western and Franklin there. I lived and I think I paid six hundred bucks a month for rent. You got Rob. Quick aside, Jason, last time you were east of Cuyenga. Five, four, three, two, one. Back in the drug days, for sure. Yeah, I think I might have seen you scoring on the corner. Yeah. It was a pay phone I'd like to hang out at. Yeah, I had to run you down a dime bag or something. I'm not sure what it was. Oh my God. So you're in your apartment. Right. And was there a phone call from your agent or a manager or something that said they bought it? You know what it was? So we had shot this thing and it was like pretty good, but we knew we'd sort of not hit the nail on the head. And we had nothing really going on. So we redid the whole thing. And we were doing it so cheaply. We were holding the cameras. We had a little boom that was it was real low rent. And our second go around was pretty funny. We thought there's something here and we were all at three arts management at the time. So like Nick Frankel and Michael Rotenberg took it to WME and they kind of sat on it for a while. They're like, yeah, maybe we'll hook you up with a big producer. And we waited forever for John Favreau to watch it. And he just, I guess he never got around to it. The one that got away. I know. Well, I mean, I'm so glad I'm not cutting half a check to John. You know, like, I mean, I'm sure he would have helped a lot, but, you know, it's nice not to have to be paying. Yeah. But eventually we got kind of bored and we shot a third episode. And literally you shot it because you were just in this waiting because the agencies are so you just you guys are on their timetable. Well, that and the only thing to do on Western is either move the bag or shoot another episode. And it should be. It should be noted. Can I just take this? Am I right in saying this and you guys can agree or disagree with me? The the the agenting in show business is hilarious because like you can't get in touch with your agent in the first thing in the morning because they're in a staff meeting. Every agent takes lunch at one o'clock, no matter what. So they're out of the office for two hours. An hour or so. They need an hour to get there. So they leave at 12. Sorry, we lost him. He's on his way to a lunch. And then he's back at three. Then they do the thing is like, well, he's not in the office. Why not? Well, because next week is Thanksgiving. Yeah. Next week is Thanksgiving. Not this week. The fuck are you doing? And then and then the month of December. And then month of December. Sorry, it's the holidays. Sure. Got it. And then they go and then, you know, obviously Sundance is at the end of January. So nobody's back till Feb one. It's the most ridiculous racket of all time. We were getting a lot of. Yeah. The end of the day goes like this. Well, the end of the day goes, sorry, that we're closed. He's going to start rolling calls and then they call knowing you're not going to pick up. Yeah. Or they call you at seven o'clock and you're having dinner with the kid and you're like, why are you calling me now? Yeah. Sorry. Sorry, Charlie. I just had to. No, that's it though. We lost sort of patience with that kind of thing. And we said, we're going to leave you guys and we're going to go to a different agency with this. And that sort of prompted them setting a bunch of meetings and and Rob went around because we thought maybe it'd be too much to have all three of us in the meeting. So Rob went and and we had an offer from FX to shoot a, you know, a real pilot with a real budget. Rob's the closer. He's a closer. He's better in the meeting. He's a better salesman. Where now? How are you in meetings? Because I don't think I'm great in meetings. I don't enjoy them. I feel like I'm trapped in an office. I feel like I'm 45 minutes from getting out of these walls. So it better not go bad in the next minute or two because I'm stuck. Like all those things I start to feel I start to think about. And then it just the walls start getting closer and closer like Star Wars. How are you? Do you look at it as like an arena? Like I'm on stage or this is fun? Like let's win or are you looking to get out of there? It's tough. It's a tough part of this business. You know, it depends. They're all very different. You go into a meeting and and you just sometimes you just get cold stairs. And yeah, I do have that vibe sometimes of like, well, here's the idea, guys. Do you want to buy it or not? OK. Yeah. If you have that indifference, what's it called? Will, sex, it's called sexy. Sexy difference. Yeah, sexy. Yeah. Charlie, you know about his sexy indifference, right? Yeah. It's one of the major terms. Yeah, you. But yeah, it's, you know, it's it's you're either selling or you're buying. The buyers usually look at you with absolutely no expression because they can. The sellers, us have to go in there like, you know, circus clowns because we're selling. And that's really what we do in this business. And in a good year, you're selling, you know, you're selling yourself six, seven, eight times and winning. Like in other words, you get fired, you know, half a dozen times and rehired half a dozen times if you're killing it. So I mean, how many people in other industries have to sell themselves or get fired or rehired, maybe three, four times over their whole life? I mean, we got to do that all the time. It's it's tough. It's it's was crazy. But then you look at the flip of it, Charlie. So you guys, you guys go through this process, you make this thing, you wait, you make this thing, you wait, you're waiting, you have to threaten to leave the agency. Finally, FX buys it. You guys are kind of a little bit hat in hand. And now all these years later, you're at the position we asked you, are you going to do more? Maybe I'll do one more, whatever. Like you have the the