The Plant Daddies: Using Plants in Interior Design
54 min
•Apr 2, 2026about 2 months agoSummary
The Plant Daddies, a California-based plant design duo, discuss their journey from pandemic side hustle to thriving interior design business, sharing their artistic approach to plant styling, sculptural techniques, and how living plants transform residential spaces as functional art.
Insights
- Living plants function as sculptural art pieces that reduce styling effort and become focal points that can replace traditional artwork in interior design
- Non-traditional plant placement (corners blocking views, bathrooms, above tubs) creates unexpected design moments that clients wouldn't conceive of independently
- Artistic experimentation with plants—pruning, wiring, repotting—requires willingness to fail and learn; nature's forgivability enables unconventional techniques
- Plant care success hinges on understanding environmental variables (light, temperature, humidity, evaporation rates) rather than following rigid watering schedules
- Instagram and visual storytelling are essential business drivers; the Plant Daddies position themselves as 'plant influencers' to attract design-conscious clients
Trends
Living plants as primary design elements replacing traditional artwork and décor in luxury residential interiorsSculptural, minimalist plant styling with visible root systems and artistic pruning becoming a design aesthetic categoryInterior designers partnering with specialized plant installation services rather than relying on local nurseries for curated specimensPreserved/dried botanical elements (ironwood branches) gaining popularity for spaces without adequate lightTabletop succulent arrangements and small-scale living installations as accessible entry points for plant-forward designPlant care education and accessibility becoming competitive differentiators; brands offering consultation and maintenance servicesBathroom and unconventional interior spaces emerging as high-potential zones for plant installations due to improved lighting in modern architectureBonsai and Japanese pruning techniques being adapted and rebranded for contemporary Western interior design markets
Topics
Sculptural plant design and artistic pruning techniquesInterior plant installation and styling for residential spacesPlant care fundamentals: watering, light requirements, environmental variablesFicus varieties and succulent species for interior useVessel and pot selection as design componentPlant placement strategy in contemporary homesInstagram marketing and social media for design businessesClient consultation and design rendering processesPreserved botanical elements and alternatives to living plantsPlant rescue and rehabilitation techniquesBonsai and wire-training methods for plant manipulationNursery sourcing and plant specimen curationBusiness scaling and team building in design servicesHospitality and luxury service delivery in plant designPandemic-era business pivots and entrepreneurship
Companies
The Plant Daddies
Main guests; California-based plant design and installation company specializing in sculptural interior plantings
ALID
Interior design firm that collaborated with The Plant Daddies on a residential project in Summerlin, Nevada
Berber Imports
50-year-old antique vessel and pot import company; partnership with The Plant Daddies for curated vessel selection
Summit Club
Luxury residential community in Summerlin, Nevada where The Plant Daddies installed plants for a contemporary home
Alice Lane Home
Host podcast network and home goods brand; Dear Alice is their interior design podcast
Cozier Earth
Sponsor offering robes and slippers; advertised with 20% discount code 'dear alice'
People
Macy Luccarelli
Plant design artist with real estate and styling background; manages Orange County 6-acre sanctuary location
Dane Jordan
Technical horticulture and architecture background; primary designer and business operations lead
Kenny
Third business partner; unavailable for podcast but mentioned as long-time friend of Macy since age 5
Jess
Co-host of Dear Alice interior design podcast; conducted interview and discussed plant installation project
Sue
Co-host and interior designer at ALID; worked with The Plant Daddies on Summerlin residential project
Quotes
"They're like sculptors and artists with plants. Complete artists."
Host (Jess)•Opening segment
"To know is to kill. So to know the plant you're working on, you're probably going to have to kill it once or twice to understand it."
Dane Jordan•Mid-episode
"Your plant is not dying. That thing has got three to six months worth of life left into it. Even if you didn't water it, it's not going to look good, but it's not going to die."
Macy Luccarelli•Plant care advice segment
"If you can buy it at Home Depot, we don't use it."
Dane Jordan•Plant species discussion
"Everything that we wanted to happen since the second we shook hands, has happened. We wanted to build up an Instagram. We wanted to create like a society and it's just all naturally happening."
Macy Luccarelli•Business growth reflection
Full Transcript
Hello everyone, welcome to Dear Alice. Today we are going to be having a special set of guests on the plant daddies. We worked with the plant daddies on a really cool and special installation that we did recently in Summerlin, Nevada, and we called upon these guys to bring their special set of skills. They're like sculptors and artists with plants. Complete artists. And you're gonna have to check them out on Instagram to be able to really see all of the work that they're doing. So we'll make sure and give you their handle. But we want to introduce you to Macy Luccarelli and Dane Jordan. Their other plant daddy Kenny wasn't available for this call, but we're gonna take you into this conversation where we learn about their process, about some of their favorite plants to use, how they got started. What not to do. Yes. Yeah, so many things. And one of the biggest trends that we're seeing, it shouldn't even be called a trend, but a thing that is working so well in interiors right now is living plants. Plants are so cool. They add so much to the interior and we just, we haven't talked enough about it. So we want to get the experts on to talk about how they're doing it. Yeah, and the stuff that these guys are doing, you know, you're like, how does that even survive like that? But it's just so fantastic that it becomes the room. Like it's such an identifying factor in these spaces that takes it to the next level. Yeah. And they're super interesting. Like Jess said, they are artists and it was this really fun interview. So I'm excited for you guys to listen to today. We are joined by the plant daddies. We're so excited to introduce you guys to Macy, Luccarelli and Dane Jordan, known as the plant daddies. And they're joining us from California. Are you guys in LA? I'm in LA. Macy's in Orange County right now. So divide and conquer. Amazing. Well, thank you so much for joining us. We worked on a project with the plant daddies here at ALID, our design firm. We got this project in the beautiful Summit Club in Summerland, Nevada. And it was a good friend and longtime client of ours with a beautiful contemporary home. And she said, I need you to come in and put the finished layers and touches in it, make it feel like a home. But I like everything very simple, very pulled back, not a ton of styling. And so the first thought Sue and I had was, let's bring in live plants because I think that will do a lot of the work for us. It'll bring in an element of sculpture and life. And there's