#Throwback Episode - w/ Kid Capri, Tony Touch and A$AP Ferg | (Ep.71)

This is an I Heart Podcast. Guaranteed Human. So every day is New Year's Eve. So right now without no further ado we got hands down. International Live DJ. He has this thing called No Panies Sunday. I kid you not. I don't want it. My clean and lady comes over. I put it on his parisco and I just act like it's the radio. This guy has been doing it for years. I'm my very first tour. I've seen him on the tour. He brought me to the room because you knew I can't let it in smoke weed. And he said little nigga come to the room and then smoke some marijuana. I got a different story. I got some stagogenesis. Then we got to the left of him to write to him. We got Harlem's own person that's been a part of reshaping Harlem. Harlem has been known for Harlem world. This is not Harlem world. This is a new arrow, a new millennium Harlem. His father was a close friend of mine. Which is crazy that he's a star now because I wish his father was alive to see his son. We got ASAP for Ergen and Motherfucker building. We got Mr. Copy Cool himself. Mr. Tony Doca, a guy who's who I've seen him in Dominican Republic. And we've had a wonderful night. And this all you got to say, no, don't. I mean, you know, his accolades is crazy. He's been on Tommy Boy. He's been a douse's crazy legs. And you know old school to new school. He's still out still. 50 MCs. I've been on like three of them. Got damage. Makes the noise for Tony. Touch the building. All right. Now my intro wasn't that good because I haven't had a drink. Let me get a drink. One of my drink. What's a drink? You drinking Bel Lea. You got to be. That's the secret for you. Get a drink. Let's get this out the way. Now, are you signed to Bel Lea? Negative. Negative. I'm going to pass the coach's show. You want some rosette? I'm going to taste it to Ron. Oh, so Ron. Oh, campus is going to go rosette. I have no idea what to do. I'm going to record a surrogate. Let's get there. Now, just for you all to don't know, we celebrate hip hop on this show. And we celebrate our legends. You know what I'm saying? And we celebrate the coach of hip hop. So start with you, Kickin' Pre. I remember back in the days. I was a kid from Queens. And you had something called Kickin' Pre. Slow jams, over's the slow jams, Kickin' Pre. To my mid-set? The mid-set. Yeah, yeah, yeah. Do you know until I was 21, that's the only thing I fuck to. Right. That was Kickin' Pre. Slow down, damn. That's my word, everybody. You know, Barrio, I can't do nothing. I said 21, I'm lying. Like, I think the first time I put on R&B was with my wife. And now I was like 30 fucking five. And 30, what do I, well, oh. Yeah, I'm like 31. But Barrio, you fucked up my whole childhood. I fucked up my whole childhood. I fucked the kick. Good for you. Slow jams, did you know that? I mean, I, I'm gonna do that. You know that. I don't think you know that. You know, it's gonna be like, six million. All of people like me for so many. Yeah, very good, a lot. But you know that, I came from the start of the hip hop. Same for street tapes, I was making, you know. Whenever I came out, I wanted to have different colors, a different joints. So slow tapers, just one of those joints I was making. Just popped off from. Same thing like no panty sun is right now. No panty sun days, man. I'm parents go on. I'm parents. I'm not you. Get that rid of that. Yeah. It was a brother's rival. Okay. Okay, here we go. But that's also what. Yeah, so, so, so, um, now, kid. So back in the days, what, what you considered the first mixed tape DJ? No, not at all. Okay, who was it? I, uh, well, there was Hollywood before me. There was Brucey B. There was Star Chal. There was Lovebug Starsky. But when I came on the scene, I made a national. I made it big. I did a different, um, I put a question to it and I wanted to be looked at as a artist. Not somebody just playing records. So that's why I'm not going to the stage. Those are the first ones I heard. I don't hear why everybody was playing. When I got on the stage and next to that platinum artist, I'm going to leave that star in that color scene, you know, just like that platinum artist is leaving it maybe even better. Because that's how I wanted to be looked at. I didn't want to be looked at as somebody was just playing records. You know what I'm saying? And, you know, and that's how the, that's how the money came up. That's all, you know, everything started getting bigger. You know, the first DJ became, it became a business. Now I made it a business. It wasn't no more you behind the ship. So much. You know, you had to be behind the group to be on to get paid. Now you get paid on your own, your own man. You know, saying you rock out and you travel the world. Now that's what it was. Now, ASAP FUR. Yeah, come on. You told me to go drink up and we're going to take shots. Now, who was the first DJ to play ASAP FUR record? Who was the first DJ to break ASAP FUR record? That might break it too. I want to say self. I want to say self. I can name all the early supporters about that. I want to say self was definitely one advocate that really represented for me. And then I want to say DJ enough. Always show me love. Carmelo definitely show me love. Everybody call him Carmelo. Come on, come on. That's the best. You know what it is? Oh, black people too. I think it's a racist shit. That's the best. DJ Camelo showing up definitely for the Spanish community. You know, it flexed. How can I forget flexed? Definitely. You know, Johnson, all of the DJs like early on and baby out there. What is the Dallas? Not straight. Yeah. Got that. Yeah. Got that. Yeah. I want to say like self was definitely like the first one. You guys ASAP Rocky. ASAP, well ASAP period. ASAP Mark. Excuse me. You guys represent a new sound of New York. But it's still New York. But how do you like face the criticism when people say that don't sound like they custom New York? I think we do guys that songs that sound like tradition in New York. But I think like once the internet came it's almost like you get to hang out everywhere. So it's like you getting music from kids that make beats in Japan or you getting it. We started linking up with kids that was in Texas and then you know we was traveling and then Rocky went to school and Mississippi and was linking up with different people. So I was sound naturally progressed in that way. And it was like I said like the internet kind of like integrated everything and it made it a mountain pop for music. And you know crew was everywhere. You have people in Miami too. Yeah Miami definitely shout out to Lotto. It's out Lotto and shout out to DJ J. Was it that self kind of down with y'all somehow? No, but this is definitely like extended. That was cool. He's the home yet. You know, Tony touched early on right? Being a part Puerto Rican in the DJ. DJ. Did that face like complications because the tradition DJ was black at that time? Oh. True. You know what I mean? You know we was out there from the get. No, no, no. It was so much Puerto Rican's on scene before me. Okay. You know we just saw them out a little Louis Vega before. And you know he was one of the first you know doing urban parties in the city in Capri actually was doing studio 54 with him back in 87. Which studio 54 got about that. Took me back with that. But you know, Louis, you know Charlie Chase of course, you know Charlie Chase. Yeah, we have Puerto Rican presence in there. You know it wasn't a lot, but you know. Yeah, you know. But do you do you do you felt like it was harder being Puerto Rican or was it like? No, because you know I was playing I was playing dance music too. It's like that you know the dance music. You still have you in that too. It was like you know predominantly Spanish anyway. So I was in that world as well. But as far as in the hip hop, you know, not really man. I really feel no resistance or any type of way. I was born in East New York. So I was just around. It was part of you know. That means you got a body. Let's make noise for people in New York. Hey, right? Let's make noise for people in New York. Everybody in New York. You mean the garbage man in East New York got a body. Got a body. So kick a breathe, right? I've been to your parties. I've been there. It's cool. What about that bell there man? You ain't gonna get away. You make noise. Yeah, yeah, yeah. Now I'm drunk. Now I'm drunk. So I've been to your parties, kick a breathe. And you really interact with the crowd. You make sure they participate in. Is that important because do you get mad? You see a DJ that just played records. They don't talk to the crowd. They don't hype it up. I don't get mad. I just stay in my lane and do what I do. But do you, you judge them? Come on. No, I mean yeah. Of course you're gonna judge anybody that you go and pay. Well, I don't pay to get in, but when you go to see somebody on the stage, your whole idea is you want to feel better than you did before you got there. And that's the job of doing a lot of people. Sometimes they get stuck and they suffer. And they forget that. They think they're doing the crowd a favor. When the people stop paying them for the tickets, you're gonna see who's really doing the favor. So my whole thing is it's not just the crowd. It's the promoter. You gotta make sure the promoter's happy. Such as that's saying when I do a show somewhere in the promoter lives and does everything corner my rider. And something like rain happening in the crowd don't come. I tell him, go set up another show and come and do it for free for you. Just so he can get his bread. Just so he can never feel like when I'm down and he gonna keep me further. A lot of dudes, what they do is I got my bread I'm here. They ain't my problem. You know that shit, but see what happens. That's definitely me. This dude has me for that six more times right here. You see him say he see that. I got his back no matter what. So I come back six more times that year. And I ain't got the word about making the record. I ain't got the word about being on TV. I ain't got the word about being on the radio. I conquer all that. Just the name alone, the brand alone keep going because of those things. Because of the respect that you give these promoters a crowd that come and paint. And that's the sit man. That's why he's got to make some noise. Thanks for noise from King of B being a great nigga. I was a good nigga. Who's drinking? I am not a great nigga. I get it. Give me another cup. I think I'll give you nice beat cup. I drink with you. You take a shot. We take a shot about that. We go take a shot. I got a question for you. Okay. I'm going to come right back to you. Def comedy jam. Where was you at when they first gave you that call? And what did you think? Because you were the first DJ on Def comedy jam, correct? Yeah. I was going with them from time to time. From time to time. And it's all. I was doing a show after show. For LL show he was doing the garden. And asked me to do the after party. I'm shaking his building. I know he's shaking his brother on us. You're shaking the building up. Russell Simmons walk up your kid. He said the crowd knows lose a kid. What you think about doing the comedy show. I'm like comedy show. I'm like comedy show. I got DJ with the comedy show. I was like wait a minute. It's Russell. His HBO. A lot of questions. We just go do it. So anyway, we end up doing it. That shit changed my life. I was popping in the street. I thought I was popping in the street. I was a shit. When I got on that show, I remember the first concert we did. The night that tub was showing. It went on the road. I was like, you on mine. The first show we did on my high stage was about maybe 9,000 people in the crowd. I'm behind stage. And the crowd. I was like, you know what I'm saying? I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. I'm going to do it. all just like it was good because I was doing it with my friends. But like I was just like, all right, when he drops, I got to be like right behind them. I'm saying it's just to be that support. And I know like, you know, when things slow down for him, you know, I got to be the next one, just like how meek different raw saw like, you know, a Drake different way. And I got to be there to pick up the thing to put it on my back. And I had to figure out, we was like really push our rockets like we was, you know, we all wanted to do vote. We all wanted to do GQ. We all wanted it, but he did it first. And he did it, you know, he opened those doors for us, but we was like basically put him on the pedestal to do those things. So I was like, what can I do to do do something different? You know what I'm saying? Because I started hanging downtown with a different type of clothes. Yeah, but we banging downtown doing a different clothes. I was hanging out downtown with different clothes. We were just definitely know this is the village of Miami right here. This is the village. When was this the village of Miami? We have like the art galleries. Yeah, so 20 years ago, it's not like that. I know. What I was what I was getting to, it was just like I just basically had to discover what I was going to bring to the table. Like my sound and what a sad Ferg is going to be to the group. And I knew that like a sad wasn't really in the clubs like that. You know what I'm saying? Because he was hanging out downtown and even to house parties and you know, we was with a bunch of white hippies and shit like that. I was going to be hard to have my head meet to this party. You know, fashion parties and stuff like that. So, but I'm always the hype one. I'm bringing the energy. So like I'm the one, I was the invitation to the club. And that's when I started doing work and shop and like all the shop. Which idea was that? The shop is to the genius. But I was mine. I didn't like, listen, I didn't even know what I was doing. It just kind of came to me. And like I heard the beat. No, that, yo, he got fucking shop on. I know what I'm doing. Shop on. Come on. Oh, he's about shop on. The re-make was in a shop. And the shop was on the right. And he came to the shop. And he murdered someone. I did not know what language you were talking about. You said shop. You said shop. You know that. You know that. You know that. You know that. I finished the ring. You got. You got to get your rings. I did. Shop off. No, it was my eye. I didn't know that to get the actual shop. It was mine. Yeah, but what I'm asking, how old are you? Because how old are you? I'm 28. I'm 28. How do you appreciate shop rings? I mean, I grew up in your 30s. But the video was spot on too. Yeah. And you had the jewelry on. You're like, yeah, shop. I had shop in the video. The whole treatment of the video was evolved around shop. I was like, we have people emulating him. I was emulating him. Some famous. Like, rich famous. And then like, I had, we was like basically, Lorda running in his house. Like, you know, he's nothing big. He's house. He was like, that's when he shows up at the end of the video. He's like, yo, get out of my house. But he's start partying with us. But like, I grew up seeing a shop. But like, going to rap city. And I always remember him like having a mad jury. I always had mad chicks in the videos. So I was like, yo, who was cool? That's what I was. That was cool. Yeah. That