This is an iHeart Podcast. Guaranteed human. I'm Amanda Knox, and in the new podcast, Doubt, the case of Lucy Letby, we unpack the story of an unimaginable tragedy that gripped the UK in 2023. But what if we didn't get the whole story? I've just been made to fit. The moment you look at the whole picture, the case collapsed. What if the truth was disguised by a story we chose to believe? Oh my God, I think she might be innocent. Listen to Doubt, the case of Lucy Letby on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Hi, it's Joe Interstein, host of the Spirit Daughter Podcast, where we talk about astrology, natal charts, and how to step into your most vibrant life. And today I'm talking with my dear friend, Krista Williams. It can change you in the best way possible. Dance with the change, dance with the breakdowns. The embodiment of Pisces intuition with Capricorn power moves. So I'm like delusionally proud of my chart. Listen to the Spirit Daughter podcast starting on February 24th on the iHeartRadio app, Apple Podcasts, or wherever you listen to your podcasts. 1969, Malcolm and Martin are gone. America is in crisis. And at Morehouse College, the students make their move. These students, including a young Samuel L. Jackson, locked up the members of the Board of Trustees, including Martin Luther King Sr. It's the true story of protest and rebellion in Black American history that you'll never forget. I'm Hans Charles. I'm Menelik Lumumba. Listen to The A-Building on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. You know Roald Dahl. He thought up Willy Wonka and the BFG. But did you know he was a spy? In the new podcast, The Secret World of Roald Dahl, I'll tell you that story and much, much more. What? You probably won't believe it either. Was this before he wrote his stories? It must have been. Okay, I don't think that's true. I'm telling you, the guy was a spy. Listen to The Secret World of Roald Dahl on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Hello, it's Richard McLean-Smith here with a couple of announcements. After the amazing success of last year's crime wave at sea, I'm excited to announce that we'll be setting sail again next year, February the 8th to the 12th of 2027. I can't tell you enough how much I enjoyed this last year, and I'll be participating fully next year with the show. So if you fancy some spooky true crime on a cruise round the Bahamas, this one's for you. Go to crimewaveatsea.com for more information. Tickets will go on sale on Friday, February the 13th, so listen out for more announcements there. Further to that, I'm also hugely excited to say I'll be attending CrimeCon US and UK this year. So for the US, we're going to be in Las Vegas, 28th to the 31st of May. Go to CrimeCon.com to buy tickets and use voucher code UNEXPLAINED for 10% off. And in the UK, we'll be in Birmingham on April 25th and London on the 3rd and 4th of October. These are all really special events that do a lot to put survivors of crime front and centre and I'm really honoured to be taking part. For CrimeCon UK, go to CrimeCon.co.uk to buy tickets and again use voucher code UNEXPLAINED for 10% off. You can also find all the links on my website at unexplainedpodcast.com forward slash events. In British society at least, we tend to prefer that people wear their talent lightly. But such attitudes tend to come with a few caveats, largely to do with class and race. For those that we might consider to be in the higher reaches of the British class system, it's all very well speaking quietly about your achievements when you already occupy a comfortable and privileged place in society. There is no need to boast, for example, because your place, as it were, is self-evident and secure. However, should you dare to come from a position of decidedly less established privilege when your talent starts to attract fame and attention, then be prepared to do battle with the court of public opinion at the first sign of weakness or the moment you commit a supposed social faux pas. We see it every time we open a tabloid newspaper in the gossip columns detailing the latest celebrity mishap. More often than not, it's hard not to sense the quiet implication that the subject has committed the ultimate sin of forgetting where they came from or failing to know their place. Things become even more complicated and sinister even if we believe talent to be something that is not necessarily earned but bestowed upon us. For some, talent is simply a gift given to the individual by God and should therefore be encouraged regardless of the perceived merits of the recipient. As the Bible says in Matthew 5.15, one shouldn't light a lamp and hide it under a bushel instead they should put it on a stand where it can give light to everyone in the house so what then of those who are prodigiously talented but don't, according to the lords of society fit the mould of someone who should be you're listening to Unexplained and I'm Richard McLean Smith It was a bright close evening in May 1934 and the stars were flung out across the purple Mississippi sky like crumbs on a picnic blanket. The crooked branches of the region's tupelo trees stood out like grasping fingers and a full moon bled its terrible light across the dusty trail. Unnamed animals could be heard howling into the darkness for