Sherlock Holmes Short Stories

Introducing: Charles Dickens Ghost Stories - A Christmas Carol

48 min
Dec 15, 20254 months ago
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Summary

This episode presents a preview of the Noiser Podcast Network's new limited series 'Charles Dickens Ghost Stories,' featuring Sir David Sushay performing seven of Dickens' most celebrated tales. The episode includes a full performance of 'A Christmas Carol,' specifically Dickens' own stage-abridged version, set against historical context of Victorian Christmas traditions and the story's original 1843 publication.

Insights
  • Classic literature remains commercially viable when presented through high-quality audio performance and professional production
  • Podcast networks are investing in literary content adaptations as a strategy to build engaged audiences around established intellectual property
  • Historical context and behind-the-scenes storytelling enhance listener engagement with canonical works
  • Audio dramatization allows audiences to experience literature in new formats while maintaining narrative integrity
Trends
Podcast networks acquiring and producing literary adaptations of classic worksGrowth of serialized fiction content in podcast formatProfessional voice actors and theatrical performers entering podcast productionHistorical narrative framing as a content engagement strategySeasonal and holiday-themed content programming in podcast networksAdaptation of author-approved versions of classic texts for modern audiences
Topics
Literary adaptation for audio formatVictorian Christmas traditions and historyCharles Dickens' works and legacyPodcast network content strategyAudio drama productionGhost story genre in literature19th century social commentary in fictionSerialized storytelling in podcastsProfessional voice performanceHistorical context in entertainment
Companies
Noiser Podcast Network
Produces and distributes the 'Charles Dickens Ghost Stories' series and other podcast content
People
Charles Dickens
19th-century novelist whose works are being adapted; created 'A Christmas Carol' in 1843
Queen Victoria
Historical reference regarding German husband Prince Albert's influence on Christmas traditions
Quotes
"Man kind was my business, the common welfare was my business. Charity, mercy forbearance, benevolence were all my business."
Jacob Marley's ghostMid-episode
"It is required of every man that the spirit within him should walk abroad among his fellow men and travel far and wide."
Jacob Marley's ghostMid-episode
"The only time I know of in the long calendar of the year when men and women seem by one consent to open their shut up hearts freely"
Scrooge's nephewEarly-episode
"He has the power to render us happy or unhappy to make our service light or burdensome a pleasure or a toil."
ScroogeMid-episode
Full Transcript
Hello listeners, today we're bringing you a preview from a brand new limited series from the Noiser Podcast Network. It's called Charles Dickens Ghost Stories. Join Sir David Sushay as he performs seven of the great novelist's most spine tingling tales. Stories of haunted houses, vengeful spirits and dark premonitions of disaster. If you enjoy this Taster episode, search for Charles Dickens Ghost Stories on your podcast app and hit follow for more episodes or head to www.noiser.com. It's Boxing Day 1843 and at an elegant townhouse in London, a party is in full swing. Smartly dressed Victorian revelers nibble on mince pies. That's pies containing genuine mince meat as well as candid orange peel and spices. They chink glasses of hot neagus and smoking bishop, elaborate mulled wine variants made from sweet, strong port. At one end of the cozy candlelit living room, a group of children sit cross-legged on the floor utterly entranced by what they're seeing. A charismatic magician is working through a well-rehearsed routine, pulling coins from behind areas, making a plum pudding out of raw eggs and flour in his top hat, even magicking a live guinea pig out of tin air before letting its scurry across the floor. This magician is the host of the party this evening and it's not the first time that he's transfixed an audience, though usually it's through another kind of magic entirely. A 31 years old, he is after all the most successful writer of the era. His name is Charles Dickens. Show over, Dickens puts down his magician's props. He picks up a glass of smoking bishop and settles into an armchair. He looks around the room, surveying his guests. Apparently, there's a new way of sending festive greetings this year in the form of Christmas cards. How novel! He takes in the men in frog codes gathered around the tall pine tree in the corner decorated with candles. These festive furs are another relatively recent development inspired by Queen Victoria's German husband Albert. Dickens