was always been cool. But I always like pay homage to like those before me. Like, you know, I used to shout out Selena like, you know, early in my career, 100 million roses. And then I put like, um, Onyx and B. Rill on the same track on my first album. And then I turned around and put both dogs on a track called Lord on my first album. So that was just always the thing I did. It's like, if you want to make history, you got to literally make yourself a part of history. That's what I was doing. Making myself with a history. That's one thing I always respected about y'all. Is that like from the beginning, y'all came out. Yeah, I said, I was raised on B. I said, y'all was raised on Master B. And y'all wasn't afraid to actually big up y'all influences. That's one thing that I always, because it don't matter where your influence come from. I'm from New York City. I don't know before. But if my influence came from NWA, I got a claim now. I got to say it. My influence came from ICT. I got a claimant. And that's one thing that I always, you know, respected from y'all. Yeah, stuff with that. Right. Yo, can I get that rose egg? Now, Tony Touch, your mother fucking genius, you sat back and you said, I'm gonna make something called 50 MCs. Why? The change of game for the mix. You fucked the sub. Yeah, you fucked the sub. I thought you had my first heavy man. Every time you were calling me for 50 MCs, I had to write for like a week. I had to be like, because I know you might, my first mic come on and you might put it on a scarf face right after me. Didn't have the scarf faces. It's a knife or a day, you know, shit like that. Like, how did you think of the 50 MCs? What was going through your head? Was it what it does? It feels like PCP. What was it? What was it? What was it? What was the equivalent to that? It was the first time I've been doing that. What happened? Do I did a mix save call 95 live? Right. He raised the ball. Yeah, I remember that. And he raised the ball with the mix save game with that 95 live, you know. What was that about? It was called 95 live, the mix save that. What the hell can we do now? Yeah, like maybe 15 MCs on the KLS. And he did like this long intro and it changed the game. It changed the game. It was crazy. So a year later it was my 50th mix save. And you know, I wanted to treat it like an anniversary kind of thing. So I fell off of what like Wob did. You know, it's just different influences of course kids set the whole thing off. Every time. You know what I mean? Every time. We're partners to this. I'm a start off by absolutely. Absolutely. They are. And for not Capri, like I wouldn't probably been doing mix saves. I'm saying, I probably wouldn't have babies as well. Capri. It's going out. So you know, so yeah, it was 15 MCs, the 50th tape anniversary. You're a child support of a three-barb. That's what I'm doing. Yeah, I'm sorry. No, no, no, that's what it is. You know what I mean? Absolutely genius at that time. It was something that you had to sharpen your bars for. Like right now, DJ calls artists for a mix tape and all they want to do is outfash. But back then it was about bars. Now right now, I just, I don't mind outfash it. I don't mind whatever. Like I'm into all this new shit. Are you into? What's the new record you into? I mean, you know, I still got the radio show on over there. What's the record? Totally, totally dope guys into it. I mean, I like all this shit. I like is that fern shit. I like West Coast shit. I like South shit. What's the name one? I like German shit. I like West, you know, one one. You want to get in the car too and ride out to right now. Right now, I walked out the door. Probably something like Conway right now. It's like doing it for me. Big up Conway. It's all this stuff outside of New York. Right. You know, currency, you know, stuff like that. You know, all kind of shit. West Coast shit. How about you, Ver? What's the joint right now? You want to jump in the whip? I'm listening to Russ album. Woo! Elzin! Yeah, we got to get the Russ out. We got to get it in the whip. But in end, I like Drake thought the shit where he talking his shit on him. On the songs, like, he's talking his shit. What is it? It's the first song called, after album? Um, um, that's... Freaks smoke. Freaks smoke. Woo! Freaks smoke. Freaks smoke. No, no, no, no. No, no, no. That's the boy we're in. And we're felddum. And besides that, I just listen to, like, uh... I'm still stuck on, like, the old shit, like, honestly. Okay. Okay, I'm gonna... So, okay, what's the joint right now? You going on the car? You want to hit right now? It's kind of hard to ask me that, because I got so much music. I've been playing that three different shows going on right now. But just one. Like, uh... I mean, right now, I guess Russ album is banging right now. I'm saying that track track. It's crazy that... It's all that shit's crazy on that album. I think I was just on the boat the other day. We were playing that shit on the好了 for the first time. It's a little bubble. Hey, y'all, shout out to Stink. We're being... We painted this big, uh... Great job. We're being in this state. Come on, we're here, come on, we're here, come on, we're here. Come on, we're here. Because I want to tell y'all, I want to tell y'all, we're song out, we're song out. I want to get in the car right now. And listen to, you're ready? You're ready? And then we're gonna get in there. And then we're gonna get in there. And then we're gonna get in there. And then we're gonna get in there. I don't know what you're saying. I don't know what you're saying. I hope you're not the promoter of that song. We're in there. We're in there. Yeah, of course. So go see if they did that. Yeah. Yeah, I didn't know. Can't you all join? No, no, let's call that by yourself. Call that black, call that black. Yo, that's yours. Now look, now I don't want to blow the guy up. The legend. Super legend. In the game, I'm on the way here. So I'm talking to him on the phone, talking to him about, you know, just regular shit. Wait, fuck. And then the song comes on. And I go, I put the phone down like, yo, this is the hardest joint on the street. So what was up, where the fuck are you going? You're like, fucking hate that joint. And I'm like, damn, see the thing about me is, I called for the night. But I live in 2017. I choose to appreciate what's happening now. Me too. Like, I can live off the old shit. That's cool. But I actually lived in that era. You know what I said? Most people who praise that era are people who get live in that era. They're going down this path again right now? Yeah, no, I'm saying. I'm saying because I actually really did the news here. And people will be looking at me because I'm like, a quarter, quarter, you know, what is it? Gains their wrapper from then. And like, I can appreciate that. That shit don't mean anything. Look, I can't do shit. I think that just had more fun back in the day. No, we definitely had more fun than you. I feel like it's like you really hardly could fill anything nowadays. OK, now break that down. You want to drink some rose A for me for her? I'm drinking. You want to be a leader? Right now. Look at this. There's a rose there. There's a rose there. They told me you want to be a second shot. But there's one. Whatever you want. There's going to be a white. OK, I'm in. I'm doing it. I'm in. I'm not waking them too long. I'm not waking them today. OK. Coyote copper, aren't you? Coyote copper. There's never been a Coyote copper. You were there. Just don't remember you dropped it. That's not nice. That's not nice. I'm free to go down. Like I'm at Fergie, what's that? Yeah, so basically I felt like. You before it. Hold on, hold on. My back. I want you to finish. But did you see how I opened that up? Did you see a spell drop? Those reds. You can tell. You have a champ in. Popper. Plants. Popper, rock. He popped it. What on the day and just looked at my man and the didn't spill? I'm sorry. Can't say. Now, basically, it's just like I felt like back in the days it was about discovery and people interacting with people. And that was days I felt like everybody high behind the computers and everything like that. And I'm not crushing that because it's like they opened a lot of doors for what's happening now. But you know, I marvel at how you all live Jalais back in the days. Like, hand a story from my uncle, my pops and you know, watching the old movies like. Where's Geno? Geno's just so fun. It's Geno here. Geno's here. What the fuck out of here? You know, I think he's still looking for Park. He better not be. It's the real shot, bless him. I'll tell you the crazy shit. I'll take the crazy shot. Geno was the intern. You're right. I mean, Geno was the intern, right? And we had just released the album called The War Report, right? Oh, I didn't. I'm going to be a fan, you got to drink. I don't have enough. Listen, if you turn down the Cuban, I got to raise it. Listen, I'm not. Listen, Ferrin, you got to take a shot. If you turn down the Cuban, it's 20 years of bad sex. I'm just throwing it out there. You got to take a shot. You're going to start getting bad pushing into the shot glass. Hey, take mine and then I'll take yours. I'll drink after you. How about that? How about that? Salud. Salud. Drink shit. Drink after you. No problem. Go ahead. I'll go in there. I'll go in there. It tastes like trident. Let's do it. Oh, look at that. Mmm. Mmm. I'm like, I can tell you, I'm whatever my nibbles. Shit is real. I'm sorry, this movie is loose. I haven't recorded a podcast. We haven't recorded a podcast in a long time. We just want to let your brothers know. And we celebrate. We celebrate. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. One year anniversary. I'm gonna kill a bomb. There you go, see you later. What is that candle? Yeah. Cause we had an episode with ASAP Rocky, right? And I gave Francher 5, you know what I'm saying? Bigger Francher fucking a Kardashian. And ASAP, if you look at the footage, ASAP Rocky is like this. I don't be the five. And I'm like, oh, I'm talking about the Kardashian. That's what he's for. The Kardashian. This is where you're going to be the first one to get. I really, I really feel like he came into that show. Like he was like, he was in the drink, check. No, listen ASAP Rocky, this is what happened. I'm gonna describe. He was excited. He wanted to go in. What? Tia. What happened? The lawyer for hip-hop. I blame you. I blame you. Why? When I walked into the room, he was already talking to Tia. And it already looked like that. Oh, yeah, I mean, Tia. I mean, it was cool. That's the homie. You know what I'm saying? But, you know, we've been in the room. And he just wasn't having it. Like, he didn't want to play games. He didn't want to take shots. He didn't want to do all that. So I, you know, but ASAP walked in there. So Tia immediately became his lawyer. But ASAP Rocky wanted to get wild. No, no, he never wanted to get wild. Let's go and ask him if I was drinking it. That's great. Mm-hmm. Wow. I'm not telling you the truth. You been in this game for how long? I mean, I started DJing at 86. Oh, yeah. So I started making money like a 91, 92s when I started making money. I was in the rent off of it, you know? I was selling crack. I was selling crack. He'd been going to my house for ever, too. He's been a great one. America had his good, everything chillin' chillin'. I say, you know? Mm-hmm. What? And what do you love most about this game? The drink champs. I don't know. I don't know. I don't know. So you know how I say, Cheechung at the Yale? Yeah. Just off of Scarface? So I was workin' Tommy Boy. You know, I did the marketing. And we did the family. We were very shootin'. With Tony Touchin'. He had the homie. Cheechi, I had Cheechi. In the video. Yeah, Cheechi's the lay-up. Cheechi got the lay-up. Cheechi got the lay-up. That's what you're sayin'. That's the name of the angel, angel salazar. He's the comedian, right? The comedian. Yeah. He's the homie, man. Cheechi got the Yale. He's the best of us. Cheechi got the Yale. Goddamn it. Goddamn it. He's got some ways. Cheechi's the Yale. He's got his camera. So now kick your prey. Ha. You've been all over the world. You were sign a track master. Let's talk about that time, period. Now I was sign a track master. I was sign a Columbia for five years. Cause they lost. Sound like a bit when you said that. No, cause what happy was, you know, like, time I'm sizzling, sizzling, sizzling, sizzling, they lost. We've been rich for so long. You just see how you did that? It was like. I did. That was a rich, nigga. Listen, certain people don't speak rich nigga. Like every time hold texts me, I always show it to somebody else that knew it was richer than me. Cause I don't understand what all we've been talking about. You'll say something and then he'll skip my eyes. I'm sorry. But that was a rich nigga. What we talked about? Come on, good to you. Come on, let me talk about it. You'll speak a lot. Come on. Come on. Listen, good love. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. That's it. You don't fuck your all day doing nothing. Right? Five years later, they said they called me your kid. Cause they were trying for the whole five years. Your kid, come on, do your nine. How you doing? So, five years later, they called me your beside track mass. They coming in the club, they going, you know, straight out shit. I was like, I know them, maybe I fuck with them, but see what's going on. So, as we started doing that, my producer, I think track mass did maybe two joints in the club, and I did everything else. And, you know, as we go on the long, I'm seeing certain things that I didn't think should have happened. But, you know, I'm telling them, like, let's just wait, let's, you know, they want to put it out on November 17th, the day of everybody coming out, they promoted six of my mail. This is way to the next year, turn around, and then we put it out then. You know, whatever happened happened, but the bottom line is the album was a classic. The album was dope. You know what I'm saying? So, that's what happened. But as far as it being sold, the way it was supposed to been sold and handled, it wasn't handled the way I wanted it to handle. So, from that album, and everybody was on it, I want to grab me from that joint that was Jay-Z on it. But, you know, I have everybody on it. I'm from that album, you know, with so much trouble doing it, even though he was on it, knowing it was the promise on it. But it just made me feel like I didn't want to do no more records. I didn't want to do no more albums. You know what I'm saying? Because it was just too much claimant's says, too much shit. I'm on the roll heavy. It was just too much shit to deal with. So, I was saying, I'll do it. But now, you know, I was with that rap for the last eight, nine years, like following it, being on them and, you know, just supporting the whole movement. Me and Lux, we had shots. I was going to be in the HBO and it worked out. But I started the album on them called Top 10. Got tied in here and bad rappers couldn't make good records. So, I said, you know, I'm going to take the top bad rappers as some new kids, put them all together, make some hot shit and try to prove the world wrong. And don't use no mainstream artists on albums. I don't have one mainstream