Tell Me Lies: Official Podcast

We Might’ve Gone Too Far

28 min
Jan 13, 20263 months ago
Listen to Episode
Summary

Stassi Schroeder interviews Tell Me Lies showrunner Megan Oppenheimer about Season 3, Episode 3, discussing the complex storyline where Lucy confesses to falsely claiming sexual assault to protect a friend, and the creative decisions behind intimate scenes. The conversation explores themes of intent versus consequences, casting chemistry, and the show's meticulous approach to depicting sensitive content.

Insights
  • Intent versus consequences creates moral ambiguity in storytelling—Lucy's good intentions to protect her friend resulted in harmful outcomes, raising questions about how audiences judge character actions
  • Intimacy coordination and detailed scene planning are essential for actor safety and comfort, requiring trust between showrunner and cast built over multiple seasons
  • Music selection functions as a narrative character itself, with budget prioritization reflecting creative vision—showrunner allocates significant resources to period-appropriate soundtrack choices
  • Generational perspective shifts in depicting sexual dynamics; what was normalized in 2008 college culture is now recognized as problematic, creating authentic but uncomfortable viewing
  • Casting chemistry reads, even on Zoom, can effectively identify actor compatibility before in-person auditions, though physical chemistry requires in-person evaluation
Trends
Streaming platforms investing in prestige drama with complex moral narratives that challenge audience judgment rather than provide clear heroes/villainsIncreased use of intimacy coordinators and detailed consent protocols becoming industry standard for depicting sensitive scenesNostalgia-driven storytelling using period-accurate music and cultural references to engage audiences who lived through those erasShowrunners taking creative control over music curation as essential storytelling element, competing with production design for budget allocationTelevision exploring nuanced takes on sexual assault narratives that examine false claims without dismissing real traumaBehind-the-scenes podcast content becoming extension of prestige drama marketing, offering creative transparency to deepen audience engagement
Topics
Sexual assault narrative complexity in televisionIntimacy coordination and actor safety protocolsPeriod-accurate music curation for televisionCasting chemistry evaluation methodsConsent and communication in intimate scenesGenerational differences in sexual dynamicsMoral ambiguity in character storytellingFalse sexual assault claims and consequencesShowrunner creative decision-making processVulnerable scene preparation and actor supportBudget allocation for creative elementsZoom audition effectivenessIntent versus outcome in character judgmentTrauma representation in prestige televisionSet culture during intimate filming
Companies
Hulu
Primary streaming platform distributing Tell Me Lies Season 3 and the official podcast series
Disney+
Secondary distribution platform for Hulu content including Tell Me Lies through bundle subscription
People
Megan Oppenheimer
Showrunner of Tell Me Lies Season 3; discusses creative decisions, casting, and scene direction throughout episode
Stassi Schroeder
Host of Tell Me Lies Official Podcast; interviews Oppenheimer and provides audience perspective on storylines
Quotes
"Everything is about sex except sex. Sex is about power."
Stassi SchroederMid-episode discussion
"I have a crazy idea and I think you might hate it. What if we intercut those scenes?"
Megan Oppenheimer (describing writer Mona's pitch)Discussion of Lucy/Alex scene editing
"The first time I saw a cut of that scene, I was like, oh, we might have gone too far."
Megan OppenheimerDiscussing intimate scene intensity
"I think Lucy's right. I think I would have done what she did. I would have wanted to speak up for my friend."
Stassi SchroederDiscussing false assault claim storyline
"The music is like, I think it's a character in the show. It transports you."