miles and through it all came the footsteps of a young man plodding tirelessly along the road. 21-year-old Robert Johnson had endured a tumultuous few days. He'd only been with his wife Coletta for less than a year but after it emerged that he'd fathered a child with another woman named Virgie Mae Smith Johnson was flung out and so he hit the road to follow his dream of becoming a travelling bluesman. He'd shown some early promise, playing at the various shotgun shacks and illicit shabines that were dotted around the American South. He could play a mean harmonica, but even after a short apprenticeship to the master of house blues, Isaiah Ike Zimmerman, older contemporaries like Sun House remembered that the young player was hopelessly bad when it came to the guitar. Back when he'd been apprenticed to Zimmerman, there were whispers that his tutor liked to make the young bluesman practice with him in a cemetery. He claimed that it was because they'd be undisturbed by anyone eavesdropping. But before long, rumours began to circulate that the two men were undertaking something far more nefarious under cover of darkness. something which involved the supernatural and the conferring of knowledge from worlds beyond our own. Blues music was already beginning to cross over into the white mainstream from a mainly black folk tradition, and Johnson figured that if he could master the guitar the way he'd mastered everything else, there was a solid opportunity to make his fame and fortune. So with a bindle slung over one shoulder, a $10 guitar strapped to another, and a single dollar bill tucked into his right shoe, Johnson decided to make the roughly two-day hike from Cahoma County in his native Mississippi to the bright lights of Memphis, Tennessee. Where and when Johnson appeared next is a matter of some conjecture. It might have been at a humble Duke joint in Memphis, Tennessee, or in Helena, Arkansas. It might have been playing for a select few friends and acquaintances at a tavern or saloon in one of the many one-horse towns that Johnson passed through during his years of itinerancy. Either way, what we do know from anecdotal evidence is that wherever it was, Robert Johnson was said to suddenly be possessed of a talent for playing the guitar, which he'd never shown before. Hi, this is Jo Winterstein, host of the Spirit Daughter podcast, where we talk about astrology, natal charts, and how to step into your most vibrant life. And I just sat down with a mini driver. The Irish traveler said when I was 16, you're going to have a terrible time with men. actor, storyteller, and unapologetic Aquarian visionary. Aquarius is all about freedom loving and different perspectives. And I find a lot of people with strong placements in Aquarius, like are misunderstood. A sun and Venus in Aquarius in her seventh house spark her unconventional approach to partnership. He really has taught me to embrace people sleeping in different rooms and different houses and different places, but just an embracing of the is-ness of it all. If you're navigating your own transformation or just want a chart-side view into how a leading artist integrates astrology, creativity, and real life, this episode is a must-listen. Listen to the Spirit Daughter podcast starting on February 24th on the iHeartRadio app, Apple Podcasts, or wherever you listen to your podcasts. In 2023, a story gripped the UK, evoking horror and disbelief. The nurse who should have been in charge of caring for tiny babies is now the most prolific child killer in modern British history. Everyone thought they knew how it ended. A verdict, a villain, a nurse named Lucy Letby. Lucy Letby has been found guilty. But what if we didn't get the whole story? The moment you look at the whole picture, the case collapses. I'm Amanda Knox, and in the new podcast, Doubt the case of Lucy Letby we follow the evidence and hear from the people that lived it to ask what really happened when the world decided who Lucy Letby was No voicing of any skepticism or doubt It'll cause so much harm at every single level if the British establishment of this is wrong. Listen to Doubt, The Case of Lucy Letby on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Welcome to the A-Building. I'm Hans Charles. I'm Menelik Lumumba. It's 1969. Malcolm X and Martin Luther King Jr. have both been assassinated. And Black America is at a breaking point. Rioting and protests broke out on an unprecedented scale. In Atlanta, Georgia, at Martin's alma mater, Morehouse College, the students had their own protest. It featured two prominent figures in Black history, Martin Luther King Sr. and a young student, Samuel L. Jackson. to be in what we really thought was a revolution. I mean, people were dying. 