artist on albums. All bad rappers is called Top 10. So, it's called Come So, this is your cover. Yeah, it's your cover. The white one is your cover? Nah. Which one? Who covers that? The white one. Mine is empty. That's good. Empty? Hey, you want some? Nah, nah, nah, nah. I'm a little bit too. This is how they do in Paris. This is called, this is how they do in Paris. That's how they do in Paris. That's how you do it in Paris. No, that's not it. That's how they do it. You know, shout out to Mr. Cream. We're in Mr. Cream ice cream shop. Yeah, big of Mr. Cream. That's on the cream. It's a big of 89 as well. Oh, man, we're at Mr. Cream right now. Because the reason why I say that to Cream is because the people who helped me shake my only platinum album was the Track Mass. Yeah. And I did an album called N-R-R-E. And I remember damn their own, maybe 60% of the sessions you were the next star to me. Track Mass is a beast. Let's just get it straight. And they definitely helped me mold my album the way I wanted to mold it. And I'm saying that signically and everything is if you listen to the soundtrack to the Street Sound albums incredible. And they did a lot of contributions. Did you come to Bezvelle? Huh? Bezvelle? A lot of contributors. I'm making sure I say the right words. Did you come to Bezvelle? You don't remember Bezvelle? No, I did everything. But in a... Hip factory? Yeah, everything was in hip factory. So we... You remember we used to bowl bottles of crystal? No. You don't know that I wasn't around here. Yeah, listen, listen. We used to drink all the crystal, right? And then we used to be like, yo, blind them up. And we would line them up. Hip factory kicked us out. No, no, no, no. You remember it was two hip factories. Yeah. It was the one up the block on 54. The other one down the block. I was a bowl. I didn't want down the block. I was banned for like. Man, fuck, fuck. Yeah, I was here, right? Miami. Well, that's... Yes. That's jump, where that was going. That was originally criteria. Okay. It used to be called... The Miami Old School? Criteria's Miami Old School. Criteria's... Yeah, I'm a man. It was called Criteria's. And the hip factory we boarded, but remember, 54th Street... It was Sony? Then it was hip factory. Then it was the old hip factory. I could never get the new hip factory. Yeah. Because I was at New York. I had... It was in Christal額 with a shit back then. So we used to drink so much bottles of Christal額. We used to have a line of bottles up. And then whoever was drinking the next bottle, we used to be like, OK, let's go. Alright, in my whole session, you cannot walk... Because everybody in other sessions, they should take their socks off. They should. They should. And just walk around. You know what I mean? You can never do that in my sessions. My sessions... We bowling Christal額. It should. It's just crazy. They could say, you would never have loud back. Never. You go up the block. And then I had to go to the hood factory. That's what they called the hood factory You remember like because they had built up the new head factory up the block from Sony Remember Sony was right there, but but you was that basically it owns every session of my most famous album in Or I got on your album. Remember be for yesterday. But yesterday you were Just doing it. No, no, no, no, no, no, trap mask for those days. Oh, he's on it. I'm gonna read it with you. And then we did my job. You did it. It came into the joint. You remember it was me you 50 cents. Mm-hmm. That video that video is very is viral. That was your session. Correct. That was your session. I gave that fact. I gave 50. I produced rowdy rowdy. 50 maybe a week later after that because we don't know you producer. Come on. Let's just produce Madonna. Produced a number love for heavy day. Oh, it's like a joke. That up to me. That's like a boy is no skater. Come three. That he's the producer. I said, you know, in real and real I'm gonna tell you right. He's 12 years old. All the years. With all the accolades and everything I got from this shit like producer like as much as I love it. It never been my brand and butter. My brand and butter always been on the stages and doing what I do. Now I'm taking a real serious. Like you know, even though I produced my first and second album. It never really was. One thing I don't like doing. I can't go on my fucking sessions. I got beat yo. Yo, let me get on your arm. I got beat yo. I can't do that. I just can't do that shit. It's like so I felt like if I do this top 10 album and the shit hot enough, everybody going here to come to me and say your kid this is right. So the people that I brought the companies I brought it to, I ain't let it go yet. But the ones I brought it to, they asked him for the shit that I have on there. So I know it's gonna work. You know what I'm saying? But that's the way of me doing it. Because I don't like, I just don't like bothering people. You know, you get that shit every day. You know what I'm saying? You get it every day. So it's like, you don't need, you know, I just, I just stabbed the way I do my lane. That's it. You know, but yeah, I'm taking the serious now though. This year I'm getting on Nick his nerves. Show. Show. Now. Show. We got to talk about my man. God bless the day. You know, I'm talking about first. Years. Yams was my age. And then hair. And then hair. I never had a, like, we know how you go. I have a young homie. You have a young nigga conversation with him. I never had a young nigga conversation with Yams. Ever. He always talked about my era. He would call me on the phone and be like, yo, so you know what I mean, you know, you went on and then you went and said, I'm like, I didn't know this. I couldn't believe how smart Yams was. And I can't, I'm what I'm saying about that. I'm making some business wise. That comes second. I'm talking about just a culture. Was that the person who helped shape the ASAP movement and just said, yo, look, we got to, you know what I'm saying? Like, am I correct? I'm out of doubt. Okay. Yams definitely was like, he orchestrated a lot. He was like, I want basically, he was the, the, yeah, she'll, you're puffed with, you know, he was definitely that. And he weaved us together because you got a lot of artists, you know, saying on one label, you know, you know, we was all crew before, like, we even got into the business. So it's just like, you know, I got the on individual like attitudes and, you know, he basically found the, he found a way to facilitate all of our ideas and we was all into each other to where the world can digest what we was doing. You know what I'm saying? And he made us the package. You know what I'm saying? Like, he was basically the Steve Jobs and he made the iPhone. That was easy to work. Right. Was it his idea to say everybody is going to be called ASAP? ASAP and, I don't know if it was his idea, but he was definitely like one of the superiors, one of the originals. It was him. It was my boy, ASAP, Barry, shout out to him. Big of a, he's doing like the whole V-Loan thing now, clothing line. ASAP, it was like those are the original guys and ASAP, Barry is younger than all of us. But he brought me to the crew. He brought me like, you know, Rocky came to the crew like so it was a crew first and then me and Rocky got introduced to the crew. You know what I'm saying? And then we just did like the rap and portion part of it. Oh, shit. That's great. We joined like a year, year and a half later. Yeah, that's great. Let's make some noise to that, buddy. Now Tony took. Didn't you have a job of a hot nine at one point? A lot of time. Was you a Pokemon hot nine at one point? Yeah, for a second. What happened? Let's talk about that. I always um, shout out to Mickey Benson. Um, that's Mickey Benson. That's iced teas. Oh man. Yeah, right. Mickey Benson. Yeah, it was cool. And it was um, Melly Mel and I had a radio show called The Mike Check Show. So I got lucky and somehow Mickey and I mean Mickey hooked up on them. Yeah, you know, they asked me to provide, you know, beats for the, you know, callers that would call up to rap live on the show. It's like an hour long show. They would do their thing. You know, you know, the, uh, the furious five, I think, um, who else was there? Scorpio. I don't know Scorpio was there, but you know, was the Melly Mel show definitely. And I think, uh, his brother was there as well. What's the name? Um, Kikrio. Kikrio? Yeah, Krio. Kikrio? Yeah. Kikrio? Yes, there was a Haitian nigga back then. Oh, it's one of the previous places. It's one of the things. Come on. Come on, guys. That's it. That's it. That's it. That's it. That was Hanani Samu. It was a quick little one. Come on. The Mike Check Show. Melly Mel. Yeah. I was like, shit, I was like 90, I was like 93 is some shit. 94. Actually, you know what? And that was when pun, um, that's when we first heard a pile. So it was like 94. 94. Because after the Mike Check Show, they would do a, uh, a lot of lyrical showcase in the Bronx. Melly, you used to hook up this lyrical showcase, uh, up in the BX. And that's when, uh, I was doing the radio show. They had this MC showcase in the Bronx. And that's when, um, um, um, Mickey and him, like, they connected with pun and everything else here. Sweet. But that show, that's like eight months. It was a quick little one. Shout out to Hanani Samu. Big up Hanani Samu. Hanani Samu. So now what happens when you get this phone call? Serious sound like says. They want to talk about Tuesdays. Um, no, it's a shame for five. They must have hit you. And it wasn't a serious sound like first. Uh, no, it was a shame for five months. So this same in every for those guys. So this is Paul. You had a big part of Eminem's career too. Come on. Let's see. He was on the 50 MCs too. Yeah. Yeah. Come on. Let's break that down. Let's break that down. I was like, come on. You be a humble right now. Give me a humble. Give me a little shout. Give me a little shout. I was going down with the end there as well. You want, I did that. He wants to do Saraka. I'm doing Saraka. I got to keep it real. Because Saraka is the best thing with a plan. This is going to be a terrible thing. Then they're going to be a refreshing. Fur. It is refreshing. Fur. Take a shout out of Saraka. Take a shout out of Saraka. So real quick, this refreshing. The radio show. That's okay. Okay. You gotta do it. I know. We've got to do it. Let's talk in guys. Sorry. So real quick, the radio show we run in 12 years now on Series X Sound. Make some noise for that. Got them. Don't got two days on save 45. And what's funny is that each and every one of you guys have been to the show. No, you're always so happy to see us all together. One of them at the same time. That's right. You're the most important show man. You're getting and yo, salute to all you guys here. We hear it. It feels like you're talking Tuesday. Hey, it's over Tuesday. And listen, let me just tell you something. All the people from the young generation. Fur is one of the people that we all got to support. Absolutely. Absolutely. You know, he's a real support. He's mad. Cool. Let's give it to him. If he's in, yo, yo, yo, you know, yeah. Just do it about that. Yo, me and his family was mad because pops. Yo, yo, you know, still be cool from the ever pull around by the car. Yeah, but tell him. So, y'all from Miami. So tell us about his pops, man. I wouldn't hear about this. Yeah, a lot about it. What? What? And Harlem and Harlem, right? First of all, me and Starcha has the music. Me Starcha, I do see how the music scene crazy. It's a big home. Right. And home. We had that shit. So at the end of the day, you know, every day, it's a legend. Fast and music all going on together. Right. You had your, at one time, you had your dad for Dan. Yeah. Dan was making shit. And I was saying that everybody was going to see the footage back there. You know, saying Ferg, what Ferg would do, he would make, he would make clothes for the street guy with classy. Or make something that he would make stuff that you want. But if you, but when you seen his clothes, you, you, you, you would feel flying and stuff. Like with dad for Dan was more, you was more hood fly. He was more, you know what I'm saying? But with Ferg, it was a little different. He had a little twisty thing. Like him and with Shard, he had a little twist thing. I think I got a shot. The Ferg was cool, man. They said it was a lot of different shots. They bring their shots, really? Where my shot? Your shot? Hey, bro. That's gonna preach. You bob the rail. That's gonna preach. Get it, go. I'm gonna go. You gotta go. You gotta go. This drink chance. You gotta go. You gotta go. Oh, that's so, so, oh, that's cool. Damn it. God damn it, you drink. No, let's big up the twin being back in, in Alhance. Did you see yourself in the video? No, yeah, I should have laughed a lot. You gotta have done it. The hell is fucking it? No, you gotta, you gotta, you gotta good laugh then. This is a lot of, you gotta go get it. I'm gonna get it, I'm gonna get it. That's right, that's right. You gonna recover, motherfucker. Maybe you should just wait for it. Yeah. Yeah. Yeah. Okay, good way of getting it, Bri. What? I don't know. I don't know. I got one. You gotta escape your shot, bro. You gotta escape your shot. You know how I got the foulest part in the world? You, you know what is everybody else shot? It was like, you know what I'm saying? I always have your hand in, I'm like, I'm alive. The fucking is just so different. You're a drink chance. I'm sorry. I was just saying, I think you were saying that. You're a drink chance, I'm a brother. It's not a loop with CBS. Speak some, release it in the match. Yeah, I'm not a drinker. This is how I get the trophy. That's what I'm saying. We get the truth out of ourselves. We, my fucking say, we're shit today. But it's very true. People think we saw having a conversation or ourselves in this terrible. All right, look, but look. I'm gonna be honest. No, no, I'm gonna be honest. It's all about what Gino to be here. Gino tell me stories about you and your crew, all of that. No, but let me tell you something about some of about your pot, which is real. We had did an album called The War Report. The War Report, clinically acclaimed our first album, Shit Goes Through The Rule. We have a person that was an intern at the time. Called Gino. He was the first and after the front. So the people who did our shirts in the beginning were people from Canal Street. Good. We thought that was a deal. Gino's in the front, you know, answering phone. Gino turns around and goes, oh, the fucking now street, we go uptown. And we're gonna get our shit right. So everybody's looking like that. But this is his first task. We take it on. It's your father, he refers us to. Wow. The original N.R.E. The shit that pun got on his head. If you look at it, it's a famous, because I gave pun to t-shirt and he said, fuck, I can't fit this. And I was like, damn, it's very true. So he just put it on his head. But your father was the person who designed it. Now, first of all, my people from the Bronx, the first people to prefer me to. But when I brought it to the label, they said no. But Gino was the guy who actually pushed the whole envelope through. And the person he pushed it through was for you. And that's your fucking man. And that's your fucking