Trump Makes Milk Whole Again, Europe Defends Greenland & MAGA Blasts Mamdani | Wagner Moura
39 min
•Jan 16, 20263 months agoSummary
The Daily Show covers Trump's focus on acquiring Greenland amid European military mobilization, satirizes New York Mayor Zoran Mamdani's early policy initiatives as communist overreach, and features an interview with actor Wagner Moura about his Golden Globe-winning film 'The Secret Agent' exploring Brazil's dictatorship legacy and democratic resilience.
Insights
- Authoritarian governments prioritize attacking journalists, universities, and artists as a control mechanism, transforming cultural figures into perceived enemies of the state
- Democratic institutions require active citizen participation and vigilance to survive; they cannot be taken for granted or relied upon as automatic safeguards
- Memory preservation and accountability for historical atrocities are critical to preventing authoritarian resurgence, as evidenced by Brazil's amnesty law enabling Bolsonaro's rise
- Polarization and the erosion of shared factual reality represent the greatest contemporary threats to democracy, enabling institutional breakdown
- Political satire effectively exposes the absurdity of authoritarian rhetoric by juxtaposing grandiose geopolitical ambitions with trivial domestic concerns
Trends
Rising geopolitical tensions and territorial expansion rhetoric from nationalist administrationsEuropean military coordination and NATO strengthening in response to perceived threatsPolarization of political discourse preventing consensus on basic facts and shared realityResurgence of authoritarian governance patterns in democracies through populist movementsTechnology enabling misinformation through deepfakes and synthetic media, undermining trust in visual evidenceConsumer robotics and AI integration into everyday products accelerating at major tech conferencesBone conduction and alternative audio delivery technologies gaining mainstream adoptionSmart home and personal care automation becoming standard consumer expectationsInternational film and cultural products addressing political trauma and democratic backslidingGenerational transmission of historical memory as political and cultural imperative
Topics
Greenland Annexation AttemptNATO Military CoordinationBrazilian Dictatorship LegacyDemocratic Institutional ResilienceAuthoritarian Governance PatternsPolarization and Shared Reality ErosionJournalist and Artist SuppressionDeepfake Technology and Media TrustConsumer Robotics and AIBone Conduction Audio TechnologySmart Hair Clippers and Auto-Fit SystemsNew York Municipal PolicyPublic Bathroom InfrastructureChildcare AccessibilityElection Denial and Institutional Breakdown
Companies
Verizon
Mentioned as experiencing a four-hour service outage, illustrating broader systemic vulnerabilities
Comedy Central
Network broadcasting The Daily Show and providing the podcast platform for this episode
Paramount Plus
Streaming service where full episodes of The Daily Show are available on demand
People
Wagner Moura
Golden Globe winner for 'The Secret Agent'; discusses Brazilian dictatorship, democracy, and artistic responsibility
Gordon Klemberg
Primary host conducting interviews and delivering satirical commentary on current events
Jair Bolsonaro
Discussed as authoritarian figure whose election inspired 'The Secret Agent' film; now imprisoned for election denial
Luiz Inácio Lula da Silva
Implied as current Brazilian leader who has prosecuted Bolsonaro and restored democratic accountability
Kleber Mendonça Filho
Director of 'The Secret Agent' who collaborated with Wagner Moura on the political film project
Quotes
"I think that preservation of memory is a very important thing. There are things that cannot be forgotten. There are things that cannot be forgiven."
Wagner Moura•Interview segment
"Democracy is something that has to be fought for every day."
Wagner Moura•Interview segment
"The institutions will not save you. It's the people who sort of fight for those things and uphold those moralistic points of view."
Gordon Klemberg•Interview segment
"The truth, as we know it, is kind of over. People are living the facts. Now facts don't matter anymore. It's about versions."
Wagner Moura•Interview segment
"First thing that they do is they attack journalists, university and artists. They were very effective in transforming artists in Brazil into the enemies of the people."