smiles to himself. Will these new things last, he wonders? Time will show that Christmas cards and Christmas trees are here to stay. As is the new book that Dickens himself has just published, his gaze is drawn to a copy lying on the mantelpiece. It's a ghost story, but with this message of redemption and hope, it's also a ghostly reflection of the human soul. It's sold out its first print run two days ago, less than a week after it was released. It's called a Christmas Carol. It'll go on to become a festive tradition all of its own, as successive generations gather close to listen in the flickering candlelight. And it's the first in a selection of remarkable ghost stories written by Dickens that I'll be reading to you in the coming weeks. I'm David Sushay, and from the Noiser podcast network, this is Charles Dickens ghost stories. The version of a Christmas Carol that I'll be reading today isn't quite the same as the one Dickens wrote in the winter of 1843. It's a version that he personally abridged and performed on stage to rave reviews. And so wildly successful were his live performances in Britain and America that this almost became the true Christmas Carol as Dickens saw it. The original and best Christmas ghost story as the author loved to tell it. So let's begin. This is a Christmas Carol, part one. Marley was dead to begin with. There's no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker and the chief mourner. Scrooge signed it, and Scrooge's name was a good upon change for anything he chose to put his hand to. Old Marley was as dead as a door nail. Scrooge knew he was dead, of course he did, how could it be otherwise. Scrooge and he were partners for a while. I don't know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residual legatee, his sole friend, his sole mourner. Scrooge never painted out old Marley's name, however. There it yet stood years afterwards above the warehouse door. Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people knew to the business called Scrooge Scrooge and sometimes Marley. He answered to both names where I was all the same to him. Oh, but he was a tight fisted hand at the grindstone was Scrooge, a squeezing wrenching grasping, scraping clutching, covetous old sinner. External heat and cold had little influence on him. No warmth could warm, no cold, could chill him. No wind the blue was bitterer than he. No falling snow was more intent upon its purpose, no pelting rain less open to in treaty. Bowl weather didn't know where to have him. The heaviest rain and snow and hail and sleet could boast of the advantage over him in only one respect. They often came down, handsomely, and Scrooge never did. Nobody ever stopped him in the street to say with glad some looks. My dear Scrooge, how are you? Where would you come to see me? No beggars implore him to bestow a trifle, no children asked him what it was a clock, no man or woman ever once in all his life inquired the way to such and such a place of Scrooge. Even the blind men's dogs appeared to know him, and when they saw him coming on, would tug their owners into doorways and upcourt and then would wag their tails as though they said, oh no I at all is better than an evil eye, dark master. But what it Scrooge care, it was the very thing he liked to edge his way along the crowded paths of life, warning all human sympathy to a keyboard's distance was what the knowing ones call nuts to Scrooge. Once upon a time of all the good days in the year upon a Christmas Eve, old Scrooge sat busy in his counting house, and was cold, bleak, biting foggy weather, and the city clocks had only just gone the three. But it was quite dark already. The door of Scrooge's counting house was open that he might keep his eye upon his clerk, who in a dismal little cell beyond a sort of tank was copying letters. Scrooge had a very small fire, but the clerk's fire was so very much smaller that it looked like one coal. But he couldn't replenish it, for Scrooge kept the coal box in his own room, and so surely as the clerk came in with the shovel, the master predicted that it would be necessary for them to part. Wherefore the clerk put on his white comforter and tried to warm himself at the candle, in which effort not being a man of strong imagination, he failed. A Merry Christmas, Uncle God save you! Cry to cheerful voice. It was the voice of Scrooge's nephew, who came upon him so quickly that this was the first intimation Scrooge had of his approach. Ah! said Scrooge. Humbug. Christmas, a humbug, Uncle, you don't mean that, I'm sure. I do. Out upon Merry Christmas. What's Christmas time to you, but a time of paying bills without money? A time of finding yourself a year older, and not an hour richer, a time of balancing your books and having every item in them through around a dozen months presented dead against you? If I had