tables have turned a little bit. Yeah, well, I'm a little bit a lot. Yeah, I mean, I think the thing is, though, when we were shooting that pilot, I was 27 years old. Right. And I'm 46. And so I feel like, you know, I put in my time with this one. You look 23, though. How could you lost age since you started? Well, yeah, it's be a real stress-free set there. But we all make stuff. We all produce or write or direct or act, whatever. And Charlie, kind of what Jason was talking about, is there a point where you, like, are you getting to a point where it's bothersome that the grind is getting to you about getting all these nodes? Because it seems now to put together a package to sell something, you have to really stack the deck high before anybody will even consider you hear about Meryl Streep getting passed or on or whoever these big stars go out to pitch these shows and they get passed. Well, if they get passed and I'm stacking these deck and we're getting nodes, what does it take to keep a production company going? I like to get everything done independently of a partner. So, you know, like I'd rather, if I'm going to be pitching a movie, I'd rather have the whole thing written and say, you know, and then a director in place and an actor in place. You're like, here's we're going. This is what it is. So all they do is write the check. Basically. Yeah. Yeah. You know, as it should be. Yeah. But then that means you got to do a bunch of work for free ahead of time, which is cool if you've got the time and the funds to bank on yourself and work for free for a little while. Yeah. Look, at some point, you're going to have to do that work anyway. So I'm usually, it depends, right? There's other things I'll pitch and I'll know, OK, I want to get a writer on this and I want to get that person paid. So I'll, but even then I'll work with that writer. I'll develop a whole outline. So that movie is basically ready to go and I'll attach a few people to the movie and then I'll go in and be like, here it is. This is what it is. Here's who's acting in it. Here's the director. Now please pay this guy. Well, Sean, you got to understand this guy is he's so fast and he's so good. He wrote Horrible Bosses 2 on a five hour plane ride from New York to Los Angeles. I'm not exaggerating. He did a complete rewrite page one rewrite on it. And we used most of it and in and of deference to our writers that wrote the draft before I'm exaggerating a little bit and but Charlie does a great deal of credit for that. Well, I appreciate that. I don't want to take credit away from from, you know, the guys who. You don't even remember the names. You don't remember the names. No, he's just he's fast, but he is a. I'm fast with writing. I'm real slow with names. And we will be right back. This is a paid ad by BetterHelp. If you've been feeling overwhelmed, stuck, anxious or unsure, that is OK. Those feelings are more common than we think. Whatever you're going through, you don't have to go through it alone. 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Right in front of us. Today we're both being flown out to test for a pilot for the same role. No, no. And it was one of those things where, you know, you're in the airport and you're like, oh, this guy's got to be an actor. You know, he's got that look. And the show is called Mather House. It was about college kids or something like that. And, you know, I think, I don't know when I said hello, but maybe after the plane landed and where were you coming from from New York? From New York. Yeah. We both lived in New York and we're flying out. That, you know, they put you up on like at the Hilton or something right on right off the one on one there. Oh, yeah. By Universal. Oh, yeah. Many times. So we're both staying there and then. Used to find Jason on the side. Yeah. I used to remember pilot season. I used to come out there and stay there or the Sheraton or the Intercontinental over by Fox, which is where Tony Hale and I stayed for the arrested test. Anyway, keep going. It was my second time that happened. It happened to me. I tested for something called Weird Henry and they liked me for Weird Henry and they flew me out and then they did one sort of, you know, round of notes with the producers and then the studio was like, this show is not going to work and they can't. The whole thing. And then the same thing happened with Rob. Rob and I both went and tested and I remember thinking like, I got this guy. He doesn't have the charisma. I'm not worried about him. Look at his stupid face. Look at his dumb face, man. This is he's never going to make it in show business. He'll never own a football team with Ryan Reynolds. Yeah. Forget it. He was too handsome. I was like, he's too modally. You know, you need someone real. And then the same thing happened. They canned the whole show while we were out there and we just kind of bonded and stayed buddies. And, you know, now I can't get rid of him, you know, every year I'm like, well, maybe, maybe we've done it with the show. He's like, come on, one more. Let's go. And then so not only can you not get rid of him always, then you guys create Mythic Quest with, it wasn't just the two of you, with somebody else too. Yeah, with Megan Gantz. Megan Gantz. Yes, of course. Yeah, no, I can't get rid of this guy. You know, I go on podcasts. I'm just talking about him. I'm like, I hear him. He barely talks about me. I'm talking about this guy constantly. No, no, he talks about you quite a bit. We just can't repeat it. Oh, OK. And you guys started a podcast together, too. Now you've got this all with Sonny podcast. And now we're talking about the show and people are listening. But we're not here to plug that. We're not going to talk about that. No, let's plug all everything you got. I think we should really, if we really want to get this