a lot of beautiful big windows. And then once the plants are in, I'll bet we just have to do a little tiny bit of styling. But let's get plants in. And so we went about trying to work with some local greenhouses in Las Vegas and nothing was quite working. We would we'd pull like very cool images and like inspiration, stuff that you guys do. And we'd show them to other nurseries and they'd be like, they'd bring out something that didn't look anything, anything like what you do. And we're just like, no, that won't work. That won't work. That won't work. So strike. And then we stumbled upon you. We stumbled upon your Instagram feed and we're like, OK, this is it. This is the stuff that nobody nobody could get that for us. That look, that edit, the sculpture, because really, like Jess was saying, like without doing the plants first, take so much of the styling effort away. Like, like even artwork spots that we thought we'd be getting huge artwork for. We didn't have to because the plant ended up doing so much for that whole scene. Then entertain is. That's good to hear. Yeah. Yeah. Yeah. So we called your team and worked with you on this home. And it just turned out so incredible that we were like, we've got to really talk about this and share your insights. Because a lot of the audience here are design enthusiasts, people that are obsessed with interiors, but also interior designers listen to the podcast. And so I know they're going to love learning from you guys. And we would love to hear a little bit about how you started. First of all, I think everybody's story of how they started is one of my favorite parts. And then we'd love to get into your process. Yeah, you want to go or me? You take it first and all just jump back and forth. OK, cool. So plant daddy's, I guess for me, I mean, I'll just back up before even the plant daddy's was a thing. I had a background in love for horticulture and architecture and astronomy food. My dad is an amazing chef and he kind of I used to work with him all the time and his restaurants. We used to like bicker just like kids and sons and dad and stew. And there happened to be a nursery across the street from there. And when we got a big fight, I went to the nursery. I was like 16 years old and I offered it. I asked for a job there. Ended up being like one of the mulch boys. And that really was my first introduction to horticulture. So I worked at that nursery. They had a great program, which was tied to the university. So we had a lot of students coming in and teachers and like professional horticulture. So I just really just grabbed the hold of that. And then that really just inspired me. And that's really where my passion for horticulture really got started. Later in life, I kind of diverted. I moved all around the states. I moved to Boston. I was living in Virginia. And then I came to LA to go to architecture school. So I went to a small grad prep program here in LA. I did four years of like fundamental design, CAD, rhino, grasshopper type of rendering designs, learning kind of how space works, how, you know, how to put things in certain places and kind of understand architecture. So that's kind of like my background in a very small nutshell. And then when COVID hit, I lost my job. So at the time there, I was working in a restaurant and everybody was out of work. Obviously the whole world shut down. And I had a ton of plants in my house. So I was already kind of just selling some plants on Facebook marketplace and kind of trying to make some money doing that. It was very small time. It wasn't really real. I was kind of helping friends out with like helping. You know how everyone had like a home studio helping them put like pants in the back of their office. But it wasn't really not really what plant I use today by any means. And Macy, Macy and I have been friends for years, a very long time. And we were working out one day at the Hollywood Bowl, which is kind of like our genesis of everything. It was completely empty. I had some weights in the back of my car. We would just go work out in a parking lot like some prison gang. That's crazy. That's awesome. Talk about lying. They got those all. Dane brought back like a 45 pound weight bar and a bunch of weights on the plane. And that would work out here. So all the workout gear was like sold out in LA. Couldn't buy any workout gear anywhere. So I flew to Texas. My sister lives in Houston and I bought some workout gear there and I put it in my luggage and like bar. That's amazing. And they cost more than the weights themselves to get it home. But it was worth it, you know, in the end. So then Macy, you know, he didn't have anything. We're good friends. So we would just shoot it and hang out and talk about life and stuff. And I think Macy, I can't remember if it was he brought it up or I brought it up. But yeah, that makes it kind of he kind of jumps in here now. Yeah, I mean, we would work out together. We were friends for a long time and we were both, you know, in the fitness and stuff. And like, yeah, you couldn't buy a dumbbell anywhere in LA County. They're all sold out. So we were, you know, Dane and we were laughing. He's like, dude, I brought back a bunch of weight equipment. I lived above a nursery and I would see all this this line of people outside this nursery for months and months and months. And it was just I've I don't have the technical background that Dane has. Dane is a lot more technical when it comes to the plants. Mine was just much more of a hobby. I have like an intense OCD when it comes to cleaning plants. And like I've always had my own style. I would pluck everything and it would be very minimal. And I had a whole house full of plants. My background with plants was also I was a real estate agent. And it was actually the greatest marketing scheme of all time. When I would sell a house and the closing gift would be, I would put a big tree in somebody's living room or their master bedroom or somewhere where they would see it. Because when the plants started turning brown or if they died or if something happened to them, the first thing that they would do is they would contact me as their agents. They hate my plants dying. You know, what do I do? So it was a way for me to stay top of mind on with all my clients. I didn't do any marketing. I didn't do any postcards. I just gave plants away. So it was like my, you know, intro to styling plants. And I wanted to get the biggest one so everybody would always see it. And it would stand out. Dana and I were working out one day and I told him I had this dream because I've had plants on my mind because I'm just hearing this nursery just pump out tons of money all day long. And I was like, dude, I had this dream that we're selling plants. And although we were close, you know, I didn't know anything about his like side business. And he's like, dude, I started a plant company, you know, a couple of months back. And we started talking about it. And he was like, you know, I have it named. It's called Green Vibes Plants Co. And I was like, look, let's start a plant company together. People called me the plant daddy because I would take pictures of these little mini plants. I would get a passion fruit and plant passion fruit vines all over L.A. Because I like passion fruit and you couldn't buy it in the store. And I just wanted to have an unlimited supply of passion fruit. So for years. Oh, my God. Amazing. It's just crazy. This whole business has happened so organically. It's unbelievable. But so I had probably a hundred vines planted all over L.A. And