my will every idiot who goes about with Merry Christmas on his lips, should be boiled with his own pudding and buried with a snake of holly through his heart. He shot! Uncle, death you! Keep Christmas in your own way and let me keep it in mind. Keep it, but you don't keep it. Let me leave it alone then. Much good may it do you. Much good is it ever done you. Well, there are many things from which I might have derived good by which I'm not profited, I dare say, Christmas among the rest. But I'm sure I've always thought of Christmas time when it has come round apart from the veneration due to its sacred origin. If anything belonged to it could be apart from that as a good time, a kind forgiving, charitable, pleasant time. The only time I know of in the long calendar of the year when men and women seem by one consent to open their shut up hearts freely, and to think of people below them as if they really were fellow travellers to the grave and not another race of creatures bound on other journeys. And therefore, Uncle, though it's never put a scrap of gold or silver in my pocket, I believe that it has done me good and will do me good and I say, God bless it. The clerk in the tank involuntarily applauded. D'ah, let me hear another sound from you, said Scrooge, and you'll keep your Christmas bellosing your situation. Mmm, you're quite a powerful speaker, sir. He added turning to his nephew. I wonder you don't go into parliaments. Oh, don't be angry, Uncle. Come, dine with us tomorrow. Scrooge said that he would see him. Yes, indeed he did. He went the whole length of the expression and said that he would see him in that extremity first. But why, Cried Scrooge, is nephew? Why? Why did you get married? Because I fell in love. Because you fell in love. Groud Scrooge, is this that were the only one thing in the world more ridiculous than a Merry Christmas? Good afternoon. Uncle, but you never came to see me before that happened. Why give it a reason for not coming now? Good afternoon. But, I want nothing from you. I ask nothing of you. Why cannot we be friends? Good afternoon. I'm sorry with all my heart to find you so resolute. We've never had any quarrel to which I've been a party, but I have made the trial in homage to Christmas, and I'll keep my Christmas humour to the last. So, a Merry Christmas, Uncle. Good afternoon. And a happy new year. Good afternoon. Is nephew left the room without an angry word, not withstanding? The clerk in letting Scrooge's nephew out had led two other people in. They were portly gentlemen, pleasant to behold, and now stood with their hats off in Scrooge's office. They had books and papers in their hands and bowed to him. Scrooge and Marley's, I believe, said one of the gentlemen referring to his list, have I the pleasure of addressing Mr Scrooge or Mr Marley? Mr Marley has been dead these seven years. He died seven years ago this very night. Oh, well, at this festive season of the year, Mr Scrooge said the gentleman taking up a pen. It is more than usually desirable that we should make some slight provision for the poor and destitute, who suffer greatly at this present time. Many thousands are in want of common necessaries. Hundreds of thousands are in want of common comfort, sir. Are there no prisons? Plenty of prisons. But under the impression that they scarcely furnish Christian cheer of mind or body to the unoffending multitude, a few of us are endeavouring to raise a fund to buy the poor some meat and drink and means of warmth. We choose this time because it is a time of all others when want is keenly felt and abundance rejoices. What shall I put you down for? Dathed. Ah, you wish to be anonymous. I wish to be left alone. Since you ask me what I wish, gentlemen, that is my answer. I don't make memory myself at Christmas and I can't afford to make idle people, Mary. I help to support the prisons and the work houses, they're costing it off. And those who are badly off must go there. Well, many can't go there and many would rather die. If they would rather die, they'd better do it. And decrease the surplus population. At length, the hour of shutting up the counting house arrived. With an ill will, scrooge, dismounting from his stool, tacitly admitted the fact to the expectant clerk in the tank who instantly snuffed his candle out and put on his hat. Hmm, you want all day tomorrow, I suppose. Well, if quite convenient, sir, it's not convenient and it's not fair. If I was to stop half a crowd for it, you'd think yourself might ameliorced, I'll be bound. Oh, yes, sir. And yet you don't think me ill used when I pay a day's wages for no work. But it's only once a year, sir, that poor excuse for picking him as tacit every 25th of December. Yeah, but I suppose you must have the whole day. Be here all the earlier that morning. The clerk promised that he would, and scrooge