cooking, we should just talk about golf. I mean, the first of all, when we were doing Horrible Bosses and I'm a bit of a golf nut, I would say, oh, Jason, you know, I heard you used to golf and you said, yeah, I don't do it anymore. I was like, well, you should come out with me, you know, maybe sometime and just, you know, dust off the old sticks and hit a few. You are the most golfing man I know now. Yeah, it's incredible. Right. And back then, back then I was very disciplined. I didn't want to dance with the dragon again. You know, I've got addiction issues. Yes, yes, yes. No, no, no. You are fully addicted to golf. Yes, yes. To dance with the dragon. No, no, that's a saying. And then during COVID, you know, Will just threw me a lifeline. He said, listen, buddy, you got to step away from Rachel Maddow, take your PJs off and let's get out there, do something socially distant. Let's play golf. And two weeks later, we were in Pebble Beach. Yeah, he put it right in my arm. Yeah. I love it. Well, I love that you do it. I hope you don't give it up. No, no, I don't. Look at me. I'm dressed. Look at my outfit for Christ's sake. I'm a half hour from the tee. Oh, keep it snappy because I know you got a tee. Yeah, let's go. Charlie, I have a shot. I know, I know your question is going to be, hey, Charlie, how long and straight are you off the tee? Very. He's very consistent. Yeah, it's unbelievable. This guy's a single digit handicap listener. Anybody who's into golf, this guy, this guy doesn't shoot over 80. It's a course. It's he's a natural athlete. He played a lot of baseball when he was coming up. Most you know about, man. This is surprising. Wait, so, so Charlie, speaking of growing up, so, so I mentioned in the thing that you play piano and you play all these instruments. Yeah, what's up with that? So, I don't know where the look at Sean perked up. Sean doesn't want to talk about a long off the tee, but oh, let's get that harmonica in his mouth. Let's do it. Let's do it. I probably have one lying around. I don't know where the violin thing came. Like I was. No, I play the album's gallery. What, you have that ready to go? Yeah, anytime there's a bad joke. Hey, where's that keyboard we're going to introduce? I know we're going to do it. Yeah, I know I'm too lazy to lift this up and go in there because I got to hook it all up. But wait, Charlie, do you still play violin? Do you still play these instruments? No, I never play the violin. That's why that was not true. No, I think I played the violin from like three to three in one month, you know, where my parents were like, well, this is too young. The wikipedia is very accurate. Yeah. Is there an instrument that you excel at or that you stick with? Keep it clean. I don't excel at any of them, but I can play a little piano and a little guitar and that's great. I can write like a goofy song that we put on Sonny. But was that something that your parents incurred? Like, did you take piano lessons, guitar lessons? Yes, I took piano lessons maybe until I was 10 and then I switched to the trombone. I used to have a little sweatshirt because I was in the school band that said Charlie Trombone. So that became my nickname for too long. You know what the problem with the trombone is if you leave it in the rain, it gets rusty. You know? It's true. It's true if you leave it in the rain. Clean it up. Well, you keep it clean. You get some kind of brass cleaner or something. Charlie, when you write and produce or direct or whatever you do, do you think about music when you're doing it? Or is it an afterthought? It's a big part of how I write something. I'll be just listening to a style of music and I'll have an idea. The Peshmode. Yeah, I'll be listening to the Peshmode and I'll be thinking, I got to do a movie with Bateman where he, you know, wears eyeshadow and trench coats. You should see me. I got great goth skills. Yeah. I do love Peshmode. Wait, Charlie, I know so little about, so it says that you were born in New York, in the city. Yeah. True story? True story. Because my parents, my parents both met at Columbia where they were both music, getting their doctorates in musicology. And then they were... Wait a second, wait a second. Wow. So your parents, so you kind of brushed through the whole music thing and your own involvement with music. Your parents have degrees in music from Columbia? Yeah. Yeah. My parents are very... Smart. Smart. As is my sister. She also has her PhD in musicology. What? What happened here was that, you know, I'm an idiot and I was like, I got to get away from this music thing. So, you know, I'm taking trombone lessons and all my buddies are outside playing baseball. And I eventually, you know, walked away from it all and gave it up. But then when I got to like, maybe a senior in high school or college, I picked up the guitar and I was like, oh, this is maybe... Could be cool or a way to meet a girl. And then I got back into it. But I didn't want to be... They had no money and I didn't want to be a music person. You became an actor. So they're at Columbia. They're both in music programs at Columbia. They meet, you're born in the city and then what happens? How long did you live there? Not long. And then my dad got a job at a college in Rhode Island and my mother's family was from Rhode Island way back. Way back. And they went and never left. They're still there. And so you grew up in Rhode Island. I grew up in Rhode Island. Yeah. How did the acting thing hit you? Was it like a high school drama thing? That's a good question. I mean, I did plays like in third and fourth grade and always enjoyed it. And then I wanted to do the school plays in high school, but I was kind of too nervous to join the group. I thought, ah, I don't... But with the musical background, wouldn't you think that you can combine the plays and the