1968, the murder of Dr. King, which traumatized everyone. The FBI had a role in the murder of a Black Panther leader in Chicago. This story is about protest. It echoes in today's world far more than it should, and it will blow your mind. Listen to The A-Building on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. I'm telling you, I was a spy. of Roald Dahl on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. To many who saw it, his fingers seemed to slide across the frets of his battered old guitar in a way that suggested they'd been possessed by some other agency. And it wasn't only Johnson's playing that raised eyebrows. It was the sudden caliber of his songs, too. On November 23rd, 1936, Robert Johnson appeared at the general store of one Henry Columbus Spear, who'd become legendary in the city of Jackson, Mississippi, as a talent scout and broker for some of the biggest names on the burgeoning blue circuit of the day, William Harris, Ishmann Bracey, Charlie Patton, and even Son House. After playing only a few tunes for him, Spear was speechless. Immediately, he put Johnson in contact with an English record producer named Don Law. Law brought Johnson to room 414 of the Gunter Hotel in San Antonio, Texas, and for the next two days, the young musician recorded several of what would later become absolute standards of the genre. I Believe I'll Dust My Broom, Sweet Home Chicago, Terraplane Blues, and an especially mysterious track known as Crossroad Blues, which Johnson seemed reticent to furnish with any added context or illuminating detail. A few months later, in June 1937, Law arranged for Johnson to finish his recording at a makeshift studio in Dallas. He set down a total of 29 tracks, most of which seemed to emerge perfectly formed in little more than two or three takes. And for someone so inexperienced, Law was a little taken aback when Johnson insisted that the songs not exceed three minutes in length, almost as though some kind of spell might be broken should he deviate from it. Given how slapdash the recording process had been, the first single released by Johnson, Terraplane Blues, did remarkably well commercially, selling over 10,000 copies. Most, if not all, of the tracks Johnson taped between November 1936 and June 1937 still survive today. When a young Keith Richards first heard the record in the early 1960s, which had been introduced to him by bandmate Brian Jones, Richards was spellbound. Richards would later tell interviewers, When I first heard it I said to Brian, Who's that? Robert Johnson, he said, Yeah, but who's the other guy playing with him? Because I was hearing two guitars. It took me a long time to realise he was actually doing it all by himself. Or was he? Tragically for Robert Johnson, he wouldn't get to enjoy much more of the success that the early sales of Terraplane Blues seemed to promise. On August 16th, 1938, at the age of 27, Johnson died from unknown causes near the city of Greenwood, Mississippi. Because his death wasn't reported widely at the time, we are left with several competing theories as to what actually happened. No formal autopsy is known to have taken place, and because of the inherent racism of the American South at that time, it is likely that the authorities decided instead to make do with a pro forma examination of his body to file the death certificate quickly. Some have speculated that he died from complications related to untreated congenital syphilis. Others have focused their attention on events immediately preceding Johnson's death, where it was known that he'd secured a residency for a few weeks at the Three Forks Club in the village of Itterbina, about 15 miles west of the city of Greenwood proper. According to another contemporary of Johnson's, David Honeyboy Edwards, Johnson's predilection for the company of women may have contributed to his untimely death. In this version of the story, Johnson was seen flirting with a married woman one evening after finishing one of his sets. The woman had been drinking, and in a quiet interlude between songs, a bottle of whiskey materialised and was offered up to Johnson. Seeing that the bottle had been tampered with before it was placed in front of him, when Johnson went to take a swig from it, the young honey boy Edwards, who claimed to be with him at the time, knocked it out of his hand. Already drunk from a long night of drinking on stage with his band, Johnson admonished Edwards. Then the woman's husband is said to have arrived and encouraged Johnson to drink. He accepted the invitation graciously and set about knocking the whiskey back. Not long afterwards, it's said that Johnson began to feel ill. He was escorted back to his room in the early hours of the morning. Over an excruciating three-day period, Johnson's condition worsened before he finally died in a convulsive state of severe pain, having supposedly been poisoned by the jealous husband. Many years later, American musicologist and folklorist Robert Mack McCormick claimed to have tracked down the elusive husband and elicited a confession from him that he poisoned Robert Johnson with strychnine. He refused to reveal the man's name, saying that the confession was given to him in confidence. but the mystery of Robert Johnson's tumultuous life and death didn't end there. I went to the crossroad, fell down on my knees, asked the Lord above, Have mercy now, save poor Bob, if you please, sings Robert Johnson on the startling crossroad blues. But in the wake of his untimely death, some began to wonder if instead of the Lord, it was someone else entirely whom Robert Johnson had pleaded to for help while on his knees at those crossroads. Had, as some began to wonder, he died so young because that was the price of some kind of bargain that he'd made. A few years after Johnson's death, a strange story began to take shape regarding an apparent detour that Johnson took after he set out all