walked out with the ground. The office was closed in a twinkling, and the clerk, with the long ends of his white comforter dangling below his waist, before he boasted no great coat, went down a sline at the end of a lane of boys. Twenty times in honour of its being Christmas Eve, and then ran home as hard as he could belt to play a blind man's buff. Scrooge took his melancholy dinner in his usual melancholy tavern, and having read all the newspapers and beguiled the rest of the evening with his bankers book, went home to bed. He lived in chambers which had once belonged to his deceased partner. They were a gloomy suite of rooms in a lowering pile of buildings up a yard. The building was old enough now and dreary enough, for nobody lived in it but Scrooge, the other rooms being all let out as offices. Now, it is a fact that there was nothing at all particular about the knocker on the door of this house, except that it was very large. Also, that Scrooge had seen it night and morning during his whole residence in that place. Also, that Scrooge had as little of what is called fancy about him as any man in the city of London. And yet Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change, not a knocker, but Marley's face. Marley's face, with a dismal light about it like a bad lobster in a dark cellar. It was not angry or ferocious, but it looked as Scrooge as Marley used to look with ghostly spectacles turned up upon its ghostly forehead. As Scrooge looked fixately at this phenomenon, it was a knocker again. He said, poof, and closed the door with a bang. The sound resounded through the house like thunder. Every room above, and every cask in the wine merchant's cellar below, appeared to have a separate peel of echoes of its own. Scrooge was not a man to be frightened by echoes, he fastened the door and walked across the hall and up the stairs. Slowly too, trimming his candle as he went. Up Scrooge went, not carrying a button for its being very dark, while darkness is cheap, and Scrooge liked it. But before he shot his heavy door, he walked through his rooms to see that all was right. He had just enough recollection of the face to desire to do that. Sitting room, bedroom, lumber room, all as they should be. Nobody under the table, nobody under the sofa, a small fire in the grate, spoon and basin, ready. And a little sorspin of gruel, a little Scrooge had a cold in his head, upon the hob. Nobody under the bed, nobody in the closet, nobody in his dressing gown, which was hanging up in a suspicious attitude against the wall. Lumber room, as usual, old fire-guard old shoes, two fish baskets washing stand on three legs and a poker. Quite satisfied, he closed his door and locked himself in. A double locked himself in, which was not his custom. Thus secured against surprise, he took off his gravevad, put on his dressing gown and slippers and his nightcap, and sat down before the very low fire to take his gruel. As he threw his head back in the chair, his glance happened to rest upon a bell, a disused bell that hung in the room and communicated for some purpose now forgotten, with a chamber in the highest story of the building. It was with great astonishment and with a strange inexplicable dread that as he looked, he saw this bell begin to swing. Soon it rang out loudly, and so did every bell in the house. This was succeeded by a clanking noise deep down below, as if some person were dragging a heavy chain over casks in the wine merchant cellar. Then he heard the noise much louder on the floors below, then coming up the stairs, then coming straight towards his door. It came on through the heavy door and a spectre passed into the room before his eyes. And upon it's coming in, the dying flame leapt up as though it cried, I am him, my least ghost. The same face, the very same. Marley, in his pete, usual waistcoat, tights and boots, his body was transparent so that Scrooge observing him and looking through his waistcoat, could see the two buttons on his coat behind. Scrooge had often heard it said that Marley had no bowels, but he'd never believed it until now. No, nor did he believe it even now, though he looked the phantom through and through and saw it standing before him, though he felt the chilling influence of its death cold eyes, and noticed the very texture of the folded cut chief bound about its head and chin, he was still incredulous. How dull, said Scrooge, caustic and cold as ever, what do you want these beads? March! Marley's voice, no doubt about it. Who are you? Ask me who I was. Oh, who were you then? In life, I was your partner, Jacob Marley. Can you... Can you sit down? I can. Gwiey! Scrooge asked the question because he didn't know whether a ghost so transparent might find himself in the condition to take a chair and felt that in the event of its being impossible, it might involve