Stassi SchroederMusic discussion segment
Full Transcript
Hi, and welcome back again to Hulu's Tell Me Lies official podcast. I'm your host, Stassi Schroeder. Each week, I'll be breaking down the episodes, sharing behind-the-scenes stories, playing games, and sipping tea with the cast and crew of Season 3 of Tell Me Lies, now streaming on Hulu and Hulu on Disney+. This week, I'll talk to none other than Tell Me Lies' incredible showrunner, Megan Oppenheimer. But first, we need to talk about episode three. So, if you haven't watched, stop what you're doing, go watch it right now, and then come back. The gang's only just got back to campus, but everything feels totally different already. Pippa and Diana are enjoying their new relationship, but Pippa's struggling with not wanting to hurt Wrigley. and Diana finds out that she's pregnant. Wrigley doesn't really feel bad for Steven even though he's going through a breakup. I mean, who would feel bad for Steven? Give me a break. At the Opry Ski Party, Brie opens up to everyone that she and Alex know each other from foster care and plays matchmaker to Alex and Lucy. Brie sends Oliver a picture of her and Amanda. Evan is dating Molly still, but he's shedding the nice guy image and taking what he wants, telling Brie he'd leave Molly for her in a heartbeat. You know, I'd stop talking to her in a second if you told me to. Steven passes up on the party to drink alone at Max's bar and gets a call from his mom who tells him his sister could lose her scholarship. Steven takes his angst out on Max and then Lucy, who he's still mad at for not telling him about Evan. After a tortuous fight, he gets her to admit an even worse secret on camera that her sexual assault claim was fake. And Lucy leaves feeling absolutely helpless. After that, Stephen and Evan strike a deal that Evan's father will fund the rest of Sadie's tuition so long as their beef is squashed. But Lucy leaves the fight and heads to Alex's seeking some sort of comfort. And we get a gut-wrenching scene of her confession and her rough sex with Alex intertwined and just like, whoa. Okay, so over the years, how have the cast dynamics and relationships changed? I know you really can't say too much, but I have to ask. It's also crazy that I just found out that you're married to Oliver. I don't know if I'm ever going to recover. He's handsome. He's handsome. That is a handsome man. He's a handsome man. Good for you. Thank you. Yeah, he's good looking. Very dumb. But I'm just kidding. He's not. I'm joking. He's very smart and lovely and tall. Yeah. No, I love him. Yes, we are married. We are married. And he's not like Oliver. So, yeah. Okay. Well, let's talk a little bit about some of the other cast members. How has some of their relationships changed since the pilot? I mean, everyone's just become very close. During the pilot, everyone was sort of getting to know each other and figuring out who they were, you know. And now everyone knows each other very, very well. I know that everybody knows this, but it is kind of fucking crazy that Lucy and Steven are in a serious relationship IRL. Yes. Like since the pilot, I feel like. Or their audition, like they auditioned or something. It was after their chemistry read. Not immediately after, but. What was their chemistry read like? Well, they had to do a lot because their first one was on Zoom because we were seeing everyone on Zoom. How does someone do a chemistry read on Zoom? Well, that was the thing. But that's impossible. Yeah. Down with Zooms. Yeah. I mean, Zoom auditions are actually weirdly very effective, but not for chemistry. But yeah, so they met on Zoom and then we brought him in in person. We did two in-person chemistry reads like months apart because it was a long process casting that part. It's just such a specific – I feel like I saw every guy between the ages of 18 and 35 that lives in L.A. or New York. No, their chemistry read was – I mean they just had insane chemistry. I remember this one screenshot that we took of their read and I was like sending it to the executives. So I was like, this is the guy. Look at the way they look at each other. Yeah, no, it was great. Can you tell me who the first person was to be cast? Grace. Oh, I didn't know that. Yeah, we cast Grace and then she read with most of the people that auditioned after her. We cast her about, I mean, several months before we cast anyone else. Then we started reading Stephen and all the other characters. I think the second person cast was Kat. I think Brie was the second person we cast. Yeah, we saw a lot of people. She's like the Katie to my Stassi. That's funny. Well, I just think that she looks like Katie a lot. Do you? Yes. Like they both have these like stunning faces that like you just like can't look away from. Kat has an incredible cat. Like a very feline face. Kat is a very appropriate name. Yeah, stunning. Just surface looking at them wise. That's so funny. Just like I'm not talking about like who they are as characters, really. I love that. I don't see that. That's okay. But I believe you. I believe you that you see that. Yeah, we joke a lot that I feel like that character feels like the more complicated. I actually never watched Dawson's Creek, but everyone tells me that Brie's like the Katie Holmes. I've never watched Dawson's Creek either and I don't normally like to admit that out loud. It's like when someone says they haven't seen Titanic. It's insane. That horrible But because you said it first I feel comfortable No my husband can believe he references it all the time I like I never seen that show Have you said this in public before Yeah. Okay, well, I'm Stassi Schroeder and I've never seen Dawson's Creek. That feels