Wagner Moura•Interview segment
Full Transcript
You're listening to Comedy Central. Ow! From the most trusted journalist at Comedy Central, it's America's only source of news. This is The Daily Show with your host, Gordon Klemberg. Welcome to The Daily Show. Welcome to The Daily Show. We've got so much to talk about tonight. Trump cheats on Diet Coke. America adds Greenland to its cart. And New York is officially a communist hellscape. We did it! So let's get into the headlines. I'll tell you what. There is so much going on in the world today. Domestic strife, international uprisings. Verizon went down for four hours yesterday. So I had to Google myself on my desktop like a loser. But with all the chaos in the world, I'm so glad we have a president who's laser-focused on the issues that make up the world. And he's the most racist on the issues that matter most. You see that beautiful milk? That's what we're here for. We're here to discuss milk and whole milk and how good it is. Yes. Milk. Mr. President, thank you for shining a light on this important issue. And also for having a big jug of milk on your desk as a visual aid. In case people forget what milk is. It's the intolerant of everything except lactose. But while Trump was focused on his domestic priorities, his underlings were taking care of the smaller issues, you know, like invading Europe. Tonight, as President Trump escalates his push to take over Greenland, top officials from Greenland and Denmark traveling to Washington to plead their case to the vice president and secretary of state. But they emerged to saying the two sides have a, quote, fundamental disagreement. It's clear that the president has this wish of conquering over Greenland. Okay. First of all, why are they doing a press conference from the cocktail hour at a wedding? This is dark day for Greenland. Hold on to those crab kinks, oh! Yes, you can tell this meeting didn't go well, by the way, the entire delegation rushed to smoke immediately after. I mean, look, look at him rushing. Look at this guy. He's literally sprinting to the car to grab a smoke and calm his nerves. One meeting with J.D. Vance and Marco Rubio will turn you into the Ben Affleck meme. So these diplomatic talks might not work out, and Europe's not waiting to take action. Denmark says it's expanding its military footprint in Greenland over President Trump's push to annex the Danish territory. You've got Germany, France, Sweden, and Norway all sending military personnel to the island this week for a joint exercise with Denmark. This is wild. Germany, Sweden, France, Norway, all sent soldiers because of us. And you know they're pissed. They're supposed to be on one of their 37 weeks of vacation right now. But no, we have to go to war. Yesterday illustrates what a strange mixture this administration is. Some hybrid of warplanes and clown cars. Because everyone from resistance lebs to his own vice president has compared Trump to Hitler. But I'm pretty sure Hitler never took a break from invading Poland to be like, today I just want to talk about milk. It does all party good. Never happened. I don't think it happens. But while the authoritarian experiment is playing out on an international level right here in New York City, we're in the midst of our own political experiment. Two weeks ago, our capitalist utopia was invaded by a communist dreamboat, Zoran Mondani. And our American patriots have been sounding the alarm on what's to come. A foreign-born Muslim communist who hates the greatest nation on Earth and wants to change it is now in power. It's Mondani's bread lines coming to the city soon. It's going to be extreme. It's going to be anti-American. As he plunges the city ever deeper into the mess his socialism helped create. New York is going to be bankrupt in six months. Another great American city is going to swirl down the drain. Down the drain? Down the drain? And you guys bent to New York during a flash flood. Nothing goes down the drain here. Nothing. Nothing. At best, New York will be floating down the curb next to a used condom. But we've been warned, and we didn't listen. So let's find out what's in store for us in our new segment on Zoran Mondani's New York. -♪ I can see the dawn of a better day for humanity. No. That's a... graphics package, okay? It's been two weeks since Zoran seized power in a brutal Democratic coup d'état or what some are calling an election. So what nightmare dystopian agenda has he pursued since taking office? On Tuesday, Mayor Mamdani grabbed a shovel and joined Transportation Department workers to fix a bump at the foot of the bike path before Delancey Street. Yeah, see? That's... Oh, whoa, whoa. That's how it starts. Classic communism. First they level out the roads, then they level out the social classes. What else is he doing? Mayor Zoran Mondani says he's made a $4 million commitment to bring modular, high-quality bathrooms like these to the five boroughs. Wow. Wow. Straight out of the well-known communist playbook, everyone poops. No, sir. In America, the free market decides who poops. I always say it's better to piss your pants as a free man than to use the toilet as a slave. Okay, Mamdani, what else are you going to force down our freedom-loving throats? Mayor Mamdani spent this morning announcing plans for expanded free childcare. No longer do New Yorkers have to make the choice between this city and their family. No, no, no. New Yorkers should be watching their own kids at all times. It's called personal