I would drive around every day and I would take pictures of the vines. They would grow about anywhere between an inch and six inches a day. So for years, I would just always every couple of days I'd have like these vines that were growing. So people started calling me the plant daddy. Friends and family, you know, it wasn't anything serious. So when Dane told me he started the company, I was like, dude, I don't have a job right now. I'm not allowed in houses. There was like four months where I couldn't step foot in a house. I was like, and I thought the world was going to go in the other direction. I thought that the housing market was going to implode and we were all going to be homeless. Let's call it the plant days. And then we laughed. We shook hands and boom, that's how the business started. And and we are where we're at today from just, you know, organic evolution. Wow. That's a hot story. That's awesome. That's so cool. So how do people find you today and kind of what's your process when somebody gives you a call? Yeah. Is it usually a designer? Is it a client that has a great home and a great taste level and they recognize how unique and special you have, you know, what you have is both. Yeah, both pretty much, but we take a, we take a lot of care and we put a lot of work in showcasing our end product and sharing that. I hate to say, but we are plant influencers by now. It's our second job or if not our first job, even when we got started in the very beginning, it's all about showcasing the pairing like unique plant, unique vessel and photographing that and sharing that with the world. And hopefully someone will like it. And luckily, fortunately for us, a lot of people have been liking it. And then, you know, Instagram has just been really good to us. It's the world we live in today. You know, if you have a business, you just have to, you have to put yourself out there and share it with the world. And this is a type of art, I would say, and for any art, you have to share it. If people are going to appreciate it, they're going to see the hard work you put into it and hopefully, you know, you can capture a client that way. But typically, most of our clients are either sees something that we post and go to our website or in call. And then we've been lucky enough to partner here with our team here at Berber Imports, which is a world renowned import company with a 50 year collection of antiques pots, vessels. So we've collaborated and we're all, we started here. This is basically our first real, real place where they already kind of had a program with designers. And then, you know, we just hopped on that. They're, they're, they're back and now we get clients that way. Your background is so beautiful. I was so curious about what that was. So that's like a showroom. This is like a small portion of like, this is the bag. No one even goes over here. So maybe at the end, I'll try to, if we have good life, I could give you like a quick tour, but it's a 40,000 square foot space. And then we branched out now. May see runs our Orange County location, which is six acres. It's a six acres sanctuary park, basically. It sounds beautiful, but I know you can see in his eyes, it's a lot of work. We just got a lot of rain yesterday. And it's just like, you know, you're, it's completely outside. He's got this little, little modular office that he's in right now, while we're building one a stable one, but he's been really going hard out there making, making it such a beautiful place. Yeah. That's awesome. So you get a phone call from a client and they say, we need you. And, and where do you go from there? You say, I'll come by for a consultation and I'll walk the space with you or, what's your process like? Couple of different ways how we work. Our clients will call us, they hit us up on Instagram, lots of questions, you know, basically we have a form. We have a client intake form. So we, we, we instantly say that we work one of two ways. You can either come inside to the warehouse, walk around, we can pick everything out. We can show you guys exactly what we think would work in the spaces. You obviously have to have pictures and some kind of measurements in order to do that. That's a free version. Or we also have, which is becoming very popular, our onsite consultation where we can go out to the site. And then what we do is we take extensive pictures, measurements, lighting, requirements. We have light meters now. We have all this stuff that we bring in. We take pictures at the right angles. We bring it back. We put it on a deck and then we Photoshop everything that needs to be out of it out and we Photoshop the, about anywhere between two and three different plant and pot options for each space. What we like and what the customer, you know, likes if they even know what they like. And that is a design consultation fee. It, honestly, it should be like three times the amount of what we charge, but we're just trying to get people in the door. But yeah, so people call us, say, see us on Instagram. They reach out to us. We give them those two options. We send them a console or an intake form. They fill out the intake form. It goes into our CRM and then we stay in communication. We have all the information we need. And then it's just the back and forth until the design process is finished. Once it's finished, we send out the invoice that everything's agreed upon. They pay it. And then we give them a scheduling link. They schedule the link. We get our time. It's just saying it. It's just, it sounds like it's just saying it's just exhausted. You know, we got it down pretty well. We got everything and now this, this is what's working best for us so far. Not that it won't change, but it's just complicated. But, but yeah, we're, we're, that's pretty much the process. Well, it used to be all in our heads, you know, it used to be, now we've gotten a little bit more organized and then using some technology and CRM to organize clients and projects as they come in. A lot of clients kick the tires and they just want us to, you know, just come to my house and make it pretty. And then they, you know, they'll answer the phone for a month and, you know, so we have to keep that, you know, those, that information, maybe move it down until it pops up again, which he usually does thankfully. But, you know, over the years, it's taken a lot of trial and error to figure out how to even have an intake. You know, we, we started from zero, you know, not really understanding the ins and outs of what a design firm is. I think the most experienced Macy and I had, like Macy dealt with more, like of a real estate, you know, broker, we're kind of understanding the needs of sales and kind of staying on top of them, top of mine. And I had like a background in hospitality, which kind of understands, you know, the luxury aspect of like kind of knowing what the client wants before they even ask for it. And then taking those, taking those and putting them into like selling plants and the pots and antiques and installing and the prep and caring for plants. It is a passion job for sure. Well, and it's not just the plant either. It's the way that you guys, I don't even know the right way to speak about it. Yeah. Cause plus, this is a whole different language, but yeah, you guys go in there and prune these trees into a sculpture and the, the way that you bring the roots up out of the pot and you are buying like living art. I don't know if you can speak to that. I don't know if there's a technique. I don't know if it's Japanese. I don't know where