good. Okay, good, good, good, good. I got that off my chest. I'm proud of you. Oh, you're proud of me? Well, speaking of proud. Oh, no. Thanks for my next question. Okay. What has been your proudest moment since starting the show? I know that has to be really tough. I don't I mean, I really don't know. I think that the reaction to season two was very special because I felt like the show just really found itself in season two. I will say that there was a moment at the premiere of season two when we reveal the Diana and Pippa kiss when the crowd just absolutely shrieked with surprise, which was just it was extremely satisfying. um I heard that the Kardashians and Jenners love the show and if that's true that makes me really happy and very proud um I don't know if that's true but I I've heard it from multiple people so I think it's true yeah no I'm sure it is but the way that like yeah if I heard that the Kardashians were big fans of mine too I'd be like I made it just throw me out pretty fucking cool yeah that that made me happy I think that they mentioned a group chat that they have I know So this is all like I'm hearing it like through, you know, a bit of telephone. But still, I think it's true. I think it's true. I believe it. OK, so everything is about sex except sex. Sex is about power. OK, so how does that quote relate to this show? I love that quote. I don't know if I really agree with it, but no one knows who actually said it. People say that Oscar Wilde said it, but he actually didn't. Anyway, it doesn't matter. I love that quote, but I don't really agree. I do think everything is kind of about sex, but I'm like kind of a pervert. So maybe that's why I think that. But I do think that most our drive is to like, you know, be desirable so that we can have sex so that we can make more people. I think it's just biological. But I don't think that sex is always about power. I think there are always power dynamics in sex. But I don't know that that's always what it's about. But I will say, certainly in this episode, episode three, the power dynamics within the sex scenes with Lucy and Alex are pretty intense. You seem like a nice person, but I feel like you're someone who needs a lot of reassurance right now, and I'm not that guy. You're like the least reassuring person ever. You've actually been kind of mean to me most of the night. I'd be looking for that. That's definitely about power, but also the power in like giving up power and the safety in that. You know, Lucy going down this sort of, you know, sexual urge that she has to be submissive and to be kind of degraded, but knowing that she's doing it within a safe space. You know what I mean? Will you tell me about your decision to, like, intertwine the scene at the end with Alex and Lucy having sex with the tape? So it's really funny because I had come up with the tape storyline before we started The Room, but I didn't know what episode it was going to be. And then we got to that episode, and we knew the sex scene was happening. We knew the tape was happening. And then it was one of our writers, Mona, was like, I have a crazy idea. I remember the look on her face when she said it. She was like, I have a crazy idea and I think you might hate it. And she was like, what if we intercut those scenes? And I was like, that's fucking amazing. I mean, I tell her, I'm like, that's like my favorite pitch that anyone had this whole season. It's so good. And yeah, I think it worked really well just because it's this moment of this shame spiral for Lucy and this sort of punishment that she is inflicting on herself because she thinks she deserves it. And yeah, but it was the first time we, I never think anything is too much. Like people are always like, Megan, that's too much, that's too dark. I never do. The first time I saw a cut of that scene, I was like, oh, we might have gone too far. And we had to pull it back a little bit. It was dark, it was darker before. But I think it's wonderful. I love that whole scene. I thought our director, Ed, did a great job. I want to get into that part, actually, with Lucy, because obviously we see the complexity of her sexual assault claim because, you know, it starts out with her thinking that she's doing something good. And at first it's just like a little lie that then snowballs and grows. I lied about being sexually assaulted last semester. Lydia's brother. I told people he assaulted me because he assaulted somebody else and she didn't want to come forward, so I said he did it to me. What do you want people to take away from that story? That was one of the... To me, I thought about that storyline more than all the others because I was like, but I think Lucy's right. I think I would have done what she did. Yeah. Like, I would have wanted to speak up for my friend and knowing that she couldn't. But then she became this bad guy for it. And Pippa was so mad at her, which rightfully so for Pippa to be mad. But also, can you be that mad? Like, she was doing it to help you. Like, I've struggled with how I feel about this storyline. Yeah. No, I think a lot of people did. When I pitched it, I had a night where I was like wired and I couldn't sleep. And at 4 a.m., I had this idea for the storyline. I was like writing it down on my phone. I came into the writer's room the next day and I was like a wreck. I was like, guys, I have an idea. And I pitched it And some of the people in the room were really offended by it And they were like we absolutely cannot do this It undermining of women And I that kind of made me want to do it more But yeah, a lot of people were offended. I, but I agree. I don't think Lucy, I think she did a dumb thing, but I don't think she, it's like, is something good because of how it, if