responsibility. Isn't that right, Jordan Jr.? Jordan, Jordan, Jordan. Jordan... If anyone sees my child, feed him, please. Besides, if you're watching Right Wing News, you know what a Mamdani childcare scheme is going to look like. Do you remember that cringey YouTube star for the toddler set and Palestinian advocate, Miss Rachel? Well, she's teaming up with your favorite Mayor-comrade, Mamdani. If you're happy and you know it, and you really want to show it, and you're happy and you know it, have your hand. Oh, man, that's terrible. I... I think, I think, yes, I think... You know what? Why don't... Why don't you tell me why this is terrible? She's normalizing these socialist ideas for children and their parents. Oh, right, right. We can't normalize the socialist ideas of being happy and knowing it and... And really wanting to show it. No, no, no, no, no, no. You know what? I am sorry. I am... I am really trying hard to get into this whole anti-Mamdani red scare fever. But you know what? I'm gonna give him a chance. From everything I've seen, it does not look like he's an un-American extremist looking to add foreign influence into this city. One thing that we will change is we will be installing a few bidets into Gracie Mansion. A bidet! A bidet, you monster! How dare you wash your butt? You take that course one ply and mash it around like you're killing a spider up there like an American! Oh! Huh. But while we watch New York collapse into a nightmare of belabored rectal hygiene before our very eyes, I think it's fair to ask the question, two weeks into the Mamdani administration, is it a total failure? Josh Johnson hit the streets to find out. Zoran Mamdani has only been in office for two weeks, but it's felt like hundreds of hours, and things in New York are already falling apart. Hi, guys, from the New York City bus. From Mayor Mamdani, he promised us a free ride, but guess what we got instead? Hire. Bus fare. Yes, that is right. Today, the price of this bus went up to $3. Yes, just like the lady on that immaculately clean bus said, this city is going to hell, so I hit the streets just to see how bad hell is. I feel like he holds great promise, and I'm really excited by all the things that could happen. But all the businesses are gonna leave and everything. I mean, a couple months ago, there was a Halloween store where you could buy any Halloween supplies you wanted, and now they're gone. You know, is that Mamdani? That seems like it's the calendar. From what I can see, he's been going pretty strong. I mean, have they even released the monthly crime stats yet for the first two weeks that he's been in office? I mean, what's he hiding? There are so many issues, but I feel like he's going in strong, but he wants to first, like, assemble a strong team. Affordability is definitely an issue in New York City. I mean, the Knicks and the Rangers have to be roommates above a train station. Why don't you think Mamdani's done anything about that yet? You gotta give him a chance. You can't expect the world to turn around in two weeks. Where do you rank him as far as recent mayors in these first two weeks? As of today? Yeah. Number one. Number one. So two weeks is both nothing, and he's the best mayor we've ever had. I don't disagree. Does it bother you that Mamdani hasn't plowed a single inch of snow so far? Well, we haven't had snow. I mean, is that an excuse, really? In the past two weeks, how long have you waited to get into a restaurant? 30 minutes. Did you ever think you'd see food lines like that in America? Um... Sadly, the public has already been brainwashed by the party. They're eager to conform to whatever Mamdani decrees, and he's bringing government into the most private place possible. So I heard the bathrooms he's installing in Midtown are gonna be mandatory. I mean, that is the nanny state. You know? You know, telling you when to poop, when not to poop. I think it's an issue of welcome to New York. We know you gotta poop. That should be a slogan. I agree. That should be a slogan. Welcome to New York. We know you gotta poop. This guy was so on board with Zoran's propaganda, he wouldn't let the free press ask any more questions. There are some people who would say and did say, leave us with the election. All you people who are saying, oh, he sucks, he sucks, you don't know the answer to that question. Because it's been two weeks. It's only been two weeks, you're assholes. You don't even know what the f*** I'm... No, you don't even know what the f*** I'm... Man, I'll be with that. And we come back, we find out about the latest in tech. Don't go away. Don't go away. Welcome back to The Daily Show. Technology will one day kill us all. But until then, it's pretty cool. To find out more, we turn to Grace Coolinschmidt in our new segment, Tech Yeah. Yeah. What's up, tech bags? I'm Grace Coolinschmidt, a.k.a. Go, Go Gadget Grace. Or as my brothers like to call me, C3P My Bag. C3P My Bed. Love you, Pete and Alejandro. Anyway, this is Tech Yeah, where I tell CPU all about the biggest stories in tech. I just got back from the Consumer Electronic Show in Las Vegas. And it's true what they say. What happens in Vegas stays in Vegas. Especially when you lose your fingertip in a robot's e-gina. Ouch! Oh, it hurts so f***ing hard. Good. This year, CES was all about products designed to make our lives easier. For example, we're all so tired of listening to music with our ears. But good news, now you can do it with your teeth. Check out Lollipop