music and do what... What we call that, the theater that's... There's a music based theater out there. I'm not quite sure. I don't think there's a term for it yet. What would be an example of something that you might do on your... Five, six, seven, eight. Ba-da-da-da-da-da. You guys are going to have to take that slide away from them. I mean... So then, Charlie, so then you finish high school and you say, I'm going to go to New York City and I'm going to try to become a professional guitar player or actor. Yes, I did have that thought. I was like, well, do it. Which one? I didn't know. I was like, maybe I want to write music or maybe I want to do acting. But you knew your future wasn't in Rhode Island. It was probably in Manhattan. Yeah. Well, first I went to college, Jason. Where was that? Wait, hang on. What's college? Seattle, L.A.D. It's a school after the studio school. Voluntary additional school? I don't understand it. Voluntary additional school. Yeah. That's the part I couldn't compute when I was a kid. What trailer was that in on the mortar lot? Yeah, one with a flat tire. And here's what happened. I went to the voluntary additional school and they had a theater program, but they also had a baseball team. And I didn't make baseball team. And I thought, well, I'll go join the theater club. And then I just got hooked. I was like, I like doing the plays. And it seems to. Was this school in New York? This school was in northern Massachusetts called Merrimack College. And you could get in if you had a pulse. And they let me in. And my favorite thing in the world is swapping horrible theater stories. Did I tell you guys about the wheelchair story? Yeah. You got to go. Let's go. Yeah, let's go. Just pull the interview over to the side. Hang on. Really quick. This is a horror. I was in I was a sophomore in high school and I was in charge of changing the scenery, right? The battens that would lift the scenery. So in between, we had like we were doing one act. So in between each act, we had like, you know, 15, 30 seconds to change the big, huge scenery and pull them up. And I was in charge of all those hydraulics. So the stage manager points to me, she's like, go. And I didn't realize there was a rope hanging on the side that somehow hooked onto the wheelchair that the guy needed in the next scene. This is an episode from a cartoon I saw. No, I swear to God, this happened. And I raised it and the hook pulled the wheelchair up. So the curtain goes up and the wheelchair is just swinging, hanging in midair. And the guy's first line was, you know, something like, I don't know if I'll ever walk again. But he had to, it was, it was awful. Oh, golly. Back to smart list. Hey, Charlie. So, so you up there, so you come down out of the junior college and you come to, to, to New York City and you don't just knock on a door and say, I'm here. I'd like to be an actor. Do you, do you look in the paper for auditions or an agent or what was your first step? Yeah, I did all that crap. You know, you get the village voice and you're looking through all those things. I had a really lucky break when I was in college. There was, there was a guy named there named John Fussman and he was like one of those guys who was like 35 and in college and just hanging out just outside the school grounds basically the fence. Yeah. And he had tipped me off to a place called the Williamstown Theater Festival. And I, I went there to sort of, you know, empty garbage cans and, and maybe say one line in a play and just intern. And they had like a program where you could audition and, and be part of a non-equity group. And after my first summer there, I was still in college. The next year I auditioned and I got to be part of that group and A bunch of agents go up there. You're right. Yeah. After my third year there, I got an agent, but Sean, did you ever do that? I'd love to do Williamstown. Did you ever do that? I would love to know. I'm, but I would love to, but you know, Charlie was going to ask you like there's, when, when we were all young, all four of us and other people like us that are actors, there was a definite path to what you wanted, right? You got your headshots and then you had your resume on the back and then you would submit them to agents and then agents was, but now it seems so different. Do you have friends, like does your sister have friends and be like, Hey, Charlie, can you help my friend out? They want to get into the biz and they need advice. I mean, do you ever get people coming to you and what would that advice be now for kids rather than when we were growing up? Weirdly, I don't get too much of that. I don't know if I don't give off a vibe of that. I'll help her. I'm not sure why, but. Do you feel, no, but let me rephrase that. Do you feel shitty about yourself that nobody wants acting tips from you? Or career advice. I had that, Sean. You know, when I was a kid, this is true story. When I was living in New York and I was my, I didn't know anybody in New York and somehow my mom knew through somebody from like Winnipeg knew the actor Len Carriott. You know that guy? Sure. Len Carriott. And so somehow she's like, you should call him. And I was like, okay. So I called him poor guy because now I sort of 30 years later, I get that flip, which is like, he's like, Hey, what, what can I do for you? I'm like, well, I'm just in New York and I'm going to theater school. I'm like, okay. I'm ready to be successful. Yeah. And like, I get now that position. I even felt it at the time where he's like, I don't know what you want me to do for you, buddy, but, you know, I've already, I'm worried about my own day to day over here. And so you do get those calls sometimes from friends of friends and they go, Hey, our kid is 18 and he's moving to New York and can you call him and give him, give him some