you guys learned this, but it's so special. And I don't know that you can buy it or find it or find a person like you anywhere in the world that does what you're doing. And it's extraordinary. But can you speak to what style, is there a style or how did you learn that? That came on design actually. So Macy and I, when we first started, we couldn't afford the plants we liked, you know, it didn't make any sense. We didn't have some magical bed funding or budget where we can go buy cool rare specimens. So we would go to nurseries and, you know, we'll go to the back where they have stuff that looks like it's like falling over and now it's growing out of the plant, the pot, like to the side and it looks half dead. So those are the ones that we had to work with. And, you know, the cheaper ones. The cheaper ones really. But they be there in itself, the most beautiful, but they're just forgotten and all they needed was some TLC. And, you know, if you go to a nursery, everything's just like upright and pretty. And they all look exactly the same because that's what a business is. You need to like scale and everyone needs to, you know, everything needs to fit in the same pot and you need to understand how they're inventory that. And that's the stuff that's out of inventory that no one, no one cares about anymore. Amazing. I were like, look, let's get these things. We could bring them back. We can trim them up, you know, pull the roots out, repot it and, and see how it looks. And along with pairing that with the right vessel, which is probably the hardest part of the whole thing is understanding like how deep the vessel is, what the texture is compared to the plant, where is it going? It's just such a big picture. But when it came to our style, it was again, very organic, pun intended. And the style I think found us and, you know, and with culture and how designers were working as well, they liked it. So we were just like, let's get, try more of that. So that, that's, I think that's where all stemmed from. Yeah. And then just to add to that, a really big aspect of it too is like, you know, Dane comes from a somewhat of a horticulture background, more in design. He's got a good style. Me, I didn't come from any kind of plant background, just a hobby. The way that we look at plants is, is not how plant people look at plants. Our style is it's a type of bonsai. We knew what bonsai was, you know, we knew what it looked like, but we didn't really know what it was. So if we would have had those fundamentals, we probably would have been doing more traditional type plant purchases and root growth and all that stuff. But because we came from a completely different plant world and plant people, we, we tried things that people said couldn't be done. You know, not even knowing that it was taboo. You putting this plant in a dark spot. Oh my god. In the plant business, you'll get eaten alive. People will like hate you for it. We didn't know that. So, and then we're like, wow, it's not doing that great. What can we do to make this plant? As opposed to just saying that doesn't go there and it doesn't work. We were like, how can we get this to work? Why doesn't it work? Give it a different kind of nutrients. We took, because of the plants that we were buying from those nurseries, the dead section in the back, we had to bring them back to health. We had to repot them. So that would, that allowed us to see more of the root structure because we had to repot everything we would cut and prune all the stuff that looked bad and dead off, which would give it a shape, which would make it grow. We learned everything we did. We've learned as we've gone, you take some energy away from the roots, you take some energy away from the canopy and then now it's kind of got its balanced energy and then it forces more root growth into these smaller pots. So now these top heavy things have more root growth in the mouth so they can hold themselves in. It shoots more, more leaf growth and canopy growth in to make these cool, weird designs. So it's like, if we were typical plant guys, we would have stumbled upon all this information and knowledge and trial and error. We don't come from that background. We literally experimented with everything and we've done things that people are like said, that could never be done. Yeah. And my, my horticulture background comes from Virginia. We're in California. There is not any of the same plans other than a crepe myrtle and a boxwood in Virginia. So I know how to, I knew I learned how to line those up, plant those, you know, but and do more of a landscaping. But here, you know, it's so temporary. We can really have fun with the plant specimens, you know, succulent, bridal, trees, chromatic, gas, scar, bringing things in from Australia. You know, you can go, go crazy here. All different types of succulent and euphorbia's that you've never seen before. You can, you could grow them outside and then, you know, we don't need to pay for, you know, temp, like controlled temperature warehouse, grooming house to store them during winter. Even though this winter has been a little bit colder and, you know, climate's been getting a little hairy nowadays, but we've been, the placement as well as our location has been very, very forgiving to us and helped with the inspiration and, and trying new things. So, because you have, you know, sunny California stuff to thank. I have a question. Oh yeah. Yeah. Oh, just when we think about plant eddies, when we look at the sculpture, sculptural stuff that you do, we do see it more in like these minimal spaces, these California, you know, estates and things. And we obviously use you in a project that was a little more contemporary, regardless of style. Say you have a traditional home on these coasts, your West coast, can you still like, have you guys employed your kind of plantings and that sculptural minimal edited back elements in all these types of styles? Yeah. So thankfully with these plants that are so sculpted, they, they're almost like puzzle pieces that you can just fit anywhere, especially if you're kind of param with a vessel. And then with our, I mean, this is for interior mostly with our plant material that we source here in California, since most of them are going to go interior, it's going to be a controlled setting. So we can grow here, shape things here. And then if we need to do something out of state that's going to freeze in the winter, it's going to be inside, right? So if it's in there, nice window, you know, and it's getting plenty of light, there's, there's opportunity there. Granted, it is, it is a lot of work, you know, doing things a little bit out of area, you know, understanding how the scale is of the plant. When we do our rendered packages for designs, they look amazing, but it just, you never get the experience. So a lot of times we'll have clients that we've been working with and they've been sending photos back and forth and they're like, you know, I'm just going to come in and they come in and they're like, Oh, I love this plant. This is the most amazing plant I've ever seen in my life. I'm like, this is literally the one I've been to photo of. And they're like, this is the same one. They're like, it's so much bigger and it looks so beautiful. And I don't know if it's sometimes the plant is like speaks to the client. There's some sort of like magical energy there, but there's also just when you're not experiencing in real life. Yeah, yeah. Yeah, you know, the 3D element of actually feeling it in a space is something different. 