Star. It's candy that plays a song when you put it in your mouth. I can hear someone singing and like music. It just sounds like I'm listening to an MP3. It uses bone conduction technology, so only you can hear it. There are truly voices in your head now with this Lollipop. More voices in my head? That makes it a baker's dozen. In tech, incredible. I'm so tired of headphones that don't feature bone conduction. And just so you know, the music Lollipop doesn't work in your butt. A little heads up would have been nice. Moving on, CES didn't just introduce us to cavity causing music. It also showed us the tech and future of haircuts. Lied is the world's first smart hair clipper that doesn't need snap on plastic guards. Instead, it uses an auto-fit blade system that automatically adjusts the cutting length as you move it around your head. The goal is to make anyone an instant barber, but the company did admit that cutting the sides is easier than the back. Tech, yes! I've always wanted the same haircut as an abused Barbie doll. And the best part is, no more going to the barber and accidentally drinking that blue water because I thought it was Gatorade. But the tech at CES isn't just for making our lives easier. This year, it also showed us the AI of the tiger. Robots were everywhere at CES 2026. There were robots that danced. We saw robots fighting humans. At CES 2026, Unitry is letting people kick the absolute crap out of their robots. They're actually like, top! Well, I think he's done folks. Hell, yes. I was just thinking, I'd love to beat up a small child, but without having to feel too bad about it. And if you love this video, good news, because this robot has already agreed to fight Jake Paul. I can't wait! A brainless hunk of spare parts versus a cute little robot. Let's go! Moving on, not all the robots at CES wanted to knock us out with their fists. Some just wanted to knock us out with their brains. This is Arya Vision. She is the very first robot being unveiled today with who she can actually see you. She can look at you, she can tell you what you're wearing. Wow, she can tell you what you're wearing? Incredible! I can't tell you how many times I've been dying to know what I am wearing! Eat shit, mirrors! Now, I know what you're wondering. Is there a robot that doesn't look like Pippi Longstocking survived a fire? Wish granted. I also want you to meet Arya and David over here. Hi, Arya, how are you doing today? How are you today, Arya? Take some music. Hi. She's saying hello. What are you doing today at the CES? Do you want to... Is it unmute? Hello, beautiful. Did it hurt when you fell off the assembly line at a Shane Dong warehouse? Anyway, this is teching awesome. A robot that is so depressed it can't even talk. She reminds me of my mom. And did you notice, David, judging by that sculpted face, I can already tell he's gonna be an absolute debaugh in the Fire Island house. All in all, I'm certifying Arya and David as tilfs. Technology, I'd like to focus my attention on. And... Well, that's all the time we have for Tech Yeah. Tune in next time where I'll show you how to avoid dropping your phone in the toilet by shitting in your yard. Thanks, Kulis Van everyone. And when we come back, Bogdyn Mora, let me join you down the show. Let's go away. Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Welcome back to The Daily Show. I guess tonight, just won a best actor, Golden Globe, for his role in The Secret Agent. Please welcome Bogdyn Mora. Thank you. Thank you very much. Oh, that's nice. That's very nice. Thank you very much. I should be saying Golden Globe winner, Bogdyn Mora, is what I should be saying. Thank you. That's a big prize. Best actor, best dramatic actor. The Golden Globes, what do you do to celebrate something like that? I drank. You drank. I was drinking. There was a bunch of Brazilians there. My friends were there. We were around. So we played some samba. And then we celebrated. What is the drink of choice? Is there a specific Brazilian drink of choice? So yeah, man. So we were looking for some caipirinhas, but they were not quite good. So I went to, like, some vodka with sparkling water. Oh, classy. Classy, right? No, you keep it classy, right? Well, the movie is... It really is a remarkable film. I can't stop thinking about it. Thank you. I really can't stop thinking. How would you describe this film to our audience? Okay, I think this is a film about a man who is sticking with his values when everything around him says the opposite of what he believes. Yeah, yeah. I think that's what's so resonant about it, right? It takes place in Brazil in 1977. There's a dictatorship. It was a heavy dictatorship. It was a heavy dictatorship, right? From 64 to 85. I was like, right off the bat, I didn't know much about this movie going into it, and there's a scene that kicks it off where you drive into a gas station, there's a dead body that is there. Yeah. That the police aren't going to deal with. They haven't dealt with for days. Yeah. And the police come and they shake you down for money. For money. And it just established this tension that felt very resonant right now. In a time where we're all feeling a certain tension about the government and what have you. And this film was able to sort of sum up this feeling within seconds. I felt like that felt very fresh and new to me to see that represented on screen. Yeah, it's a scene that sort of establishes like the logic of a dictatorship. Right? So I would even say the