advice? And there's really nothing you can say to anybody. I actually like it. I actually don't mind it. Yeah. It's all about timing, but yeah, I actually, actually. What do you tell people, you know, because you're getting an agent, like you do have to get into kind of a showcase situation. It's just really tough for everybody. I think you have to create your own path. You know, gone are the days of relying and waiting and phone calls and agents and all that to do it for you. You have to pick up a camera. You have to write the thing, direct the thing, active thing, put it on YouTube, all that kind of stuff and Instagram and so that's how, is every Instagram star wants to be an actor and every actor wants to be like, have the most followers. Well, Charlie, you guys were kind of like the first people to really do that in a way that has been not just successful, but also had longevity. You guys created your own stuff. That was not the norm before you guys did that. No, that's true. Yeah. Although, you know, in some ways, doesn't everybody do that? Like somebody, I guess the lonely Island guys did that too. Yeah. Like, well, but they were already part of an infrastructure there at Saturday Night Live. No, no, no, no, before those guys made videos and stuff when they did. Andy Samberg. Andy and Akiva and Jorm did that. Oh, really? Yeah. They made some videos on Lonely Island and they made a pilot called Awesome Town that Phil and Chris, Phil Lord and Chris Miller produced. Have you ever seen that? It's really rad. But they did the same thing, which was, but again, that was around the same time that Sunny started. It was back in that. What was unique about what we did is we did it for television. Right. You know, like you, there was a lot of that in independent film. If you're the Cohen brothers, you know, you raise money. You do blood simple and then you, you know, you go do Raising Arizona or whatever it is. And we, I guess we just took that model to television and we said, well, well, you know, we'll do the first one real cheap and down dirty. And then hopefully someone gives us money to do this more legitimately. But going back to your question before, I often do promote Williamstown, which for me was like a showcase situation. Or if you're really serious about acting, go to grad school, which I'd wish I'd done. But because that place was, was not only boot camp for acting. It was boot camp for you better show up and shine because in that group, in that non-equity group, it was myself and Catherine Hahn and Sterling Brown. And I mean, the competition was so fierce and, and Jimmy Simpson and these people were going to outshine you and not, they weren't trying to outshine you, but they were going to do their work and they were going to be, you know, they were going to come to rehearsal and that's that and just blow it out of the water. So you had to learn how to, I feel like my first summer there, I did well in some plays and I thought the next year I thought everyone would be like, well, he's the man that's given everything and it wasn't that way. You know, it was a rude awakening of like, well, you did that, what are you going to do now? So that was such a good boot camp in terms of like, do your work, work hard, make sure you make sure you're not wasting anybody's time. It's funny you say that I remember having one of my acting teachers years ago, he was saying like, look, all the process you do, all the work you do, whatever, when you show up on set, no, they don't give a shit. You got to deliver in the moment and that's it. And that was the only sort of piece of advice that I've ever given young people, which is just like, you got to, you got to be on top of your shit. You got to know your shit. Like you said, you got to be ready to deliver in the moment because that's what matters. Yeah. It's a bit exhausting, right? You do, like you, you put all this work into this years go by, you, you develop whatever fame, success, and you kind of think, okay, well now I can coast, but you know, the phone doesn't really ring. Maybe it does for DeCaprio, but for nobody else, like you have to like, you got to put something together and you have to, and then when you, when you are in it, you can't stink, right? You got to, you got to shine. Your son, is he too young to know that he wants to do what dad does or mom does too. Both of you guys are actors. Yeah. Yeah. Mary Elizabeth has this great part in Paul Thomas Anderson's film right now. Oh, she's great at it. Paul Thomas Anderson is the greatest director of all time and go and ignite. How about he's my favorite for sure. I know, me too. He's the greatest. I got to go see a screening of that movie at his house, which you know, he has these, maybe it doesn't want to be, but he has like these film, like, film, like, you know, he has a lot of films, like, you know, like, you know, like, you know, like, you know, he has these, maybe it doesn't want to be, but he has like these film projectors. He's got like this barn that he's converted into like a screening room. And for Tracy, the name of the movie is liquorous pizza. Liquorous pizza. Liquorous pizza, which is a name of a record store that was all over the valley when I was growing up. Right. Anyway, so he's got this cool. That's why you're crying. So, and your wife, Amy, Mary Elizabeth Ellis, whom I know, she and I did a pilot film. You know, she and I did a pilot together years ago, as you know. Yes. Yes. And she's a tremendously talented actor and she's in Paul Thomas Anderson's movie, liquorous pizza. So you went to a screening at his. At his house. Screening burn. Yeah, just to kind of. My Rudolph is his wife. And then to get to hang out with my Rudolph. So that was a. Who's our pal? Yeah. I just didn't want to blow it for my wife. I'm like, just keep cool, man. And don't, don't, don't