the necessity of an embarrassing explanation. But the ghost sat down on the opposite side of the fireplace as if he were quite used to it. You don't believe in me? I don't. What evidence would you have of my reality beyond that of your senses? I don't know. But why do you doubt your senses? Because a little thing affects them, a slight disorder of the stomach makes them cheese. You may be, and an undigested bit of beef, a lot of bastard, a crumb of cheese, a fragment of an undetunned potato. It is more of gravy than of grave about you, whatever you are. Scrooge was not much in the habit of cracking jokes. Nor did he feel in his heart by any means whackish then. The truth is that he tried to be smart, as a means of distracting his own attention and keeping down his horror. But how much greater was his horror when the phantom, taking off the bandage round its head as if it were too warm to wear indoors? Its lower jaw dropped down upon its breast. Well, mercy, dreadful apparition, why do you trouble me? Why do spirits walk there? And why do they come to me? It is required of every man that the spirit within him should walk abroad among his fellow men and travel far and wide. And if that spirit goes not forth in life, it is condemned to do so after death. I cannot tell you all I would. A very little more is permitted to me. I cannot rest, I cannot stay, I cannot linger anywhere. My spirit never walked beyond our counting house. Mark me in life, my spirit never roared. Beyond the narrow limits of our money-changing old and weary journeys lie before me. Seven years dated, traveling all the time. You travel fast on the wings of the wind. But you might have gone over a great quantity of grounded, seven years. Oh blind man, blind man. Not to know that ages of incessant labor by immortal creatures for this earth must pass into eternity before the good of which it is susceptible is all developed. Not to know that any Christian spirit working kindly in its little sphere, whatever it may be, will find its mortal life too short for its vast means of usefulness. Not to know that no space of regret can make a man's for one life's opportunities misused. Yet I was like this man, I once was like this man. But you were always a good bed of business Jacob, faulted scruche who now began to apply this to himself. Business cried the ghost, ringing its hands again. Man kind was my business, the common welfare was my business. Charity, mercy forbearance, benevolence were all my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business. Scruche was very much dismayed to hear the specter going on at this rate, I began to quake exceedingly. Hear me, my time is nearly dawned. I will but don't be hard upon me. Don't be slowery, Jacob, pray. I'm here tonight to warn you that you have yet a chance and hope of escaping my fate, a chance and hope of my procuring Ebenezer. But you were always a good friend to me. Saky, you will be haunted by three spirits. He's at the chance to help you mention Jacob. I think I'd rather not. Without their visits, you cannot hope to shun the path I tread. Expect the first tomorrow night when the bell tolls one. Expect the second on the next night of the same hour. The third upon the next night when the last stroke of twelve has ceased to vibrate. Look to see me no more. And look that for your own sake, you remember what has passed between us. It walked backward from home. And at every step it took, the window raised itself a little. So that when the apparition reached it, it was wide open. The specter floated out upon the bleak, dark night. Scrooge closed the window and examined the door by which the ghost had entered. It was double locked. As he had locked it with his own hands and the bolts were undisturbed. Scrooge tried to say... Humberg but stopped at the first syllable. And being from the emotion he had undergone or the fatigue of the day or his glimpses of the invisible world, or the dull conversation of the ghost or the lateness of the hour, much in need of repose, he went straight to bed without undressing and fell asleep on the instant. I'm Ian Glenn and this is Real Vikings. A monastery on a remote Scottish island overrun with pagan warriors. The dragon-shaped prowl for longboat cutting through Canada's icy waters. A north trader in North Africa, exchanging furs for silver under a desert sun. The Vikings terrified the medieval world, yet they were guilers today. Who were they really? Real Vikings from the Noiser Podcast Network. Listen wherever you get your podcasts. The End When Scrooge awoke, it was so dark that looking out of bed he could scarcely distinguish the transparent window from the opaque walls of his chamber until suddenly the church clock told the deep, dull, hollow, melancholy, wild light flashed up in the room upon the instant. And the curtains of his bed were