the, if the intention is good, is it good? Or is it because of is it only OK if like the consequences end up being, you know what I mean? Like if it doesn't work out well, is it then bad? You know, like how much does intent matter basically is the question. That's important. How much does intent matter? And to me, it matters a lot. For me, it matters a lot. And I think that her her intention is is just desperate and and and good. And I think they're in the situation where there there's a system that does not help these girls. and she doesn't have anything else to rely on and she makes, you know, a very snap decision. But I don't know what, I mean, in terms of what I want people to take away from it, I think I just like the idea that people are talking about it, you know. But I do think that the way that Lucy gets, you know, like even in this episode, The way that Lucy gets punished for this thing, it's so much worse than any punishment we've seen Chris get at this point. And I do think that, you know, girls on campus, whenever they talk, especially back then when they talk about assault, I feel like they get treated so much worse than than the guys who are accused. It is important to remember that, like, this was 2008. Yeah. Yeah. No, it's like it's well today. We might know better. We know. I mean, we're older now, but like, you know, hopefully 20 somethings everywhere know better back then. That would have been me. Yeah, I would have done that. Yeah. Yeah. What Lucy did. Yes. I think that means you're a good friend. I mean, I think Lucy's I think she's a good friend. I think she's sort of, you know, making herself the sacrificial lamb in that moment. But it's misguided because it then creates a whole clusterfuck of other. issues. But yeah, it is, it's, it feels so recent, but the sexual dynamics with young people were so different. It's been even, I'm in my 30s, the cast are all, you know, when we started the show, a lot of them were in their early 20s. And it was really interesting filming one scene where Diana is like, stop, but she's not like, stop. And I'm like, stop. She's just like, wait, stop. And Stephen isn't supposed to immediately stop. He's like, wait, what? And Jackson was like, if someone is saying stop at all, even in the calmest way, I'm like on the other side of the room. And I was like, I understand that, but not in 2008. Like that wasn't, there would have been a pause there, you know? And I mean, how many times, at least for me, you know, so many times in my early twenties, joking with girlfriends or having my girlfriends joke with me like, oh, he was kind of rapey. And it's like, that's bad. Yeah. That's crazy. Wait, I used to use that word all the time all the time all all the time and um you know you write off these instances and it's not until years later we're like oh that actually was very deeply traumatic and that that caused a lot of behavior in me that was really bad um yeah no it's it's a different time but I also am like it I'm sure I mean I obviously terrible behavior is still happening behind closed doors. I think at least publicly people aren't allowed to admit it as much. Yeah. If that makes sense. How do you guys prepare for a scene like that, whether it's physically or just like emotionally people are being vulnerable, but like that physical and emotional, that darkness, like how do you, do you guys get together and have a chat and hold hands? We just talk through the scene. You know, I mean, I pitched them, I pitched each actor their kind of season before they'd gotten all the scripts. I sat down with them and with our producing director, Tyne, and just told them this is like the big arc. But with that scene specifically, we were auditioning Alex's and then we flew Costa in to read with Grace and he was doing a scene from four where they're referencing three, but neither of them had read three because they didn't have the scripts yet. and I remember it was actually very funny because they're like, can you just like explain to us what's happened? So I'm like in the room with the casting director and Costa who I've just met and Grace and I'm just explaining it all out loud and then as I'm saying it, I'm like bright red. I'm like, this is so much more embarrassing me saying it out loud than like writing it on a piece of paper. And it was funny. Their faces were both like, oh, okay. No, but you just, people know what the show is and I have a very good relationship with all the cast. They know that they can call me about anything. I also know, you know, more or less, like who's going to be more comfortable with certain things, who's not, because we just know each other very well at this point. But it's, yeah, a lot of conversations. And we have an intimacy coordinator who, you know, goes through the scene with them and says everything they don't want to do, that they want to do. And that list is given to me from the intimacy coordinator so that they never feel like they have to look at me and say no to anything. Yeah. Because that's going to feel like pressure. And I think sometimes they might want to be like, yeah, I'm cool with that if they're talking to me and I don't want them to feel that way. So, yeah, just a lot of talking about it. And a lot of we plan the physical beats like it's everything. Every step is planned out. We do it like a stunt. So there's no surprises. There are no hands going anywhere that someone's not expecting. There's no nothing that's a surprise on the day. On days like that which like I imagine are hard especially just like that scene and the way you know what do you do when you get in your car and go home Like how do you decompress How do you how do you like yeah honestly a lot of times I editing while