those years ago as a budding but limited 21-year-old musician to find fame and fortune in Memphis, Tennessee. Some say it was his old mentor, Ike Zimmerman, who gave him the instructions. On the next full moon, he was to head out to the crossroads near the Dockery Plantation in the heart of the Mississippi Delta, where at midnight a visitor would appear that would finally help him realise his ambition to become the greatest blues player of his generation. And perhaps Johnson did just that, and made his way out to that perfectly ordinary, nondescript crossroads at the next full moon, only to find suddenly, at the stroke of midnight, that all the nocturnal ambience that had so filled the air, the cicadas singing owls hooting the wind blowing had disappeared completely Perhaps it was then that the figure he been told to expect made himself known a peculiar man dressed smartly but in unusual clothes for the age who, on seeing Johnson with his guitar, offered to show him some licks of his own, before handing the instrument back to the young man with a wry smile. And perhaps, on taking it from him, it was only then that Johnson noticed how peculiarly long the man's fingers were, or the strange fire that seemed to glow in his eyes. And maybe Johnson asked the strange man to teach him everything he knew, to which the man said he would be more than happy to, on one condition, that Johnson sell him his soul in return. And perhaps it was then that Johnson happily signed it away. Hi, this is Jo Winterstein, host of the Spirit Daughter podcast, where we talk about astrology, natal charts, and how to step into your most vibrant life. And I just sat down with a mini driver. The Irish traveler said when I was 16, you're going to have a terrible time with men. actor storyteller and unapologetic aquarian visionary aquarius is all about freedom loving and different perspectives and i find a lot of people with strong placements in aquarius like are misunderstood a sun and venus and aquarius in her seventh house spark her unconventional approach to partnership he really has taught me to embrace people sleeping in different rooms on different houses and different places, but just an embracing of the isness of it all. If you're navigating your own transformation or just want a chart side view into how a leading artist integrates astrology, creativity, and real life, this episode is a must listen. Listen to the Spirit Daughter podcast starting on February 24th on the iHeartRadio app, Apple Podcasts, or wherever you listen to your podcasts. In 2023, a story gripped the UK, evoking horror and disbelief. The nurse who should have been in charge of caring for tiny babies is now the most prolific child killer in modern British history. Everyone thought they knew how it ended. A verdict, a villain, a nurse named Lucy Letby. Lucy Letby has been found guilty. But what if we didn't get the whole story? The moment you look at the whole picture, the case collapses. I'm Amanda Knox and in the new podcast Doubt the case of Lucy Letby we follow the evidence and hear from the people that lived it to ask what really happened when the world decided who Lucy Letby was no voicing of any skepticism or doubt it'll cause so much harm at every single level of the British establishment of this is wrong listen to Doubt the case of Lucy Letby on the iHeartRadio app Apple Podcasts or wherever you get your podcasts 1969, Malcolm and Martin are gone. America is in crisis. And at Morehouse College, the students make their move. These students, including a young Samuel L. Jackson, locked up the members of the Board of Trustees, including Martin Luther King Sr. It's the true story of protest and rebellion in Black American history that you'll never forget. I'm Hans Charles. I'm Menelik Lumumba. Listen to The A-Building on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. You know Roald Dahl, the writer who thought up Willy Wonka, Matilda, and the BFG. But did you know he was also a spy? Was this before he wrote his stories? It must have been. Our new podcast series, The Secret World of Roald Dahl, is a wild journey through the hidden chapters of his extraordinary, controversial life. His job was literally to seduce the wives of powerful Americans. What? And he was really good at it. You probably won't believe it either. Okay, I don't think that's true. I'm telling you, I was a spy. Did you know Dahl got cozy with the Roosevelt's? Played poker with Harry Truman and had a long affair with a congresswoman. And then he took his talents to Hollywood where he worked alongside Walt Disney and Alfred Hitchcock before writing a hit James Bond film. How did this secret agent wind up as the most successful children's author ever? And what darkness from his covert past seeped into the stories we read as kids? The true story is stranger than anything he ever wrote. Listen to The Secret World of Roald Dahl on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Many will be familiar with Christopher Marlowe's classic Elizabethan drama, Dr. Faustus, in which the eponymous Faustus sells his soul to the devil in return for knowledge and power. However, the notion of the Devil's Bargain, or Faustian Pact, has its roots in much earlier cautionary tales about mortals making unwise covenants with divine beings. Perhaps the most famous