get drunk and don't act dumb. Did you stand up with a bunch of notes at the end of it? I had a couple of notes, but he wasn't listening, you know, that's the problem with these artists. Yeah, we were, we were locked. Pop Charlie Day for a couple of scenes. That's really going to make this movie pop. We'll be right back. All right. Back to the show. Now listen, Charlie, for your new podcast, which is, I think it's becoming really popular, isn't it? You guys have, have guests on or is it just you three chatting? Right now it's just us chatting. I mean, that kind of caught us off guard, you know, this was my gripe with Macklehenny. About two years ago, I was like, we should do a sunny podcast. We should just talk about the show. The fans probably want to hear that. And he's like, everybody's doing podcasts, you know, like, you know, we're too late. Then this year he shows up. He goes, you know what we should do? A sunny podcast. Oh boy. I'm like this motherfucker. I'm like, but here's the difference. And here's why I've benefited so greatly from a partnership with Rob. When I said it, it was just gobbledygook talk. And when he said it, he already had the mics and the producer lined up and ready to go. He's an action. He's an action guy. So it's been good for me to unite with an action guy. Being on that side of it, do you, and we all know this as actors, promoting and marketing and all that stuff, having to do talk shows and whatever podcasts or whatever the thing is, do you have a preference of being a guest or a host? Well, I guess we're not really hosting anyone. So I don't know. I don't know. Yeah. I mean, you're kind of hosting a podcast, but yeah. We're really just kind of shooting a shit. Okay. People seem to want to listen to it. But I think that one of the things, we're all talking about the same thing we obviously have. There are a lot of similarities, which is you talk about, we create our own weather. We do our own thing. And we do a lot of different things. You've got to, you're doing a podcast, you do your show. You've got this new movie on Amazon, which was, that was a sexy segue. That was a good segue. Yeah. I did a romcom finally. So you did a romcom. Yeah. Saw me as rom. So, so talk a little bit about, cause I want to get into, you do do a lot of different stuff and you've got a lot of different gears, which is commendable. And you're, I've, you know, you're a talented guy. So you go and you do a romcom. What was the, were you just like, yeah, fucking, I could do a romcom. I was always dying to do a romcom cause I actually really enjoy them. And I sort of wanted to have my, you know, Tom Hanks moment or Billy Crystal or whatever and, um, was there a sex scene? No, there's, there's, you know, is there a kiss? Hey, cool. Hey, take it easy, man. What are you imagining? Jason, what are you imagining? Talk to what you're imagining. Well, because some people can go their whole careers or a large portion of it without ever doing a sex scene. And then all of a sudden the day shows up and it's like, oh my God, I've been in this business 30 years and I've never had to like fake love making. Uh, did you have to do that? Uh, no, that's a good question. No, I've. Have you ever had a sex scene? Yeah, I have a, I have a very graphic one on it's always sunny where we did a ski episode and we were making sort of fun of like 80s ski movies and over the top sex scenes. So, you know, I, I would. How'd that go? Yeah, how'd it go? It was fine, you know, like. You don't have to, you don't have to ask him in a whisper wheel. I'm just saying walk us through it. I mean, you know, it's always the case with me with sex scenes. I'm always, I always feel bad for the other person, you know, where I'm like, hey, look, I'm sorry. It's just me and this, you know, I'm pasty and. Sean, you had to do one? Yeah, there's this cult show, which is fantastic called Campus Ladies with Carrie Aisley and Kristen Sussin and Forte was on it and a bunch of funny people were on it and Jonah Hill. That was Jonah Hill's first show and, um, and I played somebody who wasn't the brightest, who always wore a backpack. How'd you get into that character? Wow. And so I just put a backpack on and then I had to wear no clothes, accept the backpack and have sex with and literally have intercourse with Kristen Sussin. Oh, oh, okay. How did that go? Jason. Fine. Oh, sorry. Go ahead. Sean, finish up. That was it. That was it. And Jason, what about your sex stuff? I've got a loose connection. Can you guys hear me? Okay. Yeah. Is that what you said in the sex scene? I don't, I'm not. Fire keeps coming out. And can you hear me? Yeah. And is it in? I guess that's the big, uh, hey, Charlie, wait, you didn't answer Jason, if you've done a sex scene. I have and I don't like them. They're not good. It's, it's, it's just, you know, all the, all the cliches are true. You know, you have a, is a very, there's a very difficult line. One has to ride, which is, you know, if you're into it and you're being passionate convincingly, these things start to move guys. And, um, and if they don't move, what there's that classic saying that one of the actors said, uh, I apologize if I get aroused and I apologize if I don't get aroused or something like that. It's like, it's a, it's a, it's a, it's a concern. It's a good thing. Well, Bateman, we did this movie called horrible bosses. Um, it was a massive global hit. Well, and, um, Oh, you had a little sex scene with Aniston, right? That was the first thing. She like mounted you. Yeah. That was the first thing we shot. Oh, wow. And that was basically my second time meeting her. I met her at the, uh, at the read through. It was like, okay, well now take all your clothes off and we'll take these provocative photos. But I only found it humiliating, you know, because I was like, ah, man, I should