drawn aside by a strange figure like a child, yet not so like a child as like an old man, viewed through some supernatural medium, which gave him the appearance of having receded from the view and being diminished to a child's proportions. Its hair, which hung about its neck and down its back, was white, as if with age and yet the face had not a wrinkle in it. And the tenderest bloom was on the skin. It held a branch of fresh, green, holly in its hand. And in singular contradiction of that wintry emblem had its dress trimmed with summer flowers. But the strangest thing about it was that from the crown of its head there sprung a bright, clear, jet of light, by which all this was visible and which was doubtless the occasion of its using in its duller moments, a great extinguisher for a cap which it now held under its arm. Are you the spirit, sir, whose coming was foretold me? I am. Who and what are you? I am the ghost of Christmas past. Long past? No, you're past. The things that you will see with me are shadows of the things that have been. They will have no consciousness of us. Scrooge then made bold to inquire what business brought him here. Your welfare! Rise and walk with me! It would have been in vain for Scrooge to plead that the weather and the hour were not adapted to pedestrian purposes. That bed was warm and the thermometer, a long way below freezing, that he was clad but lightly in his slippers dressing gown and nightcap and that he had a cold upon him at that time. The grass, though gentle as a woman's hand, was not to be resisted. He rose, but finding that the spirit made toward the window clasped its robe in supplication. I am mortal! I am liable to fall! There but a touch of my hand! Said the spirit laying it upon its heart. And you shall be upheld in more than this! As the words were spoken, they passed through the wall and stood in the busy thoroughfares of a city. It was made plain enough by the dressing of the shops that here too, it was Christmas time. The ghost stopped at a certain warehouse door and asked Scrooge if he knew it. Now it! Would I have apprenticed here? They went in. At sight of an old gentleman in a Welsh wig sitting behind such a high desk that if he had been two inches taller he must have knocked his head against the ceiling, Scrooge cried in great excitement. Why is old Fesy wig? Oh bless it hard! It is Fesy wig and life again! Old Fesy wig laid down his pen and looked up at the clock which pointed to the hour of seven. He rubbed his hands, adjusted his capacious waistcoat, laughed all over himself from his shoes to his organ of benevolence and called out in a comfortable, oily, rich, fat, chovial voice. You're holer! Everleyser! Dick! A living and moving picture of Scrooge's former self. A young man came briskly in accompanied by his fellow-prentice. Dick will kids to be sure, said Scrooge to the ghost. In my old fellow-prentice bless me, yes! There he is! He was very much attached to me, he was Dick. Oh, oh poor Dick! Dear, dear! You're holer, my boys! said Fesy wig. No more work tonight! Christmasy you've, Dick! Christmas, everleyser! Let's have the shutters up if on a map could say Jack Robinson! Ah, clear away my lads! And let's have lots of room here! Clear away! There was nothing they wouldn't have cleared away or couldn't have cleared away with old Fesy wig looking on. Ah, it was done in a minute. Every movable was packed off as if it were dismissed from public life forevermore. The floor was sweat and watered. The lamps were trimmed. Fuel was heaped upon the fire and the warehouse was as snug and warm and dry and bright a ballroom as you would desire to see upon a winter's night. In came a fiddler with a music book and went up to the lofty desk and made an orchestra of it and tuned like 50 stomachaches. In came Mrs Fesy wig, one vast substantial smile. In came the three Miss Fesy wigs, beaming and lovable. In came the six young followers whose hearts they broke. In came all the young men and women employed in the business, in came the housemaid with her cousin the baker, in came the cook with her brother's particular friend, the milkman. In they all came one after another, some shyly, some boldly, some gracefully, some awkwardly, some pushing, some pulling. In they all came anyhow and everywhere. Away they all went. 20 couples of once, hands half-round and back again the other way, down the middle and up again, round and round in various stages of affection, a grouping. Old top couple always turning up in the wrong place, new top couple starting off again as soon as they got there. All top couples at last are not a bottom one to help them. And when this result was brought about, old Fesy wig clapping his hands to stop the dance, spried out. And the fiddler plunged his hot face into a pot of potter, especially provided for that purpose. There