logic of Brazil because the dictatorship ended in 85, but it didn't really end in 85. I mean, the echoes of the dictatorship are still there. When we elected a far right president in 2018, that man was sort of like a physical manifestation of those echoes. Yes. You talk about, I mean, Bolsonaro, you've had a relationship with, at least in terms, you guys, you dated for a while, right? I just, I received this, one of the, this film has been, you know, we've been having an amazing career since Cannes. It's been great. And one of the awards that we received, and I went up there to thank, I thanked him. You just like, I was like, thank you, because without him, we would never had done this film because this film comes from the director, Clubber Mendonça Filho, and I sharing our perplexity over what was going on in Brazil from 2018 to 2022 when this man came, elected democratically, but he came to bring back the values of the dictatorship to Brazil in the 21st century. So we were perplexed and we were calling each other to go, like, how can we deal with that? How can we react to that? So how this is how the film came about? I mean, that is so fascinating. You, essentially, you're articulating a resurrection of a loss of values or a resurrection of the values of dictatorship. Yeah. And then having to articulate that through art. Like, what do you connect that to? You know, I think there's such a, such a desire here. People feel like we're living under these, we see these fascistic police state images on the news. And there's a lot of conversation around, like, how do we just get past this? Fili, you're talking about getting past this, but not actually getting past this, seeing this resurgence there. Like, what did you want to articulate in having lived through that? I think that, that preservation of memory is a very important thing. You know, back in 79, we had this law called the Amnesty Law. That basically forgave all the torturers and killers and people that did despicable things to civilians. And I think that there was a very, there was a very bad thing for our collective memory or our lack of memory, because, you know, there are things that cannot be forgotten. There are things that cannot be forgiven. You know, and I think that Brazil, I have to say, is finally getting even with that memory problem. When we finally sent people that attempted against democracy in Brazil to jail for the first time. So Bolsonaro himself is now in jail. And I think that this... Thank you. And I think that this is a... I hope that this is going to be a new phase for young Brazilians for... Bolsonaro would never had existed politically if it wasn't because of that law that made people forget how bad the dictatorship is. Yes. I mean, the movie reckons with that idea of memory as well. There's a narrative device that transports us to the future to sort of see people grappling with the stories of the past. And it's very tenuous. You see how easily the stories of the past can be lost if it's not for the vigilant in the present. Yeah, yeah. It's about generational trauma because many people had to live with that. You know, like, because, you know, the dictatorship, people would just disappear. And you couldn't go like... You couldn't call the police. You couldn't hire a lawyer. It's just that. You had to deal with that. So one of the characters of the film, in the end of the film, he receives from a woman from the future, a Brazilian from the future, a piece of memory in terms of... in the form of a pen drive. And that man can't deal with that information because the trauma is too big. So again, I hope that from now on, we'll be able to deal with our memory and with our past. I'm curious about your experience. Before this film, you also directed a film. Yeah. That was very unpopular with the Bolsonaro administration, Bolsonaro himself. That's this one, too. Yes. Tell you what, it makes something a little more mainstream. No, no. But the film, but it's interesting because, of course, the country is totally polarized as, you know, the US and I guess the entire world. And... But the film also became an unexpected blockbuster in Brazil. Yeah. Because many people, you know, engaged with the film and went to see the film and rooting for us doing this award season, which is very beautiful. The engagement that Brazilians are having with our film is very beautiful because these fascist governments, as you know well, first thing that they do is they attack journalists, university and artists. And they were very effective in transforming artists in Brazil into the enemies of the people. Like there's this intellectual elite in Brazil that is against the people. And... Which is insane because there is another elite that they work for. That's the elite that's against the people. Yeah. But they were very effective with that kind of propaganda. So to see nowadays Brazilians rooting for a cultural product, a film, their artists, it's actually really beautiful because Brazil is a very unique country culturally. You know, it's this gigantic country in South America that speaks Portuguese with people from all over the world. It's a very diverse and beautiful country. So it's... I feel again that we are finally, you know, getting back on track. Well, I mean, it's a remarkably entertaining film. It feels like watching a great 70s film with such thoughtful pacing. Yes. But also a human story that you're watching somebody, just a moral person trying to stay good. I guess I'm curious, this