man. I think you're shot. I think you're shot. Can I ask my question? I win a lot. I win a lot right now. We have good shot. Yo, I love pun. What was pun like? He was the best. He got worse than his friend. Where were we 7th? Yeah, I think. I'll pick up to the Niggas in February. And also, I want to say, rest in peace to compose, wife, mother, past the way to the olden. I got a story about pun. Oh, let's go on the pun story. My album, Sound Traction Street. I remember the lost boys was in the booth. And lost boys came to the session. I shot the lost boys' cheeks with my dudes. They came to the studio. Fucked up. It was a drunk. Which was dope. And it was in the booth for a while. And pun came with his family. His whole family. So I stopped the lost boys I made him come out. And I made pun getting the booth. Pun sat a chair down. A couch. Not a chair. Okay, whatever. He put the mic in front of him. He put the mic in front of him. He had his family around him in the booth. He did one tape, one adnabah was out the booth. Ten minutes. That's the record we did with you. No, I know it's style. I was out there. But that was pun style. Whatever couch was in the main room, you know, here have his niggas come and pick it up. That was the most incredible shit. And he pulled the mic down and he's sitting. That's how his jaw was so incredible. It was crazy. He didn't do like, not a lot of like, take it like I'm saying. He didn't do like four bars, four bars. No, no. That was a bad thing. We don't have an interact back then. We don't have that. We don't have the air connoisseurs. We're on the rail back then. You know the rail, a rail. But the illicit out of all the net. There was no punches back then. No, you could punch on the rail. Check it right here. You know how much, you know how much, you know how far. You know how far. It was crazy. It was the punch. When he was rhyming, yeah, when pung is rhyming, you can't punch. You have to say it. So that was one thing I was ill about my album. The second thing I was crazy was I'm in the studio with Jay. Jay's easy. Jay's the noise for that guy, damn. So I'm in the studio with Jay. I had this beat form, like beat was crazy. So I'm playing beat in there. And I had this other beat that I brought in New Orleans. I couldn't get the shit to lock a new machine for some reason. But I had to looped up on the tape when I was in the studio. I was just playing it. And Jay walked past the studio. He said, what's that? I said, some shit I had looped up. I can't get it locked up. He's like, we need to do that shit. Yo, we did that shit. The record we was supposed to do into, we changed it to the poem, poem, poem. We did that shit. I want to Grammy. I want Grammy. That hard-knocked life, cause what happened was we was on tour with the puff tour. And 45 King gave me this plate. And it had the hard-knocked life beat on it. So I was doing my album at the time. I said, yo, I'm not using shit from my album. I'm just saying it in arena. So I would play it. I would do my show. Then when I come back out the second time, I would start with that. The third show, I played it. Jay rolled up. I said, that's 45 King beat. Some show on us. I was like, you like it? He was like, yeah, hell yeah. So I told him about the hard-knocked life beat. You just used it in the little sample. You had a beat already. He had the way the beat is on the record. It was just the beats with the song. Like a dub. That's it. White people were walking up to me while I'm playing it saying, okay, how you get them drums behind the enemy beat? Then they was bugging. So Jay rolled up, say, okay, what's that? I said, I said, oh, how much? Oh, my God, I said, yo, you wanted it? He was like, yeah, so I called 45 King right there in arena. Put them on the phone with 45 King. Talked to him, two weeks later, hard-knocked life came out. Find me in Southern. Six-means Southern. Yeah. Wait, wait, wait, wait, wait. I didn't even break that in a start of all time. How's that record credited though? How's that credited? 45 King is a reducer. Jay's is the right up. Kick and freeze the link. You the plug. Got there. The plug. That's not the say that all the other shit Jay done dead. Come on, you already know where his career is. And me and J. Bin cool, you know, for years and what he's done is incredible But I'm glad to say I was a part of that incredible record. Yeah, I was a part of that album. I did this like that So I wanted to grab me because the the album went as far as it went so I won twice. It was dope Beachy, what do you want? When Madonna called me that was Craig. Okay, hold on We ready Did you Like a lot of women in industry How to see six lot of rappers by the actresses like models A lot of them try to get at me and I would never fuck with one industry check ever These are what's up? One a lot of them talk a lot now that's ain't all of them but a lot of them talk a lot and two A lot of them fuck with the same circle Everybody you fucking man, you be here You know saying and at the end of the day is just I just felt like I ain't nobody doing what I do if I'm in this industry I do what I do here. I already know how how really the shit can get so if you in it I know how I really could get for you And you're gonna get offered way more than I'm gonna get just like a chicken strip club She gonna get offered way more than the regular shake on get and he just the strip club It's the ball over here. They got a 10,000 for a couple hours come in We sure I'm gonna pay it up and that's what's going to be is gonna be more than just what it really is So that's why I never really be fucked around It's an industry strip club. Yeah, exactly pretty much so I stay away from that Till so far when the first time you get your dicks up I was saying I Um shout out for doing that I was a close member of the family Close me Right I want to suck your dick is like that's like old that's your first time like like not in the beginning Like I was a one after you became And the bitch is say as once again like Okay I don't own I don't remember There's a lot I remember I remember You sister And I remember having My first three songs with two black girls Yeah, and they was They was having mad fun and I remember like not even like Because you know black girls is real like different like they not They want nothing to finger if they don't like they're not making you know sandwiches They're not doing nothing but they were just catering to me crazy that night Yeah I was a little bit more so space and noise for mr. Leigh buying the worst of guys ever It's like mr. Leigh went to the store said I just want to buy a guy's gonna make nori and no So kick it for you. Yeah, I had a question for him or no, let's go. Yeah, let's go. You're gonna go your question When the first time you see I'm on tour I can only all right, I think we got like five or six or seven dates were kid So it takes kid The pot like one or two dates to look at me and say he's different You must have like the second or the third day Because I'm well after none of you got to put it in your mouth. I just come home fresh out of gel I Listen to my rhymes when I was wack. I used to be super wack. I know I was wack And I was caught on like better sit up fuck that yeah And I'm telling me Hey, this is the man he the man on the street. I'm in jail. He the man on the street. You got this shit called the bomb baby You know if no as no what's in no maybe but I know he like yo This is like the young shooter, you know idiot guy from our hood When I'm calling from jail he answering So what happened was I came home We do a song called LA LA I Peek my nigga chast for my hood. We I'm trying to make this Super wack story. Act no that you're doing LA. He does he know that does I know that no that's really not okay I come home. I do my own thing because I don't want to depend on right So I come home we do LA It kind of pops it kind of pops it definitely pop but we didn't want to I didn't want to be a beef nigga type of artist So I hope we also Six months later through on a drink called T. O. M. Y. Right classic classic hip hop But mind you Compongus locked up the album drops Pongus locked up. I don't know how to do a show. How do you do a show? Like I'm from the I'm a cracker seller So like I'm the nigga that I know every white person because I sell crack to them How do I do a show The greatest shit is I comes on my block Sees me pumping. He sees me making a cell. I can only put him So he sees me make a cell and he pulls over the car And he's like, you know, what are you doing right now? But mind you my albums out. I don't know Because I don't know how to leave my hood So I don't know what's popping people are telling me my hood is popping but they've been telling me that He's ready. I start rapping I see me make a cell he drops Comes up. What are you doing? And he says how much you have when you have 500 hours of work for me So he gave me 500 hours It was like give me the work and I was like, all right cool. I thought he was smoking. I'm beyond The nigga threw this shit in the soil and I was this It's like, you know, but he paid for it. But I was like, yo, what the f**k And he said you'll look what is and he Turned me around like he grabbed me like how I'm grabbing you right now, but he turned me around And every car that you drove through was playing the water for And I still didn't know what that meant because I was so much of a hood person It was like I thought I just made it for my hood. I was like so what? I made it just for these niggas these niggas are supposed to play But he was trying to show me that everybody is driving through is not from their frack They're just driving through to show that they play in a warped world. I still don't understand But anyway After that day, he plays my pack. It's he says calmly on tour This is when I meet the very cute So, right Now, Ak is on like a Maybe like 20 30 day tour, but seven days is what keep it pretty Mind you I used to go out to this Wii spot I used to go out to this Wii spot go out three miles a minute Harlem best we either I was smoked It's a go up there and three wires men had let him look into three days so That was on game like a key of pre tape at this time was like being fly Like you ain't actually had to be fly if you had to Say some fly Saturday and Sunday Like you had to have a first-rate sneakers on if you were like what are you crazy to check pre 16? Right But this is that type of fly shit, right No, Ak Takes me on the talk Kid it's like three days in Jesus no You got a relax You didn't say that put him on my side He said the thing is a smoke and you ain't having no fun with them And he was right It's my can the kid He stopped playing Sega Genesis Because that that was his ding back then like it was like the 10-0 Sega Genesis Aaron I'm sitting there He smoking in this room Not only I can't smoke in an ox man I can't smoke around here Because he's like a real like you know don't smoke type of nigga Like that shit is wack type of nigga so I'm a hot now. I'm looking pretty Snickers mixed tapes sitting there playing video games with him. He's the honor. What's he's a sh** So ... No, that's not a set. Come on, he was on the right. Yeah, yeah. On the right, you're the bloodshed. Come on. All right, that's the, what's this dude? Salo. Salo. Salo. Salo. Salo, bitch. Salo, bitch. Are we ready? I know you're an ex-girls, you're an ex-girls. No, I definitely love a staffer. I get a good drink. Let me tell you something. Let me tell you something. That's hilarious, anyway. No, listen. Listen. I'm a bad guy. You're bad, yo. You're a bad guy. You're a bad guy. You're a bad guy. And I was in a middle of just, I was wild in there. You were fucking like, you were fucking like. I mean, yeah, but you know, I was like, you know, I'm talking about it. I'm not going to bullshit happen like something like, look, that was shit sending me keys that I quit. I was even asking for it. Send me keys that I quit. So I'm thinking of something that I'm going to roll out, yo, let me tell you something. I'm going to go on old chicks, run, run, run, run, run, my house. Because you never know the next nigga they sent me a key to. You know, so, you know, I'm saying that. I'm saying it was, we can't really talk because it's not to show for that. But this show, I mean, the shit that was going on at that time, I was like, I knew I could have gotten a lot of shit. You know what I'm saying? So that's why I'm glad it worked out the way it worked out. I'm a whole different brother. But, you know, now, you know, six come to me now. I was like, whatever. I know. But, you know what? I had to talk with LL Cool J. You was like the first pornist. I said, you know, LL. I said, I said, you know what I said? I said, I said, you know, LL. I said, you know, LL. I said, you know, you killed on your wife? No, LLs. He put me on too. I got that all slow. I said, you killed on your wife? He was like, no. I was like, why not? He said, you know what I said? No, this is the way I can. He said, he said, cause I can't get no money being pushed around from different women. You pull this way, pull this way. If you have one woman to satisfy, that's all you have to worry about. You can worry about everything else you got to do. Which is the truth at the time I was doing, I was doing, you know, I had one walk out one hour, another one walk out another one walk out another one walk out. And then my man sitting there looking at this shit. You know what I'm saying? So it ain't like it. It's documented. But when you do it and you think you, it's a trophy, it's like you think you're doing something. That shit ain't bullshit. That's bullshit, B. You know what I'm saying? The real shit is, the real shit is create an opportunity for other things to get on. You know what I'm saying? What you're going to do that is focus on what you do. You know what I'm saying? That's that's the real. That's what I'm doing right now. That's what I'm starting to be shows with. I got three different shows going on right now. They all poppin. You know what I'm saying? I started this Gmail Black Party action and Gmail.com. You know where I tell people around the country to send me the music and they get any girl. I play it on my shows because I know where it's like to not get hurt. You ain't got no money for it. You ain't got no loud. Let nobody know where you at. Nobody trying to help you. So this is spyware of this hot or not. I'm going to let the fans decide that. I'm never put my opinion to it. But I'm going to give you an outlet. I gave them an outlet for them to be hurt. So every week when I'm doing the joints, I play through the joints and let the people decide what's going on. So much to that person. Even if they don't go nowhere. They ain't no good. They have a chance. I'm saying that's all too. It's good. Now it's that burn. You need to ask, keep it rips. I feel like you have the good questions about that. I feel like you need to ask. I feel like that. I don't know. I just feel like all Harlem Niggas deep in there. Deep in there. Deep in there. So they ask, is it okay? Is it okay? In this show? In this show is okay. I'm going to say I'm a Libra. And I can turn it up. What's that? That's the Tigers on her hands. I'm a Tigers on the Leo's. So what's Libra? What one of is that? The Scales. The Ova. The Ova. Oh