95% of the time we end up putting the plant that they didn't want in a place they didn't want it. It's just crazy. You know, when you speak more to that, give us an example of that. Who creates the comfort that makes a house feel like a home? Moms do. So this year, let's make mom feel comfortable right back. The robes and slippers at Cozier earth bring intentional softness to everyday spaces that moms live in most. I love the robe. I'm currently living in it. One of my favorite rituals is coming home after a long day, taking off my work clothes and immediately slipping into my robe. Their robe has this ultra soft feel that wraps your body in warmth and relaxation. It has these huge spacious pockets, which I totally love and have to put things in as I'm bringing things up and down the hallway. I love having extra pockets. 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And if you see a post purchase survey, be sure to mention you heard about Cozier earth right here. That's code dear Alice for an extra 20% off because home starts with mom. I feel like people listening are, they're not thinking about where they could put a plant. And so I would love to hear an example of what you're saying. Yeah, people don't look at plants. People are starting to look at plants in a way that we are starting to look at plants now. It's becoming more popular. All of these different plant companies now that we see are all, they all sell the same plants all of a sudden, they all start to look the same. So basically what is like someone will have a house and they'll say, this is where I would put my tree. It is where I would put my tree in this. You know, I don't want to block the view. It can't put it one there. Half of our, our houses are on the coast with ocean views. So we have to, you know, be very sensitive to that. So like they would never put a big tree in the corner of their master bedroom, blocking the wind, the view. Well, that's the perfect place for us. We have these really cool root systems that show something down low. And then as it comes up, it's dainty. It's whimsical. It's sculptural. You can see through it. So not only do you get like the art aspect of it, but you also get to put it in places that typically don't happen. So, um, you know, we'll walk in and they're like, you know, oh, no, a chandelier needs to go here and we're like, no, a tree. And they're like, no way. So then when we actually take home the design, we put the plant in that space. They're like, I would have never thought in a million years a tree would have gone here. I want it here. I, you know, and then, you know, that's, that's, or we're, or we'll pair the some, you know, sometimes we're on the project early enough. We'll pair the plant specimen to be intertwined with the chandelier. So they speak together. So there's some, some sort of magical element going on there as well, or bathrooms. Like we've been really big on bathrooms nowadays. Sometimes they have skylight or they got bright window. We'll put something just hanging over the tub and they would never have thought of something like that. You know, they're like, Oh, I would have a plan to bathroom, but now, you know, that's one of the first places we go because it's typically always got good light in a lot of bathrooms nowadays, especially in newer architecture. You want that, that new, that, that morning light coming in or the afternoon light going into the bathroom. And those are just weird places where we would put stuff. And then we also have our night collection. We call it the ironwood, which is a completely organic preserved tree branch that we've been, we get cut backs of them and we'll put those in places with no light. So you can have still like an organic element in there, even though it's a preserved cutting that look really, really cool. And then we pair those again with, with a beautiful vessel. It just, it looks amazing. So those have been really, really popular. We like selling them because there's no callbacks on the plant, you know, getting underwater, no underwater, you know, so, but they, you know, it's something to have there and it makes the whole room look like bigger too. So if you have a, you know, tall ceiling, sometimes you just look up and you're done, right? You don't really get, understand how big it is. And then if you have some plant and vessel in the corner, it could give you more scale. You look up and you know, your head goes up with the, with the room and you're, oh, now you're up in there and it just kind of gives you a moment to appreciate the entire space instead of just like, you know, couch, coffee table, TV, you know, you could actually just encompass yourself in the whole space. It makes it feel so much more grand. I'll say it's your eye up. For most clients, we talk about this on the podcast a lot. Like if your room feels like it's falling flat, it needs more, some, it needs something that's living. You need a tree. You need some zebra in there. You need like some, something organic and living, be it materials, but the tree always, it always, always wins. And I think you've said it before, like, I could be, I could be standing here naked, but if there's a tree in the, nobody sees it, everyone sees the tree. Everybody, everybody's obsessed with tree. For those people that are listening, I'm curious, do you guys have favorite tree species? I mean, if they're in North Carolina listening and obviously they're not going to be able to probably use your services, is there, there's probably like certain trees that feel really cliche to you guys. If you're in the business, you love every tree. God, yeah, I'm so bipolar with what I like. You know, it's like the changes with the wind. I kind of compare it to, you know, people are like, what kind of wine do you drink? You know, what am I eating? You know, where am I? You know, am I, is it, is it brunch? If you can buy it at Home Depot, we don't use it. Okay. Do you guys have, I think that's a great, that's a great role. I will, I will tell you right now, you basically probably kick me for telling the world. I was at Costco the other day and I bought a bike as changing. They had the biggest ever seen and it was for $25. They came with the pot and I was sending amazing photos like, look at this, I'm going to come back and buy them all. So you never know. You never know. So you even like a ficus. That's awesome. I love ficus. The couple plants we use are ficus. There's like hundreds of different thousands. Yeah. Yeah. It's probably how you guys trim it and pot it that make it look so special. We will pluck about 80% of the leaves and the branches off of that tree to make it look unique. A lot of the trees that we, you know, a lot of the plants that we use are pretty widely available plants all over the country. People are just like, what is that? And we're like, that's a ficus Audrey and they're like, that's not a ficus Audrey. And we have to like zoom in and show them the leaf. Like this is a ficus. I was just going to say, you guys have like super interesting point of view on plants. And I think, I mean, just your background and your story kind of just proves that what's the one thing you guys learned from like, you know, having to be creative and cutting stuff back. Like, man, we should never do that again with a plant. I mean, yeah, there's a cool book. It's called pack of forms. And inside the book, he's like a, he's like a old school horticulturist and he has a quote in there and he says, to know is to kill. So to know the plant you're working on, you're probably going to have to kill it once