plays in Brazil and you've gotten feedback there. And now, especially with the Golden Globe wins, like what are you hoping in an American audience who's seen this for the first time, living through the time that we are living in? What are you hoping that they resonate with with a movie like this? I think, I mean, when I did this film called Civil War a couple of years ago, and which is a film about the aftermath of a polarized situation, right? That could, you know, in that case, lead to a civil war. But polarization, I think it's the biggest thing that can lead to social conflicts nowadays. And it's a big threat to democracy. And I remember that back then I was saying that Brazilians were really fasting because what happened in Brazil, like an election denier, empowered their people to go to the institutions and break things down and invade the institutions. It was exactly the same thing that happened here, happened in Brazil. But Brazil was very fasting, finding who the financiers were, and sending people to jail. Bolsonaro lost his political powers and everything he's now in jail. And the reason why I think Brazil did that is precisely because we know what a dictatorship is. We know how bad it is. And I was very concerned with the fact that sometimes I think, or I thought back then, that Americans take democracy for granted. And democracy is something that has to be... You have to fight for it every day. But now I think differently. I think that now I see American citizens and the American institutions sort of waking up. Do you see that? You know what? I will say, I can speak for myself. The resistance, you know? I see a veil dropping with the general trust that we had in institutions. I will say, even as somebody who grew up in the Midwest, there was just a general baseline trust in our institutions that they would be the things that brought us back to the core American values. And I think what is becoming realized, at least to me and a lot of people I see, is that those ideas of institutions that hold things up or what an American ideal or what our morality is are simply decided upon by people in the moment and the ways in which they fight for those things. The institutions will not save you. It's the people who sort of fight for those things and uphold those moralistic points of view. Yes, yes, yes. I think that... I see people grappling with that now. You're not going to be saved by that person that you hope. The person you vote for is not necessarily going to be your savior. You have to create a collective action. Exactly. And morality is not just something... I think what's so scary about this Trump administration, too, is that we used to believe... The politicians had to give you the lie as to what the American morality was. And now the politicians no longer feel that need to lie to you about American morality. They feel like they can impose it upon you. Yes, yes. That's a worry. Everything is clear. Yeah, yeah, yeah. Yeah, there's no... Yeah, that's a very strong point. Did you have... You studied journalism. Did you not? I did, yeah. Yeah, yeah. Do you still feel a connection to that as an actor? I do. And I think that journalism is such an important thing, such an important pillar of democracy. It's not by chance that any author-crate attacks. They attack journalism because... You know, what really scares me nowadays, and I've said that before, is that the truth, as we know it, is kind of over. People are living the facts. I remember a time where... I mean, I'm a left-winger man. And we had discussions in Brazil. The left and the right would discuss and we would fight. But we would discuss over the same thing, over the same fact. And I think that now facts don't matter anymore. It's about versions. People have versions of the truth. And that, I think, is very scary. Especially with the development of technology, where you can see now you speaking, and it's you, it's your face, it's your voice, but it's not you. And how can we deal with that kind of thing? We're now all given plausible deniability to the things that we see, which I fear leads to apathy and distrust. I mean, it's curious. I'm talking to you right here. You're very open and engaged politically, which I don't always see with high-profile actors. You know, it seems as if, like, your ability to engage with these conversations in art and publicly, like, that comes with a risk. Do you see that as a responsibility with you? Like, activism and performance, they don't always make beautiful bedpipes. Yeah, I don't see that as a responsibility. I think that this is me. This is how I behave as a human being, and that's also why I'm drawn to political projects, because it's something that I like. But I don't see that as a responsibility, because there's also the pressure to, so-called, public figures to go out there and speak. I don't think that's even fair, because many people are not ready to talk. And the backlash is very strong. And you have to be strong enough to, you know... Yeah, to resist there, to survive that backlash. And not everybody's ready for that. Yeah, well, the movie is fantastic. I really hope people go see it. Congratulations on everything. Thank you. Guys, the secret agent that The Intervention Live is Pogromov. We'll take a quick break right back after that. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. kids not be given the choice to drink whole mouth. How is that even possible? 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