yeah. That's the line. I told one. Yeah. Oh yeah. Yeah. Yeah. Yeah. Rufles. Yeah. Rufles. That's the Rufles. I'm going to have this feeling. The kick of roots is bowels on. No, he's using bowels. I'm going to have this feeling. We might do that too right here. Mm-hmm. Yeah. I'm out of here. I could go. Yeah. I'm staying. That's good for you. I could do whatever I'm going to do it. You're a human. No. I am human. But I'm having fun. You were going to, wow, my sis, right? You got pink, right? No, I don't have pink. Okay. I've never got pink. Go for it. Oh, pink taco eye. Ah. So does it. Where? Where was that? You know, ES. You know, ES? No. No, he, no. I think that I meant it to him. I don't know about the Hebrew. I turn, I turn, I turn. Yeah, I turn. Listen. You got to ES. I know Tony Doga. Tony Doga, give him a mic. It's a protein. It's protein. It's a part of it. No. He can put these apart of Puerto Rican culture. Like, listen to me. No, look, my grandfather, the nigga never asked me, like, yo. Your Puerto Rican, right? Exactly. Thank you. Thank you for correcting me. My black grandfather, the Indian father. My, my, my, Puerto Rican grandfather, he never asked me, like, yo, you okay? You know how to tie your shoelaces? The nigga just said, you, you, you can put this in your head. I'm like, Jesus. Like, this is a part of, just like, just like I know in Puerto Rican culture, your grandfather also gave you a beer at five years old. Listen to me, baby. Listen to me. This is a story out there. Yeah. Listen to me, baby. I get support in Puerto Rican culture. Yeah, they make you drink. They make you drink at like seven years old. Like, you think they're gonna make you? They just, no, they, they, they, they're actually, and then you go? You understand? You go? And a Cuban, the go with it. No, no, no. I definitely spoke with Cuban and seven years old. Oh, that's true. What did you say? I said, relax. Tony touch. Yeah, who are you talking about? No, no, no, that's a go. That was my grandfather. Oh, he gave you a Cuban and seven? Two was the gore? No, I'm saying I grew up around, you know, the Goss smoke. Oh, he was a Goss smoke. So, yeah. Here's some of this is a walk, a smoke nigga. That's about to go. Yeah, it's okay. We go, we go, we go, we go, we go, we go, we go more. All right. Now, kick it in. Kick it in. Kick it in. We're the funnel. Now, kick it in the funnel right now. I'm sorry. I didn't kick it in. Mm-hm. Listen. Our show is based on ass heaters, right? We love people in the ass heaters. We love people in the ass heaters. We love you in the ass heaters. The fans. He's big in the hood. He's very big in the hood. And he's the ass heater, big in the hood. So, we got ass heaters. He's big in our show. They got show. Don't worry, they didn't do it. But I felt like in my youth, in my youth. I saw you directing someone. It's a 3-2 game. 3-2 game. 3-2 game. 3-2 game. 3-2 game. 3-2 game. 3-2 game. 3-2 game.! Back, back, back, back. It was real. He's a married. Oh my God. He's a footage. He's slags in there. He said my latest video on the live show. I was like, no, that's not happening. I was so much disappointed. I was twigging up crazy. He's wearing a twig of ring-strawing. I'm wearing gold shit. What happened? Who did that stuff I got on our show? It was you. It was in the 50th episode though, right? I'm sorry, cute. In my mind, it's Roswell. I'm sorry. Is that what happened? There's no way I could get that. This is very nice. It's very great. I think it's definitely happened. No, I hate it. No, I'm a... I'm a wild trooper. I'm a wild trooper. I'm a wild trooper. I'm a wild trooper. Let's go. You're sick, Jasmine. You're making me believe again. Let me find out. He said, not his and the other legs and the air. This is great. I'm so... Oh my god. I got a question for... GG. It's just gonna seem crazy. Go first. Okay, man. You want me to try to act normal? No. She looks like you're going to scuff pepper spray. You're crazy. You can't come back? You can't never come back. You're crazy. We have fun, man. We have... Where's Gino, man? Are we doing more shots? I'm just asking. I got a donut's cup. That's horrible for you. It's Mr. Cream. 2400 North Miami-A. Listen, hip hop. You know what's funny? He's mad guilty. It's mad guilty. It's stupid. It's like you all want to say something. I wasn't supposed to say it yet. And you're laughing about it. Oh, sorry. I'm so bad. I'm too excited. Chasing? No, it's just... You made it up. You made it up. You made it up. You made it up. You made it up. It's just sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand sand You got to be here man. You got to be here. You got to be here. Just be here. Just be here. Just be here. Just be here. Just be here. Hey, my heart. God. God. That's funny. You got to be horrible, man. That's not gonna be celebrated, man. That's not gonna be celebrated, man. Thanks in the air. God. Your sweat. I was like that that shit. No! You know what I mean? What are you talking about? And at the time, I'll never have to love a man. I'm gonna come back and talk about this shit. Oh shit, oh fucking funny. Oh, let's drink some water's rules. Oh, I'm telling DBT, I gotta ask you to relax. You gotta relax, gotta everybody here. We did worse. Cause we know you shopping the flea market. Woo, woo, woo, woo, woo. Yeah, let's, oh man. Alright, we're gonna try to get serious right now. No, no. We love that. What you gonna say? I was gonna talk to her, uh, Ferg about how? Uh, it's, it's gonna be hard. Mm-hmm. It's gonna all. So. Right? 2450. Mm. Right? Mm. It's got a name Wally, old to do. He own the SNS club. We told him I'm Wally Bergus? Yeah, he own the SNS club. I'm never gonna have. And he own the zodiac, and he own Wally Bergus. I'm sure you heard of Wally Bergus. And of course, he own Wally Bergus. Wally Bergus was right under the SNS club. The SNS club was killers, jealous, jealous. The big thing is like it was just, it was just, it was just, if you was in there, you felt like you was somebody, but really you was nobody really. So when I was in there, I was just looking at this shit like it was like, wow, this is what goes on. But after the party was over, the whole 45th street should be flooded. You see the biggest dudes driving the craziest cars, sitting around the street. The whole street flooded out, and then they're all gone. When's the day they'll leave from there, and we'll all go to the rink in New Jersey. And the rink, that she's to be crazy, lead the rink, come back to 145th street to 8th. That was like, that was like base, like it was just the place to be. Like, Harlem at that time was just crazy. But there was a lot of killing going on, a lot of different shit going on. The niggas get killed in the broad daylight. Buggies was like a big deal out there. You see niggas rolling up, peeping the buggies and shit like that. But you came in up in the town where there was none of that. You came in a good time. You know what I'm saying? But at that time, it was like, it was rough at that time. I pulled you to buy, I pulled you to buy a tape for me for $500. Well, a mistake? Then you get that tape, kid. Nah, I pulled. I get you. Nah, I get you to 100. Nah, I pulled. You get you to 100. You find it. Nah, I pulled. Take this kind of thing. Yeah. It was crazy at that time. Nah, back then. Because you are coming from Queens, right? Queens, you were like the first person bearing through from the Bronx, on the uptown, the uptown area, bringing to it. Then it was the bounce master, DJ Duwap. Yeah, I have beef. What happened? I was looking for Queens. No, no, no, I'm saying. I'm telling you, I'm coming. Oh, you come from Queens, and we have it. What happened with me and Duwap was, well, Wap was somebody I was going to school with. And I didn't know he was Wap. I got both winners. We was going, yeah, yeah, we was going to be in the scene shoving the morning and all that, all that in the morning. So what happened was, one day this kid, you know, I'm rocking with the tape, shit popping, and we did this going good. And this way when I was about to stop, was what happened was I got signed to Columbia, and I mean, one of the brothers, and Starlight, and she showed me a bunch of magazines that said, Kicking Creek, the only DJ in the world of self-means, make me as a dollar off of street mix tapes. And I knew that wasn't true. I knew people with some of my tapes, they were buying houses and cars off my joints from something, but I wasn't making that bread. I was making what I was making. So that's not the side of seeing, you know what? I'm a leave as the Michael Jordan, and they're shit, and going to take my career a different way. Right. Right, when I decided to do that, some kid that I ain't seen years going up on me with a little bit of a tape said, you know, this kid didn't do what I was about to come at you. He gave a little bit of a bit of a tape to me on the tape. So he played it for me. So I'm like, oh, shit, the fuck was good. What was this saying on the tape? Some shit, it was just, it was whatever it was. It was some shit, but it was disrespectful. Right. Again, I didn't know it was wild. So right away, I made the beat. I'm a little forward track. Irvington filed a joint chapter up, wrote the rhyme right there, had to join out the next day. Before he even got a chance to put his joint out, I had my shit out. So that was the last joint I put out. That shit was a minor middle. So now he had came out with like 50 joints after, you know, I ain't gonna call it 50, but he came out with a lot of joints after, and that was my only joint. And that was the beginning of the me and why I beat, where it got disrespectful is when Wild Pass said something about my mom's and my girl. And that's when we had a show. I had a show in Virginia. He had a show in Virginia. And I took my tour bus down there, then my show. And I waited for him to have his show the next day. And I went to his show. And you know, I put him out both way, you know, let's go around the corner, me and you leave all people here and we do what we do. And you know, it didn't work out like that. And I know it wasn't going to be enough. It's a later on, he apologized for what he said. And that's all I really wanted. There's no problem. Later on, me and Wild made records together. We made two joints, two of these joints together, where we worked. And right now, that is Damian, it was cool. At the time, it was a little tense, and we was going to get it on. But in later on, we seen that it really wasn't enough. And it was kind of monumental for us because it brought a certain bar to the DJ, to the rap DJ. You remember, I got bars too. I could get on the mic and I do my thing. I do what I do. So that's what it was. It just brought that level. And then it brought dudes like Tony Touch Out and dudes that could rhyme and produce and DJ and all that shit. Yeah, it shows that you just not stuck in one spot. You know what I'm saying? Shout the wipe. Wipe is a talented dude. Like I thought it was going to take a L. But really nobody took a L. It was just a monumental thing that happened in the Mixed Hey game. You know what I'm saying? But it was going to turn nasty because of that. But it never really did. So it was all great. And I talked to Wipe today. It was all good. Let's make some love. I'm really nervous. Yeah. Now first. Wipe is popping off. You're doing your thing. You sit back. Now what is your plans when you say it? My first record pops off. What did I want to do? What was your plans for an original beginning? Going never stop. Yeah. Going never stop. Never take my foot off the gas. Because I always knew that I had a bunch of people I had to put on as well. Like you know, me, Rocky, 12-V, Addy, like the whole 8-Sat Morgz. Just the Morgz, but I got family outside of the Morgz as well. Saying so I had that. You know, I got people I grew up with, kids, you know, Marty Bala. I got, you know, my uncle T. I got, you know, different people. That's in my family. You know, that's a part of my team. Now that I have to support or I wanted to support. So it's always been not about me. It's about like, you know, getting this opportunity to put other people on. How old was you put on my mask when you were young? I was passed away. I was, it was 3 days before my 17th birthday. Yeah. And you, did you know your pops as a legend though? Oh, definitely. Okay. I always think about all the kids that like, you know, like I always just think about named Dash son. Because he was pretty popping back then, you know, as far as like his pops being like somebody in the street. Or like, who? Yeah, bookish as a book. Or like Lil Romeo or like, you know, these are people whose sons like they, they, they fought with somebody and I always thought like, damn, my pops are somebody. Because you know, all these people, we introduced me to Puff. You know, it was a bunch of killers I met. You know, it was a bunch of like different people that I, that came to that storm on 45th. So, you know, it was, I knew that my pops was powerful. And I, and I knew that I was somebody special because of him. And you said 17. Yeah, 17. 