or twice to understand it. Unfortunately, I call it more compost than killing it, but that's awesome. Yeah. So a lot of, you know, a lot of the stuff that we do like experiments with, you know, it just goes so far south and then we've got to just put it in the back. We're like, okay, we'll put it, you know, we'll treat it normal again and then put it in the back. And then, you know, it'll luckily, you know, with my favorite thing about nature and horticulture is that it's so forgiving that sometimes, you know, it just looks like it's dead. And then, you know, you did the most horrible thing to a rip the roots out, you cut the top off and then it's just like all the leaves go away and all the energy just goes, just slowly goes away. But all you need is like, it's like almost like a fire. Like all you need is that little spark. And then it just comes all the way back. So it's that nature, nature is very forgiving. You know, you can manipulate it how you want. Sometimes you'll tell you, no, but, you know, usually it gives you another chance. Yeah. It's awesome. You know, we, we, like everyone that hits us up on Instagram, we try and hit up every person that we DM everybody back, whether it's, you know, instantaneously, or we have to get through all of them and talk to someone a week later, but we always respond and everybody's like, Oh my God, my plant is dying. I don't want to, you know, do this. What do I do? And I'm just like, the main conversation I have with people is like, Hey, your plant is not dying. That thing has got three to six months worth of life left into it. Even if you didn't water it, it's not going to look good, but it's not going to die. You can easily bring it back, just make a micro change and figure out what's going on until you make changes. You know, and plants are three weeks. You don't just, you know, what kills plants most is over watering them. You, you, you give it too much water or you just pulled it out of its comfy home and he was put into a new environment. Different temperatures, different light, different heat, different oxygen exchange, all this stuff. So now the plant's going to sag a little bit. So you're like, Oh, this plant needs water. So you give it water. Now there's too much water. Now the leaves are starting to turn brown because there's too much water and you instinctively think, Oh, more water, more water. So you get more water. And then, you know, I've done this so many times too. We love too hard. You want to keep a plant alive and neglect it. It might not look its best, but it'll stay alive. And then you can figure it out. You have a lot of time with plants. And that's what I'm saying. You make a change. You wait a couple of weeks. You don't just make an exchange every three days. It's going to be dead for sure. You like, you don't know if the water that you gave it three days ago is what's killing it or if it needs, you know, it's like, it's just, you got to do it. We like, yeah, we, we air, air to dry, right? Air on the dry side. So it's better to underwater than to over water. So if you underwater so much that it's like leaves are falling off, that's, that's my favorite spot. Like right when the leaves are falling off, then you know, like, okay, I need to add water now. And then next time I won't leave it as long. I'll just shorten it, shorten it up a little. And then once you keep shortening it up, you kind of have that sweet spot. So right when it's like leaves are about to fall off, just give it some water, especially for interior, because the evaporation rate is just so slow. Like if you leave a cup on your counter, it'll stay wet forever. Right? Like I'll stay water, but if you leave it outside, it'll disappear in two days. So that's what you kind of have to understand. And then for every home, everything's so different. Like I have clients with heated floors and skylights, you know, and so we have to go there and dump water on stuff. And then we have other clients that are like having at 67 degrees every day, you know, they open the blinds late, you know, you have to just account for all that stuff. So unfortunately there's no, there's no algorithm that we could give someone like seven, seven cups water or 62 ounces of water every Tuesday at three o'clock. That's the quickest way to, you know, yeah, yeah, no, no stick up. Yeah. Yeah. Yeah. We can put a plant, the same exact plant in your master bedroom and one in your bathroom and you have to water them differently. Okay. So let's give some advice to anybody that's just wanting to live with a tree. They've never done it before. First time, first time user, what would you, what would you say? All the plant daddies. Yes, for sure. And will you guys, how far, how far will you guys go? We've serviced all over the country. I don't know. Okay. Service is different. Like servicing the plant weekly has to be very local. We are learning right now that servicing out of our direct areas, out of state just takes so much of our time away and all the businesses that we, all the business we have here right now, the projects we have going all sulfur. So we'll take a job anywhere. We've done them in New York, we've done them in Miami, we've done one in Texas. We are doing a couple in Vegas right now. We've got two going on in San Francisco, but it, you know, it has to be substantial enough for it to be worth our time. And then the installation, the labor and the delivery has to be a significant chunk of that portion as well, because we're gone for two or three days. Well, you know, so, and then we can't service it. So then we also don't want to always do this because then we can't get to it. If there is a problem, you know, so we're, we're honestly about to tell everybody no more. Unless it's a road. We say, we say that then we don't do that. We get that. They really want one. I'm like, okay. So our first choice is obviously call the plant daddies. If, if, if you decide to put that rule in place where you're not going to do out of state work, where would you tell somebody like, where should they start? If they, they have a nice sunny bright corner in their bedroom or their living room or something and they want to try bringing in a real tree, not that fake tree that you can get online, but an actual real tree. Personally, if I, if I, I would just start with our local nurseries anywhere that you've probably driven by before and saw plants sticking out the top that it might be like a, like off a strip mall or just like under some power lines or something like that. Just like just something super random that just looks like a guarding center. That would be a great place to start. And you might find something magical there. Usually those guys that run those shops have been there for years. I'm sure they have, you know, we all know the place you're talking about. And they'll, they'll, they'll know exactly, you know, all about the, about, about the plant they're taking care of. And then you'll probably get a good deal on it as well. It might be just one cool stuff thing that you find there. Big box stores you, you can go, you'll probably find a million of the same things that everyone has before. But if you wanted something special, I would, I suggest just pulling over to that, that corner corner nursery that, that doesn't probably get as much love as the big box stores and just maybe shop around there. It just take time. And then, you know, going there, I'd go to their prepared like, Hey, this is where I want to put it. This is where I'm thinking of putting it. The more light, no matter what type of plant