example is the Greek myth of Orpheus and his descent into the underworld, where the hero makes an agreement to retrieve the soul of his love Eurydice on condition that he doesn't once look behind him as they ascend back into the mortal realm. But as Orpheus approaches the surface, he is suddenly overcome with doubt, turning at last only to see the soul of his beloved being pulled away from him forever. But what if there were some truth to the idea? Perhaps the most well-known historical example of a deal with the devil is the case of Bavarian-born 17th century painter Johann Christoph Heitzmann, who claimed to have signed not one but two pats for his soul in 1668. After Heitzman became an orphan and was left destitute at the age of 17, he claimed that the devil appeared to him and offered him a contract signed in ink and another signed in his own blood. For nine agonizing years, Heitzman apparently subsisted as the devil's bounden son. When the date finally arrived in 1677 for the relinquishment of his soul, Heitzman took sanctuary at a monastery in the Austrian town of Marietzell. There, a series of exorcisms were said to have been performed, culminating in the devil giving back the contracts and Heitzman taking vows to join the brotherhood of Saint John of God. The artist would eventually die in 1700, leaving behind a famous triptych depicting his ordeal. Of course, we only have Heitzman's word to take on this, and even if we are to believe that such a fabulous story played out, there are a number of other explanations for what actually took place. Sigmund Freud revisited the case in 1923, and it was his belief that what Heitzman experienced was a lifelong affliction with what he termed demonological neurosis or an advanced form of schizophrenia in today's modern parlance. But there are more modern examples of the Faustian Pact at work which defy and even supersede the publication of Freud's study into Heitzman. We are not so sophisticated that we have jettisoned the old mythologies entirely they still linger in the hushed way we speak about talented people who have flown too close to the sun and burned out before their time. It is no accident, for example, that rock and roll is still referred to as the devil's music, or that we link the term so closely with the so-called 27 Club, a term linking musicians as diverse as Jim Morrison, Jimi Hendrix, Janis Joplin, Kurt Cobain and Amy Winehouse. all of whom died at the tender age of 27 and first among them was Robert Johnson. Blues historian Pete Welding had the opportunity to sit down with one of Johnson's contemporaries, Sun House, for a Rolling Stone profile in 1966 When he asked the elderly legend about his brief association with the travelling bluesman during the depression years of the 1930s, House seemed to have no doubt where the talent had come from. He sold his soul to the devil to play like that, House said to Welding. To his mind, and many others, it was the only explanation for Johnson's sudden mastery over the sliding blues scale, which just a short time before had eluded him so perceptibly. Perhaps there was an element of professional jealousy that hot young players from the UK, like John Mayle, Eric Clapton and Jeff Beck, were beginning to tout Johnson as an influence. Indeed, the fact that the likes of House had struggled for decades to support themselves only for mainstream white audiences to suddenly pay attention to the art form after it had been adapted by men who looked like them must have been a source of great frustration. Now there was an opportunity to have some fun with Johnson's legend. He had, after all, left precious little behind in terms of his history and it's plausible to think that the likes of House was putting his tongue firmly in his cheek at his gullible new white audience's expense. Whatever the truth of House's intentions may have been There is no doubt that it must have come as a shock when the relatively unknown Johnson suddenly made his appearance as a fully-fledged, accomplished blues guitarist sometime in 1934 or 35. We can almost imagine Sun House sitting there, nursing a glass of tepid beer, smoke swirling around his weather-beaten face in an old shotgun shack as the evening kicks into gear. Perhaps he's taken his woman out for the evening the two of them just waiting for the next high energy jive to begin a hush descends over the room as a young Robert Johnson shuffles onto the clapboard platform and takes his seat on the stool Then he takes his guitar out of its tattered wooden case leans forward toward the microphone and starts to play a set of which no one has ever heard the like before. Given that so little about Johnson's actual life was committed to the written record, getting to the bottom of whether he truly learned his trade at the lap of a mentor who taught him in a graveyard, or whether he sold his soul to the devil at midnight on a barren crossroads near docking Mississippi, or whether he really was murdered by a jealous husband, is nigh on impossible. What we do know is that his imprint can be found on so much from Delta Blue's inflected records, like the Rolling Stones' Let It Bleed and Exile on Main Street, to less obviously conventional modes of influence, like how it is now a standard that a pop song should be only three minutes long. And although