17. So, what age you thought you, like, acknowledge as your pops as proud? I always, always knew that, always knew that. Because he wasn't only powerful, but he was a good man. He was incredible. And that, and, you know, you know, that's the only thing that I, like, only thing that I hold on to and life is just being a good name. Right. Like, I don't give a fuck about anything else. I'm good. Yeah, yeah. That's what a nigga think about me. I just want to be a good nigga. Right. And that's what your pops are. Right. Definitely. That was 100%. Yeah. A good nigga. Yeah. He was a kid. He was a kid. Yeah. Yeah. Puff mom's there. Yeah. Everybody. My pops are just like the bridge. I like to call it the bridge because, like I said, he was the bridge between the streets and mainstream. You know what I'm saying? He wasn't like one way. And, you know, he always kept like a solid base in Harlem. And, you know, he put on for his people. And I got a chance to meet all types of people from all walks of life from like the superstars to the rental industry. To like the hood dudes that ran things in the hood. You know, that knew how to talk that politics and who you had to speak to. If you had to come around town or you wanted to make some moves, he knew everybody. So when his rap thing first came to you, was that something you discussed with your pops or not? I was always shy about music with my pops because I was never like a Phil. I feel that way. I was never the music person and he knew all the giants. Like, you know, he introduced me to Puff. You know, what is my little rap's going to do for him? I understand. So like, you know, when it came to rap music, I was just, I was better than the rapper. I was better than my hood. He didn't even know, you know, I was doing music or writing rhymes because I was also designing clothes and drawing at the same time. I was doing what he was doing. So it's like, you know, my rap just kind of kept to myself and my friends. So, as a person, and I apologize for getting a little deep, but as a person who I lost my father during the high lathe of my career, while my father died July 3rd, 1998. The best year of my life is 1998. Wow. I'm sorry to hear that. So, as a person, and my father used to look at me like this, I swear it's gone. I said, tell my pops, you know I'm rapping, my father, yeah. It's a hood nigga like, but Spanish with a tail, 75 tattoos, earrings and his ear. You know what I'm saying? He's one of those, he looked like Tony Tuck. Like, like, like, like, like, with green eyes. He's like, I have green eyes. It's not my box, right? So, I told him I'm rapping, he's just going like, yeah, we rapping. I'm like, no, I'm really rapping in box. But, like, the point I'm trying to make is, yeah, smoke a Tony Tuck. Yeah. You just told me no. Yeah, but now, yes. Let's go. We got more, right? Come on. So, the point I'm trying to make is, like, you see who your pops is. You're seeing it. And now, you becoming yourself. Are you feeling like you have to fulfill this legacy? Or you feel like you can keep it going yourself? I definitely got to, I'm an extension of him. I like you a lot. You know, I came out of this. It looked just like, yeah, exactly. So, you know, definitely got to keep the name alive, you know. Well, he established, but I'm definitely myself as well. Like, I got my own ideas of how I want to live the rest of my life for, you know, mistakes that he made that I could learn from as well. So, you know, definitely continue with his legacy through doing what I want to do. But, yeah. Like, like, the thing about me is, like, he was my father. He was the only part of me getting nigga in the whole six blocks radius, right? But every black, my whole is a black hood. Every black nigga loved my father. And he loved me. My whole goal is, hey, they love me. I'll give you an occupation that you could love me for, for you to get to your next level. And that's what I'm doing right now. I feel so much for me. I'm going to be in trouble some more week. My guy, hold on, let me tell you. My guy, and then we'll take a nap. I'm going to put it back for him. I'm going to get, you like 52. I'm going to get in trouble now. He's in a nation. I'm half black and half Sicilian. Everybody thought I was supposed to be doing this. I knew you was in town. My dad was the first soul singer with a Latin band. A very known Latin band called LeBron Brothers. In 68, he made it. He was singing Soul Records with them. They would play the Latin music. He was singing Soul. He said he left them and became his own artist. But before him, his father, my grandfather used to play trumpet for Dizzy. He could last beat Count Basie, Miles Davis, sitting with all of them dudes. So the music always been around. Yeah, the music always been around. But he was the first one with a Latin band. I was crazy back there. I played that music right now for certain people. Where you going? That's the bathroom. It happens on big chairs. Wait, so you're just sitting here? Your Sicilian father was in a Latin band? My dad is black. Where's the Sicilian son? Your mom's. Your mom's. You can't understand where you can come from. There's got to respect it. That's the question I understand. Tell me. I don't think you're following this thing up for years. I knew this nigga's 17 countries. I want to make sure I want you to understand this. Like I said, we do a lot of dates around the country. And we play for the young and old. I want to write a sitting on hand watch. I think that you look at me and think I don't know what all the trap joints is. And everything like we do this every year, every week. We're on the road every week for the young and old smashing everywhere we go. But a lot of young is, may hurt a name, kick a prick, and may not know the kick a prick. Experience, never been through it, never know what it is until they see it. And when they see it, they know it's a whole nother level. And that's what they probably been used to. But for the ones that didn't see it, that's what it's about. And that goes into saying, I heard you. Not everybody that come from our ever, which I consider myself Mr. Every Ever. But not everybody that come from our ever is stuck in an old school way. Okay, that's what I'm saying. And this is every era. Yeah, absolutely. That's a great name, though. That's a great talk. That is talk. Let's make some noise. What? Every era. Say it again. Say it again. Mr. Every Ever. Got it. So what I'm saying is that a lot of the dudes that come from Arizona's back then, they get stuck in an old school way of thinking, what happens? They don't understand what the 17 year old or the 18 year old is doing. But you were 17 and 18 years old. One time, your parents was questioning you. So it's not, when those 17 years and the 18 years and the 21 year old make that music, they're not making it for the grown person. They're making it for the person that understand what they're doing. If you happen to be growing it like it, then you like it. Now, I watch 50 year old dance to trap music every, you know what I'm saying all the time. At the end of the day, I hear this, I hear it, it doesn't matter what the age is. And this is why I started to kick and pre-blot party on Syria's Sex and Fly. I played. You hear Young and May. Like I told you, you hear Young and May. You hear Al Green. You hear you hear you hear the drum. After that, you hear Keras one. Like it becomes that. It becomes putting everything together, bridging the gap, it's to the same. The old is over here. The Young is over here. And nobody, because that's good. That's good. That's good. That's good. That's good. Because at the end of the day, when you, like I said, that 50 year old going to that party when that DJ played that trap, you're asking on that dance floor dancing to it. But then you're going to talk about, talk bad about the Young is about what they're doing. Again, nothing to do with they doing. If they was 10 shit up in the street, they now would be a problem. They're making music that people understand. Like their generation understand. Let them do what they do. Why are you talking bad about it? You don't like it. You don't listen to it. You ain't got to like it. Don't talk bad about it. If anything, you get a chance to help them out. Show them the right way. Show them, you know, like, you're doing this. Now try this. Try this to it. Put it together. Make an album. Make a color suit. Don't just put something out there where it's just one thing. I got a little fed up with that here when the album's all the same beat. All the way through. Same speed. Same to saying that. I mean, okay. You want to hear a little bit variety and shit. And I don't want to hear album of all features. Like I want to hear you. You know what I'm saying? So everybody got to hear what they like. But at the same time, nobody else's the right to tell you what to make. You make what you want to make. And if they like it, they like it. Who's you to judge it? You know what I'm saying? And that's real shit. It's real shit. It's real shit. What are we doing next for Tony Toka? 150 MCs. I do want to have a shot. I feel like you want to say shot for now. Maybe that. Let's do a shot. I was checking out the little things. I was figuring out what you're going to do. No, no, no. I was going to see if I could score one of these guys up there. Oh, what is that? What's that? The collection they got going on up here. You got a relaxed drink. You got a drink? You will. I don't know if you can tell. I don't know if you can tell. You're so cute. Look at these. That's a deck of racers. You can't take the deck of racers. You got a right hat. Well, in any event, you know, I'm just admiring the... So we're not going to have 150 MCs. Are we upgraded from 50 to 150? No, I mean that would be kind of ill. Actually, we've already reported like over 150. I believe it. But like kids said, there's a lot of work, man. Like getting people to record and paperwork and this and that. But how annoying is it? How annoying is it, Thoka? Like when you want to finish something and you're dependent on all artists. Is artists really annoying? Let's just throw it out there. Because I'm not an artist, no more. Yes. So you throw it out of the bus and I'm going to actually cheer it on. No, not at all. It's all a timing. It's all a timing, man. I say it's just... No, it is true. What he says right then is timing. It's all a timing, like everything. Like not paperwork. Or the vibes. Racket, this, that. It just goes, you know. I feel sometimes... Art is a piece of shit. You would say that. I think sometimes... I think sometimes, all... They're depending on who you are. And I'm not speaking to myself. I'm taking myself out to the left. You call it faster when you're doing something. You know what I'm saying? Break the gap. Break it out of you. We don't understand anything you just said. Break it down. Okay, what I'm saying is like... If you are certain caliber here, you ain't going to get the call this fast. It's just mogul out here. All this dude that sells it to my brackets. You know what I'm saying? And like again, I'm not speaking for myself. Because I hardly ask anybody for anything. But I'm speaking in a general term. You know, sometimes a dude that's down here. I remember one time Eminem said something to me. He said... Eminem said something. He said, don't go and spend a whole bunch of money on the artist that you think is going to give you the hit record. Because you can go and spend all that money on that artist. And he won't give you shit. Your record won't go nowhere. And now you need to spend all that money on this artist that you think is going to give you some money because he's poppin'. And that's the truth. Red Man said it's about the producer in your hood that give you that sound that makes you be who you be. Instead of you running to the dude that is popular. You know what I'm saying? Everybody gets caught in what's popular and not what's authentic. You know what I'm saying? And that's what happens. A lot of times it gets the most important work. Well, authentic is what some more and most important work is authentic to see is going to give you the business. They're going to give you what you pay for. When you deal with poppil'avity, it's okay, yeah. We want to deal with things that's popular. But is the popular person giving you authenticity? Are they giving you your money's work? Are you feel good at the end of the night paying them? You seem to say, did they bring a whole bunch of people on stage? And that's their show. You know what I'm saying? What are you paying for? What are you looking for? Are you looking for poppil'avity or are you looking for somebody that's going to get the job done? Job done. You know what I'm saying? So I don't know. My way of thinking is a little different. Maybe a little different than a lot of people, but the business is the business that people like what they like. But I just think that the smart thing is that you cater to the people that follows what is the real shit. The real shit is paying the people that pay, satisfy them. Satisfy them. Don't get so caught up in poppil'avity. Get caught up in what's going to get the job done. I feel like we got to make noise. You know what I'm saying? I'm going to be a real, alright. I want to say I'm too preachy, wait. I mean, I know y'all are just telling me that real shit. So I'm going to be a real about it. You know, that's just the way I see it. If I was a promoter or something like that, I wouldn't want to promote on a short date. That's going to bring me Monday later on. You know what I'm saying? Not just for the moment. I want to go on with it. You know what I'm saying? So that's what's up. Dogga, I need to fill up on that. It's good. I'm in my army. You got your overlacks. You got already awesome. You listen. You go overlacks. Yes. Yes. It's okay. You family already. Love it. Are we in Mr. Creens? In Wimbledg. Mr. Creens. You can use how high screen you are too. You can use how high screen you have. You have high screen. You have high cocoa. That's a high cocoa. You have high cocoa? That's right. You have high cocoa. You have low, yeah. You have low, yeah. That's how you knew your own thing. You have more high chocolate. I'm only a two. Yeah, we all know that. We never have high chocolate. No, in my mind, I have high chocolate. When they had it, I was like, I'll have high chocolate too. So easy. I don't know. That's not good. Relax. Okay. Who's the guy I always do? The burger's not coming back. The burger's not coming back. The burger's not coming back. It's not coming back. It's not coming back. It's not coming back. It's not coming back. We got a relax. Relax. First coming back. What is he doing? Is he having a shot? He did. Oh. He's relaxing. Relax. Relax. What is he? He's not. He's not. He's not. Ice cream. Ice cream? I want ice cream too. Okay, one more minute. One more minute. You know, you know, I was the non-wistered sugar man. You don't see non dairy. Non dairy? Ice cream? Non dairy. I was the one who got it. I was the one who got it. Uh-huh. Come on. I got it. So, okay. Yeah. At the end of the day. We have to please our one. Absolutely. I have to warm it man. Make it happy boy. You be alright trust me. You get money with her? That's what I'm on. You get money with her? That's what I'm on. You get money with her? You do a lot of things man. You know, Farah, you got to hit one man. You should get some of that. I'm sorry. I'm sorry man. I'm sorry. I'm sorry. Just one hit. No man, it's for your fans. It's for your fans. And then they'll be doing me. Shout out to all my fans. Big them up. Big them up. Hit one hit. All right. Just pass it on Tony Dut and smell it. Tony Dut and smell it. Pass it on Tony. Dut, please. You're going to be here. You're okay. You're okay. You're beginning a lot of money for a long time. That's all right. Do you like, I listen. Listen. At one point, Jay Z has to say, he's the greatest guy of all time. Is he not my dude? Do not feel like he's the greatest DJ in all time. I mean, everybody's going to feel like he's the greatest. But I ain't safe. I tell you what, what I've done to earn the name of the world's greatest DJ was not giving myself. But what I've done, I think, pretty great because I was the one that set the bar that let DJs become a business now. If I didn't do what I did, wherever they had went, you rock on the mic the way you do because Kikin Prehe did it the way he did it. You played the records, you played the way you played because Kikin Prehe set that form up. You became a hot party DJ because Kikin Prehe gave you the blue flip of how to beat a hot party DJ. Let's not get this twisted. You're some saying a lot of DJs doing what I do and don't even know they got it from me and I'm happy for that. I'm happy to sit back and say, I rock the whole nation and let the whole nation be able to take care of their family. I remember one dude walked the green of mall your kids because you are not killing somebody's because you are not robbing somebody's house. I did what you did. I followed you and I'm taking care of my family now. I ain't got to do that crazy shit no more. You know what I'm saying? So knowing all the things that I've done, we can sit here and talk about it all day. We ain't got enough time. But knowing all the things I've done, sitting back, sitting back and just realizing when I see somebody on a mic DJing, they got to set up like me and they all at and they doing the same things I might have said or you know, saying it the way I might say it. It