special, special minute is the better. And then I find the most, the hardest part, even for people that come here is understanding how tall their ceiling is and how much space they have. Cause that is like, now you got to redo it. It's like, you know what, I think it's eight feet and then it's like honey, it's 11 feet. Like, no, I think it's seven feet. I can, I think I could touch it, you know, and there's nothing worse than getting hot going, you know, paying for, you know, a lug or getting a U-Haul and going to get something that doesn't fit in the house, you know, or it's just like, you know, not what you wanted. So take the time, understand where you want to put it, really good light and then take a chance on those LaMontpaw plant nurseries. And I think you might find something special. And the harder I think it is to find a more, you like it. And then I don't know about you guys, but, you know, when you really like a plant, it is family. It's like an adoption. It's a part of, you know, it's like another pet or, you know, your, your, your housemate. So I think, I think it makes it more special that way. Yeah. Is there a few favorite varieties that you guys would say, go into that LaMontpaw shop and ask for one of these things if, if, you know, if you can't speak to that. I guess anything Ficus will is a little bit more forgiving, especially if you overwater or underwater. It's a little bit way more information online. There's so many different Ficus, like is Lerata or the Fiddly Pig. Everyone knows that one. You can find some really cool ones that are, you know, just like crazy, but honestly, they are really, really hard to take care of. I killed mine. I haven't won for seven years and I repotted it and never came back. So, you know, and I was, I, you know, I kicked myself for that, but the Fiddly Pig, you know, granted, you know, we all seen it. I still love it. I just bought a huge one for a client. I mean, but it's massive, you know, one of a kind, but you know, they're, they're cool. So it is really, it's up to the client, you know, and then, you know, how often are you going to be home or are you going to be able to take care of it? I think also a Drasina. So those are very introductory. You can forget about it. You don't go over, you know, over a compensated with like cleaning it and taking care of it. I think a Drasina from a mom pot shop, you'll find something really cool and then you can just pop it into a little pot and then forget about it. Yeah. Yeah. It's awesome. Yeah. I think, I think just finding, finding, you know, something that you like talking to the nursery guy about it and then just starting very basic. So just be basic. And then once you learn that plant, then start taking risks, getting different things, putting them different places, but just go get the right plant from the right place and they'll tell you which ones they get. They'll tell you how to water, they'll tell you what to do and just experiment, you know, just go for it, jump in and then, you know, learn it and pay attention to it. All you have to do is just kind of pay attention to it and then you'll figure it out. You'll see when it's drooping, you'll see when it's drying and then you just kind of throw yourself in there. It's definitely a solvable problem. That's right. Yeah. And then really nowadays, information is so easy to get a hold of. ChatGBT could be your best friend with some, so if you're like, you know, I'm going to buy the plant, I'm going to put it here. What do you think? You know, they'll even like measure it out for you. So you can probably get away with becoming a plant daddy with a little AI there. You'll be good to go. Do you guys have a favorite tabletop? I know besides big trees, which I think everybody's probably picturing in their mind while we've been talking, you guys also do tabletop plantings, which we were able to use quite a bit in Las Vegas on cocktail tables or entry consoles. Those are big moves as well in an interior space. Do you guys have a favorite tabletop species? Yeah. What do you think, Mace? Everything that, like most of the plants we deal with, besides the ficus, there's a couple of other ones, but you wouldn't ever know this. You wouldn't ever have discovered this, but they're all desert succulents. They're all just big, giant succulents, the bottle trees, the ponytail palms, the Dakarii's, all the plants, all the specialty, crazy whimsical plants that we have mostly are succulents. Those are usually my favorite to use. We have one called the Dakarii. It's called the Madagascar Elephant Tree. Everybody seems to love that thing. It's really hard to kill. It's not hard to make it have no leaves, but even if it has no leaves, the trunk structure is so cool that it, you know, it's still fine even if it's gotten no leaves on it. And then watching the leaves grow back is a pretty fun process. But yeah, I like to use succulents just because they're hard to kill. They're hard to kill, but they also have like a, such a short root structure. So you can put them in a low bowl. So I wouldn't have like a favorite, but my favorite look is just like the smallest vessel with the biggest plant, you know, the smaller, if I could get a smaller pot and a bigger plant, you know, and in there, that's my favorite. I don't really know. There's no certain time. We've been, Macy's been doing the succulents. I've been doing like chiflera, a little small umbrella trees that have like really like big spikes on there or arms on their branches. And where, where we specialize is as well as, you know, we took a page out of a traditional, like Japanese, Chinese bonsai, where you can wire it and manipulate the branches to where you want them to go. And then makes it, it looks almost like jewelry on there, you know, get a nice shiny wire on there, wrap it on there evenly. And then you can just bend it to how you want it to look. And sometimes you take it and then we'll just like bend it all the way back onto itself and making it look like almost like, you know, utilizing to not cheat. To just make it go into like a nice spiral. And that's always, I don't care what type of plant it is. That's always super cool to look at. It's just like static, you know, suspended, suspended in a little dish. And it's like, it looks like a wave of green. Yeah, it's really cool. I bet you it's addicting once people get started with plant daddies. I'll bet everybody says, Hey, let's just, let's keep going with this. I'll bet you don't ever just do one thing at an install. You probably know, once they see the magic and the power, and you guys probably know it when you first go into a home that they're asking for one thing, but you're like, you're also going to want a lot more of this. And once they experience the magic, it's a, it's a gateway drug for sure. Yeah. And real quick, just, I don't want to interrupt, but I just wanted you guys to see this. Oh, yes. Oh, it is that. I was just talking about, this is a succulent. It's hard to see, but it's off to the side of the pot. And so like we, you know, this thing had a crazy root structure. So the only way they can fit in this pot is if we tilted it sideways and, you know, so like this has like a root that comes all the way over to here. So we couldn't. So then what we did was we're like, is it okay to hang a tree off the side? And it's like, yeah, absolutely is. So, you know, it's just, so cool. These are the kinds of succulents that we like to work with, just things that you can bend. This was straight. We wired it. We bent it. But yeah, it's like, it's