there is something undoubtedly appealing about referring to rock and roll, both to those who play it and those who listen to it, as the devil's music, with Johnson its devil's son-in-chief, it's worth pausing for a moment to think about what that idea really does, because the myth of Robert Johnson selling his soul was not something that meaningfully followed him in life. He played mostly in black establishments, Places already viewed with suspicion by churches and white authorities alike. To many in mainstream America, blues musicians were considered itinerant, immoral and dangerous. The music itself was already seen as transgressive. The devil didn't need to be invoked to make it suspect. But after Johnson's death, the story takes on a different function. It begins to do a kind of cultural work. The myth reinforces something that many people were already comfortable believing, that this kind of brilliance, emerging from a poor young black man in the Jim Crow South, couldn't possibly be the product of discipline, intellect or intention. It had to come from somewhere else, somewhere darker, somewhere other. In some ways, you might say, the legend doesn't elevate Johnson, it diminishes him. It strips away the hours of practice, the mentorship, the travel, the listening, the pioneering innovation of combining various musical forms. All of that is replaced with a supernatural shortcut. His talent was no longer earned. It was given to him. And maybe for white audiences encountering Johnson's music decades later, this framing was often easier to accept. not through conscious malice, but through something slipperier and more ingrained. It preserved hierarchy. It exoticised black creativity. It cast the blues as primal, mystical and dangerous, as opposed to modern, innovative and authored. In all likelihood, although he clearly had an aptitude for it, Johnson simply practised obsessively. He travelled constantly, absorbing the different styles of different regions. He learned from older musicians like Ike Zimmerman. He innovated with structure and narrative lyricism. It was genius, and in that sense, perhaps even supernatural. But it isn't magic. It's work. Well, that's my two cents at least. In truth, we'll never know for sure exactly how Robert Johnson came to possess the talent he did, or indeed why he died at such a tragically young age. That will remain forever, tantalisingly unexplained. This episode was written by James Connor Patterson and Richard McLean Smith. Thank you as ever for listening Unexplained is an AV Club production podcast created by Richard McLean Smith All other elements of the podcast including the music are also produced by me Richard McLean Smith Unexplained the book and audiobook is now available to buy worldwide You can purchase from Amazon Barnes & Noble Waterstones and other bookstores Please subscribe to and rate the show wherever you get your podcasts and feel free to get in touch with any thoughts or ideas regarding the stories you've heard on the show. Perhaps you have an explanation or a story of your own you'd like to share. You can find out more at unexplainedpodcast.com and reach us online through X and Blue Sky at Unexplained Pod and Facebook at facebook.com forward slash unexplained podcast. Thank you. Thank you. Thank you. Thank you. Thank you. Amen. I'm Amanda Knox, and in the new podcast, Doubt, the case of Lucy Letby, we unpack the story of an unimaginable tragedy that gripped the UK in 2023. But what if we didn't get the whole story? How did this have been made to fit? The moment you look at the whole picture, the case collapsed. What if the truth was disguised by a story we chose to believe? Oh my God, I think she might be innocent. Listen to Doubt, The Case of Lucy Lettby on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Hi, it's Joe Interstein, host of the Spirit Daughter Podcast, where we talk about astrology, natal charts, and how to step into your most vibrant life. And today I'm talking with my dear friend, Krista Williams. It can change you in the best way possible. Dance with the change, dance with the breakdowns. The embodiment of Pisces intuition with Capricorn power moves. So I'm like delusionally proud of my chart. Listen to the Spirit Daughter podcast starting on February 24th on the iHeartRadio app, Apple Podcasts, or wherever you listen to your podcasts. 1969, Malcolm and Martin are gone. America is in crisis. At a Morehouse College, the students make their move. These students, including a young Samuel L. Jackson, locked up the members of the Board of Trustees, including Martin Luther King Sr. It's the true story of protest and rebellion in Black American history that you'll never forget. I'm Hans Charles. I'm Menelik Lumumba. Listen to The A-Building on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. You know Roald Dahl. He thought up Willy Wonka and the BFG. But did you know he was a spy? in the new podcast The Secret World of Roald Dahl I'll tell you that story and much, much more What? You probably won't believe it either Was this before he wrote his stories? It must have been Okay, I don't think that's true I'm telling you I was a spy Listen to The Secret World of Roald Dahl on the iHeartRadio app Apple Podcasts or wherever you get your podcasts This is an iHeart Podcast Guaranteed human