like go to the gym or like, I was like, I'm so sorry. I'm, I'm really pasty and doey over here. And, uh, you know, you're probably not used to an image like this in your sexual scenarios. I had to do a, uh, scene in brother Solomon with Forte where he comes to, we, we make up at the end of the movie and I'm in the shower and I come out. So I've just got the little sock on and then nothing else. And then I got to turn in. He and I have to hug while I'm basically, No, let's, for Tracy, let's explain what the sock is. Go ahead. Well, it's, it's basically that like it's a sock that you put over. It's the thing you put over your junk, all your meats and cheeses get covered. Yeah. It's a little coin purse that's got a couple of pieces of fishing wire on both sides that go around you in a, as a thong. Yeah. Okay. But it's a new, it's, it's a nude colored and it's made out of like pantyhose and, and with fishing string on it. So you can imagine it's just, it's not, it's not comfortable. It's not a good looking thing. And it's, it's difficult at times to fill out. Will. And it's, uh, well, that was not an issue. It was more of an issue that like it was kind of the, like you said, like, uh, um, um, I'm sorry if I get it around and I'm sorry if I don't. And I just thought, boy, this could go either way with Forte. I have no idea. Which way did it go? I don't want to, I don't want to say it, but I just, I don't have to watch a movie. Let me just say this. I love the guy and you can tell. Well, you've said plenty. So Charlie, when you, so talk, so you're doing this romance and comedy, you, you decide you want to do it. What is the movie? Uh, well, the movie's called I want you back and it's with Jenny Slate and, uh, myself. Oh, mega talent. She's very good. She's pretty good. Uh, our, our producing buddy, John Ricard produced this movie. Another mega talent. Yeah. And, uh, we've worked together on horrible bosses and fist fight. Um, and I was talking to John and I was saying, you know, we should find something to do. And he says, he said, I got these two scripts and you should look at them. And he said, but one's a romcom. So you probably don't want to do that. I said, why would I not want to do that? And the romcom. Nasty, nasty thing to say. Nasty thing to say. And I loved it. We put it together. It's, it's a really sweet and funny movie. By the way, I did have to take my shirt off in it and I had this sort of conundrum where the character doesn't work out and then he starts working out in the story. And I thought, well, which body do I go with? Do I go with the guy who looks like he's not been working out or the guy that looks like he has been working out. And I went with the guy who has not been working out. Yeah. Did you look at the shooting schedule to sort of plan out what kind of shape you'd be in? Cause I do that. I mean, for Tracy, these, these, these projects, they take at least six weeks to shoot sometimes 12 or more. And if you know, you got a topless scene on as Will likes to call it, you know, you want to make sure that you're not having a whole lot of soy sauce a few days out, you know? No, I let that go. I was like, no, that's not, that's not what the audience wants from me. They don't, they don't want me to pop that shirt off and have rippling abs. They don't want it. They'll be disturbed if they see it. There's nothing funny about a six pack. There's nothing funny about it. And this is a comedy. So, Charlie, any, any recent vacays as we call it in the biz, any, any vacays with the fam? I went to Hawaii. Okay. I knew that. I knew that. Cause I saw that pic. You sent us a shot of that beautiful. You sent that pic on our little chain. Oh yeah. I did. I did. That's right. So you went to Hawaii. Did you go by yourself or did you bring your wife and child? My wife and child and, and I played a bunch of golf and we hung out and relaxed and went to the beach and, and I reset. It was good. I was coming right off a bunch of things and it was nice to take a break. Charlie 2022. What are you most excited about? Oh man. I don't know. I'm, I'm always pretty just excited to be doing this. I mean, I don't know. I'm still grateful to be doing it. Yeah. I mean, polishing up a movie for a good four years that I directed that Bateman was kind enough to be in. Yeah. When do we get to see that Charlie? Uh, any minute. I'm right around the corner, but, uh, I was going to sell it. I was in the process of selling it to a studio and, uh, I was having some conversations with a very talented man, Mr. Guillermo del Toro. And I had to change a heart and I took the movie and I reshot about 20% of it. Am I still in it? You're still in it. Yeah. I'm not. Um, that's been a maddening long experience, but, uh, I'm really happy with the movie. So hopefully I'll get it out to the world this year. I'm excited about that. I'm excited about this rom-com. I'm excited about maybe getting some golf in with the boys. Yeah. That's good. And horrible buses three, I think we can announce. Well, now why didn't we do it? You know? Well, because, um, you know, yeah, because horrible buses two, uh, just basically, uh, you know, cratered. Did it, did it shoot the bed? Yeah. By today's standards, it's a huge hit. Oh, that's true. Yeah. It didn't do as well as first. You mean by pandemic standards? Yeah. That's right. But the standards of, but the standards of everybody staying home and not going into theaters, it didn't do it. Well, I would like the third one because I really, really like to collect those sets. Yeah. Oh yeah. Things do happen in three. Maybe we just make it for a price, you know, but it did turn out people just didn't give shit about, about a second one. So they're really not going to want a third. It's not really a story that needed a second. Hear me out. You, it's horrible bosses three, but there are