were more dances and there were forfills and more dances and there was cake and there was nekas and there was a great piece of cold roast. And there was a great piece of cold boiled and there were mince pies and plenty of beer. But the great effect of the evening came after the roast and boiled when the fiddler struck up. Surroger, da carefully. Then old Fesy wigs stood out to dance with Mrs Fesy wig. Top couple two with a good stiff piece of work cut out for them, three or four and twenty pair of partners, people who were not to be trifled with, people who were dance and had no notion of walking. But if there had been twice as many four times old Fesy wig would have been a match for them and so would Mrs Fesy wig as to her. Ah, she was worthy to be his partner in every sense of the term. A positive light appeared to issue from Fesy wig's calves. They shone in every part of the dance. You couldn't have predicted at any given time what would become of them next. And when old Fesy wig and Mrs Fesy wig had gone all through the dance, how advanced and retire turned your partner bow in curtsy corkscrew, thread the needle and back again to your place. Fesy wig cut, oh cut so deathly that he appeared to wink with his legs. When the clock struck eleven this domestic ball broke up. Mr. Mrs. Fesy wig took their stations one on either side the door and shaking hands with every person individually as he or she went out, wished him or her a merry Christmas. When everybody had retired but the two apprentices they did the same to them and thus the cheerful voices died away and the lads were left to their beds which were under a counter in the back shop. It's all matter said the ghost to make these silly folks so full of gratitude. He has spent but a few pounds of your mortal money three or four perhaps. Is that so much that he deserves this praise? It is that said scrooge heated by the remark and speaking unconsciously like his former not his latter self. It isn't that spirit. He has the power to render us happy or unhappy to make our service light or burdensome a pleasure or a toil. Say that his power lies in words and looks in things so slight and insignificant that it's impossible to add and count them up what then the happiness he gives is quite as great as if it cost a fortune. He felt the spirits glance and stop. What is the matter? Nothing particular. Nothing I think. No, no. But I should like to be able to say a word or two to my clock just now. That's all. My time grows short. Observe the spirit. Quick. This was not addressed to scrooge or to anyone whom he could see but it produced an immediate effect. Again, he saw himself. He was older now, a man in the prime of life. He was not alone but sat by the side of a fair young girl in a black dress. In whose eyes there were tears. It matters little. She said softly to scrooge his former self. To you very little. Another idol has displaced me and if it can comfort you in time to come as I would have tried to do. I have no just cause to grieve. But what idol has displaced you? A golden one. Of you fear the world too much. I've seen your noble aspirations fall off one by one until the master passion gain. Ingrosses you have I not? What then? Even if I have grown so much wiser. What then? I'm not changed towards you. Have I ever sought release from our engagement? In words never. In what then? In a changed nature. In an altered spirit. In another atmosphere of life. Another hope as it's great end. If you were free today, tomorrow. Yesterday. Can even I believe that you would not choose. A duller, less girl. Or choosing her do I not know that your repentance and regret would surely follow? I do. As I release you with a full heart. For the love of him. You once were. Spirit. Removed me from this place. I told you these were shadows of the things that have been. Said the ghost. Said they are what they are. Do not blame me. Remove me. Scrooge exclaim. I cannot bear it. Leave me. Take me back. Halt me no longer. As he struggled with the spirit he was conscious of being exhausted. And overcome by an irresistible drowsiness. And further of being in his own bedroom. He had barely time to real to bed. Before he sank into a heavy sleep. In the next episode, in the second and final part of a Christmas Carol. Scrooge is visited by two more spirits. The ghosts of Christmas present. And Christmas yet to come. But as the old miser comes face to face with his own mortality. Is it too late for him to mend his ways and seek redemption? That's next time on Charles Dickens Ghost Stories. If you've enjoyed this Taster episode, you can listen to part two of a Christmas Carol right away. Over on the Charles Dickens Ghost Stories podcast. Search for Charles Dickens Ghost Stories on your podcast app. And hit follow for more episodes. Or click the link in the episode description.