we filming so I have to leave set and go like work with my editors which is a lot um I do this is actually very nerdy I do a lot of puzzles oh no I do I love it takes me out of my do you do it like without music or a show no I listen to a podcast or a book on my like headphones and I just sit there. It's very nerdy of me, but I've gotten other people into it. Can I ask you what types of puzzles you like? It's very specific. Yeah, tell me. I had a feeling. It's like super Americana, like 1950s, like Thanksgiving tables. I'm going to send you one. I'm going to find you a puzzle. Please. I'm going to send you one. I love puzzles. It has to be a thousand. It has to be a thousand pieces. A thousand pieces. $1,300 is too big. Oh, so there's a limit. I realize that's the hard way. Okay, we have to talk about the music. First of all, did I tell you, I don't know if I told you, that I am the exact age, like I went to college at the exact years that these kids did. Okay. So when I listen to the music, like when I hear postal service on this, I'm like, oh my God, this really is me. Who chooses the music? like I get to choose the music for the most part it's um yeah it's my favorite it's not my favorite part but it is very fun I because I was also in college at this time um and so the I just get to basically relive all of my all the songs that I was crying to during high school and college um so I make a playlist before every season while I'm prepping for the room and then I send that playlist to the writers, the directors, the editors. And sometimes I'll write specifically, this song needs to be in the scene. Sometimes I'm like, I don't know what song is here, but just pick something from the playlist. Sometimes people will throw something in that's not on the playlist. Like in the next episode, there's a great song that our first AD, Emily, actually picked. And we have an amazing music supervisor, Maggie, who helps clear all of it. And if there's a song that I want, but I can't clear or we can't afford, she'll give me comps and stuff. I was just about to ask that pricey. So everyone laughs at me on set because I'm insane about the music budget. I will. I'll be like, you can't build that wall because I want to save 30 grand so I can have this song. And whenever our line producer Matthew sees me coming, he's like, what do you want? Like, how much money do you want from music? It's always I'm like haggling with all the different departments. because the music is like, I think it's a character in the show. It is. It transports you. Yeah, it changes. It's wild how one song can make a scene feel completely different. Yeah, way more than a stupid old wall would. Yeah, we don't need walls. We don't need walls. We don't need a set. We don't need, yeah, no. Yeah, I love the music. And then our composer, Jay, he creates all the score. Do you think it's harder to direct like emotional intimacy or physical intimacy? Like what types of scenes do you feel like are harder? I think it depends on the scene and on the actor, you know, because everyone has different things that they sort of thrive in. Obviously, the sex scenes are, you know, a day on set when you know it's a sex scene. There's just like a different feeling in the air. Is it like a darker feeling or is it just like not as fun? It's not a darker feeling. It's just a much more careful feeling. You know what I mean? First of all, it's like a closed set, so there aren't as many people there. It's just everyone's being careful because they know that people are stressed. They know that they're nervous. I mean, no matter how many times you've done these, it's weird to go on set and take your clothes off at work. For sure. And it's very vulnerable. But I will say sometimes the sex scenes, you know, the sex scenes that are just like, this is just romantic or this is just those are not that hard at this point. I think whenever there's any sort of violent or rough aspect to it, those are the ones that I always am there for. Like, even if I'm in L.A. editing, I'll fly in for those scenes because I just feel like I need to be there. I just feel responsible. Yeah. And so those ones are usually, yeah, a little hard. But the emotional scenes are also fucking hard. All right. Well, I'm going to end this and wrap this with one more question. Okay. I think I feel like I could guess what you would say. But would you rather confess your darkest secret on camera or tell your best friend you slept with her boyfriend? Oh, my God. You came up with it. This is on you. You did this to yourself. I would rather confess my worst secret on camera. Oh, no. I would never fuck my friend's boyfriend, though. If you were in Lucy's position, would you rather go and tell Brie or film that video? I think she should have just told Brie. I think Lucy needs to talk to an adult. Yeah. That's for damn sure. She just needs an adult. Where is her mom? she's not speaking to her. They have a bad relationship. You know, not bad enough. It's not that bad. No, I know. I know. No, I think that that's Lucy needs antidepressants and an adult who can give her some guidance. Well, thank you so much. Thank you so much. So open. Thank you. This was so much fun. That's it for this episode. Thank you so much to Megan for helping us process this week's tell me lies drama. And thank you for coming along for the ride. Stay tuned for next week's episode of the Tell Me Lies official podcast. And don't forget to share, follow and subscribe wherever you like to listen. Watch and listen to Tell Me Lies official podcast available on Hulu and wherever you get your podcasts. And don't miss Tell Me Lies now streaming on Hulu and Hulu on Disney Plus for bundle subscribers. Terms apply. Thank you.