just makes me feel like yo, you did your thing kid. You did your thing. You didn't just waste your time. You didn't bullshit. You did something that really moved culture. You know what I'm saying? And you also went on tour with the lights, right? I'm gonna tour everybody. I've been on 25 tours. If you wanna talk about Deaf Comedy Jam, I've been on that tour for nine years, 16 years. I'm sorry, 16 years. And then we'll also, you ain't going to talk about JZ. I'm Kelly, JZ, Puff, Buster, Usher, Drew Hill, Genuine, Lea, shit. They're lead. Bones, dogs, dogs, black kids. We go on and on and on man. We go on and on and on. But mostly, you know, I'd be on the road on my own doing, what I'd been doing, I'd been doing 20 shows in 1991. You know what I'm saying? So it's like, that's why I'm like, even in New York, like I love New York or from New York. But I don't like how New York is moving a little bit, especially when the promoter's acting like they the stars are shit, you push it so big on the fly, you got the DJ down here? Come on, cut it out, B. At the end of the day, you know, when you coming on one of my shows, I got my opening as me. You ain't gonna hear one record five times on my party. You know what I'm saying? You're gonna hear it one time. You're gonna hear the whole party smashing from the beginning to the end. Doesn't matter who it is. When I step on that stage, it's pandemonium period. From the beginning to the end, and they know down. It's a kid. And they know standing around. And they know body thinking they cute. And they know that shit is real business. And that's what I do. So I don't know, I don't know how anybody else doing it. I shout to everybody, you get your bread, do it. You come to kick a pre-event, you're gonna get your business done. And that goes for promoters, that goes for anybody that paid for a ticket. I think about the people first for years. I took a DJ, and it's enough that I'm gonna speak about. You know, some of the people might not understand what's the reason of bringing a DJ with me instead of just having DJs is going on. I don't like people who not getting their money's worth. So when I bring somebody with me, I'll never spend the money for that person to come out and make sure that we not bump in heads so that people that pay their money is getting a full show than to have. The DJ they want to come in there before me and doing what you pay me to do. You don't need that, you don't need me there. If you want to come in there and do that, then you ain't the type of dude that could rock a party with C&D records. You would do that depends on the record to be hot. I play those hot records at the end of the night like I don't even need them because they ain't about those records. Anybody could play those records. It's about you. You should've said if you can't sell you, then you're just like everybody else. So there's nothing different. You know what I'm saying? That's the difference. When you come in there it's about making sure that people that pay their money feel better than they did before they walked in there. And when you leave that scar there, that promoter knows. I don't give a shit who you get. Kick a prick, he shook this shit. Let's go get him again. Let's go take him to another city. You're on my man that you promote. Let's go get kid. You want to get some bread? Let's go get kid. Every show I do is swollen. Everywhere and it's not because of me DJs because everything else that comes with it. It's professional. We on time. The people that work with me make sure your shit's gonna be right. We're gonna make sure everything is together. You ain't gonna throw me in your corner like I'm some neighborhood DJ. You're gonna put me on stage like I supposed to be. Same way you're gonna put Jay Z on stage. Same way you're gonna put the dude with the hit record on stage. And I'm gonna sell this shit out the same way he did. And you're gonna treat me like you treated him. If you ain't gonna treat me like that, go get the next dude to do your show. Cause I don't need it. I do two on the shows a year. So this is where, this is the attitude I've been having for years. And people may not understand it. But I don't wanna be looked at as a DJ. They just play records. You're gonna look at me as a force to be reckoned with. And if you don't, I don't need you. Simple as that. I do a show at Ferrer. Ferrer, come on. His record drop. They gonna go crazy. What I'm gonna do after Ferrer, you know, stage. I'm gonna do something that's gonna make niggas go crazy. You're gonna say you're gonna be Ferrer, Grip, Rip, Rip, didn't can't rip, didn't. Whoever can't rip, you better be good. You found him saying because that's what it's about. I'm a DJ. I'm not the dude that makes the record. I'm not dead. I'm gonna do that. I'm gonna play your record better than you perform it. Don't play yourself. You see what I'm saying? And that's how I'm going. I'm gonna do it. And this is your real inspired. I'm gonna show you the video. Whatever place. This is what inspired us right here. The same real shame, you know, I get again. Like I made my first album. I wrapped an old album. One of the brothers came by and me, I was hot in the street with the mixed tapes. Yo, we need you to wrap on the joint set of rhymes. That you're still on your mixed tapes. I'm gonna, I'm gonna make it in the beats and studio. Right in the rhymes right there. And I was trying to be no rapper. I, you know, but, all right, this is what they want. I couldn't do, I couldn't make it record being a DJ. So I had to do a dev wait. So I did the dev wait. When I got a chance to make my second album, then I got a chance to just show the production side and get everybody else. I got Jay plus the laws boys, pun, nori, everybody. Putting more together, made soundtracks to the streets. Now I got top tier. This is gonna be another thing. And remember, everything I do no matter how big my name has always been ground from the ground up. I sat on that street corner. I sat on the middle of 145th street, named Favre and the way it was killing shootings, niggas get robbed, all that. I sat in the middle where that didn't know if I was gonna get robbed or killed. By sitting there, by sitting, sitting there, just sat in the mixed tapes. Shit, you're driving by laughing like I was doing bad. I used to have to put 14 gold chains on my neck just to look like I was doing good. Sitting there in the middle of the street, sat on the shit. And the shit took me the way it took me now. At the end of the day, you know, I didn't know what was going to happen. I know she was gonna blow up the way it blew up but the shit blew up. Once it did, I made sense of it. I made it happen. You know what I'm saying? And that said, that just goes the show. Anybody, it doesn't matter who it is. You put yourself in and you look at your show. You been making records for Apple. That's right. You know what I'm saying? You been making records, look at what you had now. Whole different name. That's beautiful. Whole different name. Right now, right now, you can sit here right now the way I'm doing on Perviscope and on IG Live. I sit there, it's not just about the music and the way the freaky way I play it, it's the lifestyle, it's everything I said to you and you're gonna believe it. And the reason why you're gonna believe it, because I don't have a credibility of kicking prebe in the shitty nigga. Kidding never shit on nobody. Kidding never dead. You don't seem nothing on the internet. Kidding never foward shit or playing and stuff or talking crazy. Everything is authentic. So you're gonna believe what I tell you. If I say something foul about you, they're gonna believe it. They're gonna believe it because they know I don't say nothing. Same thing. You have a lane now that you can do, you can tell people, believe me, believe what I say. This is the truth, this is what's going on. And as long as you stay like that, people are gonna follow you. You drink chances to shit. Let's get a straight. Talk about shit. That's what I mean. I'm gonna give you a straight. I want vacation. I took a vacation because I've been working in my ass for a while. I want to pay off for the shows and parties and all that shit. He offered me running the door show. That's a big, right? Nothing. The only thing I took was drink champs. The only thing I took because this is what I do right now. I do this on my back. This is what a wife tell me when I do something good. Aw. That's what I do right now. Aw. Aw. Aw. Big no thank you, thank you. No doubt, man. I'm gonna give you a name. No, I'm gonna give you two a name too, man. No, but you're 17. Yes, so big. Yeah. Right up. Forks in here like that. This is black shit. What is it for? It's a classic episode. I'm gonna have to be affordable. Classic. We have to have it here, bro. Now what do you think it's going to do? And go on. And the ASAP can. To take control of a New York. We, we, we, depending on you, Rocky and all y'all to take all fours because I don't want to wrap them off. I'm okay. I'm ready. Man, I think it's big in a wrap though, man. I think it's over. We need just to take, no, we're gonna wrap. We're gonna take over, but I think it's big in a wrap. Because the last thing we do. Can I bring it down a little bit more so soon? Yeah, yeah. Because you know why? We're from New York. We're all from New York. All of us. No, I'm from New York. You from New York. You would move on the fucker. I'm a man from New York. And you're fucking mind you from New York. I don't feel bad. I'm born in LA. Right. I'm born in LA. Right. I'm born in LA. Don't put one in New York right now. Right. We need y'all to step up. Right. Right. Some people look at y'all's sounds. Some people look at the movement and they say, ah. It's different. I'm not one of those guys. I'm one of those guys. I think different is good. That's what I think different. I think different. Open up more doors. Absolutely. Absolutely. Now, the torch is really in your guy's hand. Right. Like, I mean, for real for real. Right. Like, I mean, it doesn't matter how many records Fat Joe will make, bust arounds and make, Nori will make, Jawahool will make, DMX will make, 50% make. Right now, y'all, the new generation. Right. It's actually really in your hand. Right. I'm a sliner beat to them. Yeah. We know we can't be heavy, too. We can't wait. Some of them. But we're just going to keep being nothing. Keep continuing to innovate and push culture forward. I think, you know, I don't like to talk with myself of what we do as far as a group, but I think that like, we did a lot for the youth, the underground internet scene that I was trying to break through. You know, Harlem and have, or New York didn't have a voice in a long time. So, you know, we don't only just speak for New York, we speak for the culture, period. No culture. Now, for New York, I have like a whole crazy love about New York. Like, you know what I'm saying? Like, I love Harlem and Deaf. I love Brooklyn and the little Queens and Bronx. It's that now and then. Long down then. So it's just like, most of my videos are shot in New York. When I do that, when I bring them cameras around, I'm giving kids an opportunity to jump in front of that camera and do what you do. Show them your talent. Show them what you do because that's what I was doing when the cameras was coming around. God damn it. And also, and also. I love being in the city because I love when I see you in the neighborhood or when I see you in Cam and they were in a gym Jones or, you know, these guys, it was like something to look up to and try to be. So, now I just got to ask that because the legends for you all are Jim Jones, Cam. But it feels like Cam is co-signing, but it's a certain energy that comes. Am I bugging? What do you mean? It feels like Cam is signing the ASAP. But maybe every time when Jim Jones comes up, it's a certain energy that's not good. Am I bugging? People tell me I'm bugging. No, I just shot a video with it. I mean, I didn't just shoot a video with Jim Jones, but, you know, Jim showed love from jump. He knew my pops and knew my family. And he didn't see that. I knew Jim actually before a new can. And Jim came in and this is when I was designing and he was actually like doing like the BB Simon Deltz and he introduced me to BB and, you know, this guy is like me and I went stand leading designer of the Spider-Man and all of that. And he just put me in places I wouldn't have been myself. So, I said Jim for that. You know, some people are just, I don't know. Some people are just more outspoken than others and, you know, Jim helped me. Childs are Jim. But that's the song. We need to hear that. Exactly. Oh, geez, need to hear that. Yeah. Shout out to Jim. And I'm a shout out to Kim as well, like, you know, Ed Jouel said, I got that. Yeah, Jouel. And everybody from different masks got that. Everybody from boys. And they all make fun of it. Everybody smoking. You smoking, man. You got to take one of my shot and then this is it. All right, let me shot that. Just take one of my shot. Got four of them. How many of them are you having, Dory? I don't count. Blast. I'm having a blast. I'm having a blast. I'm having a blast. And Dory, I don't count. Blast. He had about like nine, ten, three, two, one. Nice to meet you, man. But you know what the beat of the beat of the beat of the beat? You think you got how smoke whizz? Well, Khalifa, he got a relax. So, let's believe he's my friend. I like him. We didn't have a good show with Snoop. You guys did good. Yeah, Snoop had to relax as well. Snoop was in. No, no, Snoop was in. Shout me in Snoop. We got the same birthday. He regained his big dick. His big dick is a little Snoop dis me. Policeman. Oh, wow. That's a Snoop dis me. Right? I was doing a record with Snoop and Slick Rick. The record that Dre wanted to do for a long time. But Slick Rick was locked up. So, when he got out, I was doing my arm. And I ended up getting no one. So, I did Slick Rick and the Bronx. And then I went to LA to go do Snoop, right? So, we in Snoop in the studio. I said, I'm going to play some weed, the Snoop. It's going to be some green heavy shit. Make them comfortable with everything on me. All right. Pull back out confident. Yo, Snoop. You see that? Get that, boss. I think I pulled out some orange shit from Homo County. I was like, what the fuck is that? You're like, this shit, like this is part. Yo, I think I was laughing at me. I smoked two, I pulled two plugs, two poles that shit. I smoked no more than night. And it was, she was poisoned. She was poisoned. Oh, come on, this night. I'm going to get this. We got it with DNA. I got this one with DNA, too. We got it with DNA right now. Yeah, I'm straight. All right. You go. Good, good. Good, good. Good, good. So, yeah, that's it. No, we got the pay impression. No, the horse is the horse. Let me tell you that song. Let me tell you that song. It might seem like I'm saucy. It might seem like I'm drunk. But let me just tell you that song. Tell us about it. Hip-hop is the best thing that we should ever celebrate. Because it's something that we created as black, young, Latinos, blacks. And that's not all that is. It doesn't even matter. It's what we created as people. We sat back, we were poor, and we created something. And the crazy shit is the biggest thing I ever learned from