two new Sean, right? Two new guys who look at their kind of, they just go, oh, my boss is terrible. Hey, my boss is bad too. Are you a boss or you're an employee? Exactly. But I've, the catchphrase is my boss is bad three. Yeah. Same here. I get it, Sean. I get it. So Charlie, listen, you're just, you're such a talent. You're a good guy. You're a theater, you're a theater major, you're a musician, great marriage, charming little kid, your new movie, I want you back. Your romcom is out and it's on Amazon now. It's really good. I actually love this movie a lot. Charlie, I love you. Charlie, thank you for being here. We see you on the golf course probably in the next few days. Well, you're teeing off in about what, 10 minutes? Yeah. This is already six minutes into my heart out. Yeah. Okay. That shows how much he loves you. He never does this if he's got a heart out for golf. I appreciate the six minutes over. Can you know how persnickety Jason is about everything? My range time. I need my range time. Yeah. Well, we can come back. I can come back. We'll finish this off. Next time you're on the podcast, we'll talk about the time when we were coming down 18 and the guy had charged Jason's Tesla. Whom? I had a two hour drive ahead of me. You made him give him his, my 20 back. Yeah. And then we never, I gave him 20 just because I felt bad. He got yelled at so much. Jason, you don't know this, but Charlie and I both tip the guy after you took the tip. Are you kidding me? No. Yeah. Well, we don't want them to write a story like fucking Jason and me. You are his hero. He fucking is a hero. At least 20 dollars. I should have taken more out of his pocket, son of a bitch. I will say to your credit, you did preemptively tip the guy and say, Hey, do you mind taking care of this? He said, great. And then he didn't do it. Right. So it's like, well, I'm going to pay you for the valet parking, but the extra juice for doing me a solid, which you didn't do. Yeah. That then means that you no longer need the money for that. Let me ask you this. If you had shot like even par that day, like your best round ever, do you think you wouldn't have cared? Do you think you would have been? I would have given him a ride wherever he wanted to go and all the money in my pocket. And that is Jason Bateman. Guys, we'll be right back with another episode of smart. He loves his golf. He loves his golf. Charlie, enjoy the rest of your day. Great to see your faces, fellas. Sean, let's hang out some time. I don't know. I'm right here just for you. Not worth it, Charlie. No, no. It's got to be better. Bring the slide whistle. Next two weeks, Texas. Let's get out. Okay. I'm busy, but you know, we'll see. All right. All right. He's about to slam the laptop. He's going to do the, he's going to do the good out. You know why? Cause, cause you know, I'll tell you why I was going to do it. Cause Sean Penn did it. And then I remember I was listening to that. I was like, wow, Sean Penn did it. That's how I'm, I think I've done it every, ever since then. I was like, well, Sean Penn just slams it down. He slams it down. That's how you do it. So I'm going to slam it down. Bye. Bye. Oh, look, he really did it. That Charlie day is, he's a, always a breath of fresh air. Every time you see him, you feel better. He's like, we could change his middle name to Sonny, right? So just Charlie's sunny day. Always a sunny day. Sunny day. And Charlie. So Sean, you don't know Charlie. You've never met him personally. I never met him. I did that one voiceover monsters university with him. But of course, you know, as you know, when you do animated films, you don't really see the other actor cause you're doing it a lot. Yeah. So I never really met him before. But I'm a huge fan and, and I don't know if you've seen monsters university, but he steals, he steals the movie. He's hilarious. Of course. First of all, if you've got, if you're a fan of comedy or you're a fan of animation or you've got kids, you've seen monsters university. It's a great movie. And he is great in it. And you are, but he is, but no, it's a great movie. And he is such a, I met him the first time was through his wife, through me, Mary Elizabeth Ellis, who's such a talent and so cool. And he's a super nice guy, super real. And he joked about being down to earth. He legitimately is. And then he's going to, and then he's incredibly talented. Yeah, I love him. And prolific writer in just everything. And he's so funny. He's so naturally. You guys got that. You guys both have very unique voices. Yes. Yeah. He's got a very unique voice. I don't know if I would consider myself to, but he, he does. Wait. Nobody ever bites. Nobody ever bites my, for my theater stories. Cause I wonder why we save it for God cast. No one wants to listen to. Okay. What's funny is that you don't take from that. Like maybe I should stop asking. I'm telling you, I'm telling you one takeaway is nobody bites. No, I'm telling you somebody's going to come with a really funny theater story. I think they're always so funny. I like that. Usually your question about funny theater stories ends up with you telling a funny theater story. I know it's just, it's a self set up. Jason, you missed Sean the other day. Robert and I kept pimping him out to tell funny stories for everybody at dinner. Funny theater stories. He kept getting up and telling these hilarious, they were legitimately hilarious. And he got so worked up, he had to go to the hospital. I did. That's a true story. So all of a sudden, so all of a sudden Jen comes to you and she goes, Sean just went to the hospital. I'm like, what? You know, next time I bring up a theater story, maybe someone will bite, bite. Bite. Bite. Oh bite. Yes. Got it. Not that works. That qualifies. Love you guys. Bye. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you. Love you.