literally not even in the pot. And you know, it's like everybody's favorite. So that's kind of, you guys are so talented. I'm so glad that you guys decided to just start this thing up in the pandemic. Can you even imagine if you didn't, like, it seems like you guys are having the time in your life. You're so talented. All your talents and hobbies are being used at the same time. You're people people. So I'm sure everybody enjoys working with you. I'm just so happy that you guys like found your thing. It's so cool. We're very fortunate. You know, we're Macy and then Kenny, I'm going to name drop them since he's not on here, but our other business partner, Kenny, Kenny and Macy, we've known each other since they were like five, you know, and then Macy and I have been friends for like 15 years. So we're lucky enough to be fortunate enough to work with our friends. And then even the way like we hire, it's like our community and our clients as well. They're now our friends. You know, they, we work with the designers project after project or project. And like, I'm like looking at photos. I'm like, Oh, that was four years ago. Like, Oh, you know, and then, you know, we're always talking about, you know, new projects that's coming up and the parties and events. And now before, you know, it's like we kind of built this ecosystem where we kind of thrive off of and live and eat off of. And we, you know, now we have, we have 18 employees, you know, to me, that is crazy. Congratulations. Yeah. It's 2020 now. It's hard to keep track. That's awesome. Yeah. It's really cool. So it's been, it's been fortunate, you know, of course, everyone, if you have any idea on how to run a business, just a complete nightmare at the same time. Yeah. But, you know, but it's, it's our nightmare, our little, our little, our little, our little, sweetie prison. When it's with friends, it's not so bad. Right? Yeah. It can be more fun and fun. Right. Yeah. The grass is greener. If I'm suffering and I look over in Kenny's suffering and I call Dane, he's suffering. I'm like, all right, I feel okay. Yeah. I love that. That's the beautiful thing about this business is so far, everything that we wanted to happen since the second we shook hands, has happened. We wanted to build up an Instagram. We wanted to create like a society and it's just all naturally happening and it's evolving and it's literally, it's just, it's happening. And the best part about it is when we are done and we just put a bunch of plants in somebody's house, my favorite part of the business is how these clients are and how happy they are when they see us a month later and how like the reviews we get and the, you know, like calls to the other clients. The calls we get from all these people. Everybody is just so stoked and that's where it's like, it's just so awesome to be around that. There's a zero. And it's just such a happy place to be. I mean, I wish you could see where I'm at right now. My one of my office doors completely opens up. We're in the old five points amphitheater ticket booth right here because it's such a raw building. That this was like an office that was available. So it's like, I open this door up and it's like, it's just the most beautiful garden I get to stare at all day long. What a dream. You know, so it's just, yeah, we're so stoked. You live in Fern Gully. That's awesome. Tell us, oh, do you have a question? Oh, I was more of a comment, but I think the success you guys are having is because that's the energy you're putting out there. Like your, your passion for plants is like infectious. And I think the world needs more of that. And the world needs more people that are just like creating and just artists, just being artists, just just to art, you know what I mean? And that's what I think you guys are. And and yeah, it's like I said, infectious and it's fun to see and kind of, yeah, hear your guys's story and to follow along on Instagram and everything. Maybe we should give everyone everyone your handle, too. Have we done that yet? No, tell them where they can find you. We can either be on our website, www.thepplantdaddies.com or where all of our main portfolio is and all the installs that we do and the crazy things that happen. It's just it's at the.plant.daddies. D-A-D-D-I-E-S. Perfect. Yeah, follow up. If you DM, us, Dain and I are 95% of the time, the ones that respond. So you'll be talking to one of us usually. And yeah, if you have any questions, you can always hit us up. We'll walk you through everything we possibly can, as long as it doesn't get out of control. Then we have. That's so great. You guys, we can't thank you enough for coming on the podcast today. I know this is going to be such a valuable resource, which is, you know, hard because you don't want to share all your secrets because then you won't be able to get a hold of Macy and Dain. But I think it's one of those tricks that you guys are very like one of one kind of business and it's like buying original artwork and sculpture. And I just know designers everywhere are going to want to know about you guys. And, and start following you and dig deep as to the change that having something living in your room will make. So thank you so much for coming on. Yeah, we appreciate it. One last thing I have to do a shout out to my mom because she was really upset the last podcast I didn't mention her. So I love you. I love it. What's your mom's name? Jeanette. Jeanette. Hi, Jeanette. Amazing. Raised a good one. Yeah, you did. What a great story. You guys are inspirational. Yeah, thanks for taking time out of your busy schedule to come on Dear Alice today. Yeah, you got it. We enjoy it. Thank you. You guys, that was so much fun talking to those guys. Thanks for being here with us. I know that was so much fun. Oh gosh, I felt like I was just talking to family. Yeah, they're so infectious. They're personalities and you can tell they have a real passion for what they do, which just makes you want to get closer to the fire. You know what I mean? Totally. And who knew the ficus is what's on fire? I know. I thought for sure they were going to say do not use a fiddly fig and they love them all. I know because they can do great things with them. That's a true artist. That is a true artist, I will say. So thanks for being with us today. A couple of things you want to remind you guys to sign up for our insiders program. It's such a, I think a back alleyway to to learn about exclusives, get the first, you know, sign of the sale, all the things like all of our new products. We roll it out on insiders. So you guys get to be the very, very first to know about it. You get to shop, product drops two days before anybody else. And so nothing will sell out if you're an insider. So go to AliceLaneHome.com and there is a drop down that says insider. Click on that. You'll be able to sign up and go from there. You're definitely going to want to sign up for it because you can get up to 25% after in our very best sale this month. This month. This month. The very best sale is this month. This month. That's crazy. I know. Welcome April 2026. It's the super ball at Alice Lane. The future. Definitely sign up and get those things before they sell out. This is the biggest event at Alice Lane and I'm so happy it's April. I know. And if you have any episode ideas for Dear Alice to send those into Dear Alice at AliceLaneHome.com and we'd love to make a podcast out of them. Thanks so much for tuning in. You guys will catch you next time. Hey, thanks for listening. If you like our show, please leave a five star rating.