Leo Coleman was when I'm at the polar lounge of this guy. And he was like, I want drink champs. I said, relax. What do you want to do with the beer champs? Relax. Let me finish. And he was like, I want it. And I said, relax. And he doesn't know what he wants. But the thing he about it is, what he did tell me why is he's like, I can't believe hip-hop celebrates hip-hop. He's been down since running DMC. What's sniffing coke? Angel dust. Hip-hop doesn't celebrate hip-hop. The reason why these guys are running around because they, back then, these nicks really have beef back then. Back then they do three shows because they had to move. So when he sees this, when he says, you guys are celebrating hip-hop. And winning, it's crazy to just like, I don't fucking. Let me tell you something though. I just came back from San Francisco. Yes. And the range of people, the range of people that was fans of Dreamcars, it was like 18-year-old to 40-year-old. And the young kids, all the young kids was like, thank you for teaching us about your generation. I was crazy. Me and Buster did a show that Monday. She was so lucky. Can you please stop losting? I'm always lost. I always pick that. What is that? What did you have in your day? What is that twig? What is that twig? That's bad. You can go eat before for Nickelodeon at one point. Nickelodeon? You did for fun. Nickelodeon? No, maybe. I saw it. I didn't like the stuff. Nickelodeon. No, you'd be clean for a long time. That's a great thing. Yeah, I'm stay clean. I'm out for the morning. I still clean, man. You're one man. So Tony Toka, can you grab that mic? How? Grab that mic Tony Toka. How was it being on Tommy Boy? Did you love me on Tommy Boy? Um, I mean, you know, first of all, they got a history. You know what I mean? Like, we've stuck that they put out. But as far as maybe you're happy with them, I mean, I did one album with them, you know? And I mean, I had no issues. Is there only one album? There was no peacemaker too? No, it was a peacemaker too, but now I'm telling you. I was on your peacemaker. That was independent peacemaker too? You was on the peacemaker along with the DITC record. Yeah, it's crazy. That's true, it's crazy. So we'll put up peacemaker too. You got to hit it one time. Peacemaker too, you got to count. You got to count. Just got to hit it one time. Pass it, Tony Toka. Oh, man. It's an asynchronous heroin. That is heroin, man. You all know that heroin. That's the reason why we pop it. He's the heroin. That's what we... She's the enemy. Yeah, no matter what. Yeah, that's what we call a phone. I do this heroin in that one. This heroin, everywhere. Everywhere. You know, we're not a relax. They find our response by heroin. We've been response by heroin for the first show. What show is this? What show is this? 71? We don't... We've been... We've been harrering out for a long time. It's relax. What? It's just a video. It's just a video. It's just a video. It's just a video. It's just a video. It's just a video. It's just a video. Oh, shit. I get a more car like this. Thank you, man. You show up? The quarter? Yeah, the quarter. You can start a little bit. I have to come to the top. You can give it a shot? Let's look at that. I've got that. Put your leg down, buddy. You can't get it. You can't get it. Hey, buddy. Put your leg down, buddy. It's a different type of polo. There's no got that. You got a relax. We got a relax. You coming out? You coming out? You coming out? We going out. I'm going out. In Miami. In Miami. In Miami. In Miami. In Miami. Good. Because, Kate, you just celebrated like your birthday. Like you're like 50 now. Yeah, I must say it was crazy to my party, man. You're 50 up to D1. Let's keep it real. You're 50. It's a nice K. We're 80 years. K. Real 50 years. It's a real 50 years. It's a real 50 years. It's a real 80 years. It's a real 80 years. It's a real 80 years. It's a real 80 years. I'm gonna cut you off. I see a kid with a leg shot. I'm one boy. What the fuck is that? It's a boy, boy, boy, boy. Come on, boy, boy. I'm gonna end the show right now. You got to relax. I'm gonna end the show. I know it was no. You got to relax. You're fucking gonna do two bars. Retard is blood. Two barter. You got to relax. Go start the next part. All right, just take a shot. Me and you. Me and you. You're gonna take a lot. What do you want? This shit? No, yes, that shit. That shit. You do this, I do this. All right, I'm in. Oh, fuck, look at fuck. What you want? I gave you a couple. You want the rock? No, that's for you. Oh, okay. That was not your idea. Wait, I thought you just gave me this. I thought you just gave me this. You're not, you're not a jammer with us? I was jamming with it. I'm gonna walk down. Take one hit. Take one hit. No, I'm a shag. And you got a party tomorrow, all right? Oh, definitely. You a little way. Yeah. Woo. And this is in, what's it? Orange is cold. All right, chicken and bars. Come on. I don't know what I'm doing. You got the rock. I got a coming one. I don't believe you, but I'm still in. Rock and roll. Drink it. Ah. Yo. I ain't no lie. There's no two parts of this. Keep it 100%. I had the pee for like two hours. So rock and roll. I haven't hold my shit. Come on, roll with you. You're not a bro over here. I'm a boy with you. What the r? Roll with it. It's like a roll. Take a shot. Take a shot. No, no, no, no. I'm not a bro over here. I'm not a bro over here. I'm a boy with you. What the r? Roll with it. It's like a roll. Take a shot. Roll with it. Roll with it. Roll with it. Take a shot. Take a shot. No, play a play. Play a play. Take a shot. But kid. Give it a listen. You're the first thing that ever served me a point of flicking my life. That sounds mad. Crazy. Don't video that. It's way before Rei-J called Dachians. Oh, can't leave. It was just an recovery. Just kick him. It could be for Rei-J's or not. Kick him. Kick him. Kick him. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I'm gonna laugh. I think he was talking to you in the future to now. You've got to relax. That's very true. Yes. He told me that then. And he said now, it's what he said. It's saying, singing. Relax. Now I got to relax. Relax. I'm just relaxed. For no reason, yeah. I'm just relaxed. Cheers. You got to relax. Cheers. With your blood or whatever the fuck hair when you got it. Cheers. No. No. Just a chance to people waving their feet. When will one feet relax? With language, you just speak. When will one feet. The people waving their feet. The Matt's right feet. Like Matt's jumping in the air. The Matt's right. Oh, you're talking about business. I'm going crazy. You got to relax. I'm sorry. I'm sorry. It's not cool. I'm sorry. But it's still a windfall. It's a wind. That's a wind. It's a wind. I don't know what you're drinking. What is that? Picardie. Want some Picardie? Here. You got to relax. You got to relax. Okay, you want to shine a Picard? No. Come on, Tony. Tony. Tony. Tell them people we catch you every night. Tell them people. Say 45. Tony, talk to them. What? Talk to them. Go on, talk. Talk to them. Shit, man. That's right. Talk to them. New York City. Say 45. That's right. That's the radio show. And then we got the party on Tuesday nights, which, you know, Capri's been involved in playing at our party a few times, you know, saying. And, you know, like his family affair, you know, I'm saying, talk to them. Right now, it's a club's yellow. The radio show is on the UK. Serious XM, J45, about a beam, 12 years. Everybody, you know, all of us. You know, that's always the word, all of us. That's how it's supposed to be. Tony, talk to them. Talk at Tuesdays. Go ahead. Talk to them, people, please. Hey, man, you gotta follow me. That's the ground. Tell them before we get going. I need to know what kind of sweat suit is that? Oh, Sergio, it's a Cheney. That sounds expensive. But it is a... You gotta relax. Oh, no. I gotta relax with something expensive. No. You gotta relax to relax me. Oh, I'm gonna relax. Oh, I'm gonna relax. I'm gonna relax. I'm gonna relax. I'm gonna relax. I'm gonna relax. I'm gonna relax. I'm gonna relax. Whoa, whoa. You were here. Yeah, yeah, yeah, yeah. Oh, sorry. You could have raised that song, time. Hey, yay. I'm sorry. I got it. I got it. Yeah, I'm sorry. It's a gorgeous Sergio with a Cheney sweat suit. And you could find me on Twitter, Instagram, E-sat Ferric, ASAP, E-F-E-R-G. I don't know. I gotta... I'm coming out still striving. It should be out pretty soon. And there should be out E-sat. Put it like that. E-sat. Don't fucking attend it. Right. Oh, no. All pun intended. Make noise. Shut up. Now, kid, what's happening? Got to tell these people. You gotta eat these bitches' asses. Yeah. It's doing okay. Throw it out. Anyway, baby. Is he gonna ask good? Come on, give me a hug. I don't know. I don't know. It's not well. Hey, hey, hey. I'm positive. Anyway, you gotta eat your ass, though. You gotta throw that out there for the young ones. You gotta eat it. You gotta eat it. You gotta eat it. Where he's right. There's the booty. There's the booty. And, uh, uh. What the fuck? What the fuck? I'm sorry. I'm sorry. You were my information. No. You were my information. No. You were my information. All right. Let's get a show, bro. First of all, Blood Party Live Mixing, on a Pemiscope and the IG Live, that's Wednesday at the clock, Easter time that shit rings off. And that I had so many women watching that made me create a show called No Penny, Sonny's for the ladies. You know, you guys play a lot of cool, out slow music. I mean, I have little flowers and shit, little... If you fly, man, I've got loads of flowers and all that, right there. And it got so popular that my man, Ron Mills, from Syriott Sex and the Dean of the City of San San Juan, Sam, Syriott Sex and Fly, asked me to come and do my thing, because I ain't going to the radio and be told what to do. You know, that's why I ain't been on the radio. You know, I come and doing all guest appearances on whatever, whatever station, but I ain't going to be locked in those stations. I ain't nobody telling me how radio should go. So I started showing Syriott Sex and the Dean of the City of San San Juan, you know what she's doing. This is going to make it happen. So I got a six-hour show where I'd be a personality from 48 and then from 8 o'clock to 10 o'clock, I play that shit. And what I do is I put new and old together and I make it so fly. Y'all got to listen to it, trust me, I'm telling you. If y'all ain't got the app, go get the app. I believe you, okay? Keep going, okay? No shit. I just finished an album called Top 10. You know what I'm saying? You took all the battle rappers and made them put something together, made something hot produced by the album for them. And also, you can see me in your show on your city doing my thing and smashing it down. So if you ever hear me coming to your city, you're saying come see the kid, do what I do. That's it. Kick it, you know what I'm saying? Hold on, hold on. Kickin' P101 on the Twitter and Instagram and the real kickin' Pfeol Facebook, how that's your boy. Woo! Let me say Alastair real quick. As a young, well, I'm not young now, but when I was a young Miami DJ and sparring DJ, the blueprint was right here. Kick a pre was inspiring. And as a mixed-tap DJ, Tony Touch was the blueprint. So I just want to say thank you brothers for everything, man. Oh man. Oh man. Oh man. Oh man. Oh man. Oh man. Oh man. We don't usually have young brothers here. And when I was in South by Southwest, I saw a fresher. And that was it. We had them on the show. We rarely have young, you know, new artists on the show. And he's a good dude. And I really like your music brother. And I'm saying I'm glad you're on the show as well, man. No, dad, bro. No, bro. Baby! Well, the difference between like every young new artist, his father actually breaded him to be who he is. So as much as I want to celebrate who he is, I acknowledge who the upbringing was before him. Right. So I knew he was supposed to be who's supposed to be. I know it's kind of like cocky in like a certain way. But it's also like supposed to be what it's supposed to be. Like it is what it is. Yeah. You got to relax. You got to relax. Come over here. It's like a telling me to be here. 300 hours. You got to relax. You just move into the Jordan spot. Yeah, listen, move into the Jordan spot. Excuse me. They have one of the racks. No, they did not have one of the racks. They have one of the racks. You see the rack that you think about the flea market. I'm going to take them all. I'm not the flea market. They always have it on the rack on the flea market. See, you understand? And Miami is a flea market. You would know this place is flea market. And that's what he thinks is a flea market. Yeah, he goes to. Well, flea market you go to. You would say. You would say. You got to relax. Tell them you got to relax. Why are these people going to have a flea market? I think it's the homestay to it. You got to relax. You can freak you to tell them you got to relax. Please. Amen. Just say it. You got to freak you to tell them you got to relax. Don't go. Don Quillo. Don Quillo. Don Quillo. Don Quillo. No, got tranquilo Tranquilo Tranquilo Cheese, you must take a picture, let's get out of here I'm not gonna die You're not gonna die I've been home my piss Yes, it's for you You don't have to know more For class You have to know Let's take a picture No, we gotta take a picture I know Take a bite to the people No, we're gonna take a picture No, you got a microphone, take a bite Oh, I gotta say, oh, listen I'm gonna be honest I'm gonna be honest Cheese, you get the air Yeah, I know Listen, I've been honest To share the stage right now Of Daddy said something Very crazy to us He said he wants to go from being On the stage to being The stage And drink champ We have to take that same Meaning With responsibility Meaning that we're saying We have been on the stage But now we are the stage So anybody who comes And talks to us And even though In our minds we think like It's between us It's really not There's a lot of people listening Let them listen And let's let them Show you five minutes Two people Two people Point their friends Yes And this is what we said we don't want We should be just hanging out Because this is what hip hop is We have to keep it But hip hop alive And how do we keep it up Hip hop alive And hip hop Hip hop is a good driver You should make that up flex flex flex flex flex flex flex flex If you live your life having fun and a fake fun, don't live your life no more. Good God. Wow. That was awesome. That was awesome. That was awesome. Alright man. I know it's for that, that's really it. I have fun. Everyday I wake up. I have fun. Me too. And you should. I have fun every day. I have fun on this. And so to me, every day you wake up you say, what up? Alright cool. It's fucked up to the heavens. And then I'm saying look look you wake up. And then you're like, I'm in the heat of love. And then by the way we're telling you here, it's fucked up shit. I have, could have fucked up. You just got an elbow in it. Bop. Okay then. What are you doing? Being bummed. Let's go. Let's go. Come on. I'm going to get a drink. I'm going to get a drink. I'm going to get a drink. I'm going to get a drink. You're going to get a drink. Okay. This is an I Heart podcast. Guaranteed Human.