Where Should We Begin? with Esther Perel

It's Very Hard to Live with a Saint

43 min
Jan 19, 20264 months ago
Listen to Episode
Summary

Esther Perel counsels a Colombian-Mexican couple married one year, where the husband presents as emotionally composed and virtuous while the wife struggles with explosive anger. Through dialogue, Perel reveals a co-created dynamic where his emotional withdrawal and defensive superiority fuel her escalation, and his passivity masks active participation in their conflict cycle.

Insights
  • Stonewalling and withdrawal are active contributions to conflict escalation, not neutral responses; the pursuer and withdrawer co-create the negative dance
  • Self-perceived moral superiority ('I'm a good person') can mask defensive pride and entitlement that actively triggers a partner's dysregulation
  • Childhood trauma patterns (her exposure to domestic violence, his absent father) are transported into adult relationships and require conscious recognition to interrupt
  • Dismissing a partner's feelings ('you shouldn't feel that way') is a form of gaslighting that invalidates and escalates rather than de-escalates conflict
  • Simple acknowledgment without agreement or commitment ('I hear that') is more effective than defensive counter-arguments in de-escalating high-conflict couples
Trends
Rise in cross-cultural couples therapy addressing language, generational, and cultural script differences in conflict resolutionRecognition that passive or withdrawn partners are active participants in conflict cycles, challenging traditional victim/aggressor narrativesTherapeutic focus on nervous system regulation and threat detection patterns rooted in childhood trauma rather than blame-based approachesIncreasing awareness of how gender-based cultural scripts (Latin American machismo, telenovela narratives) shape relationship expectations and conflict patternsShift toward teaching couples validation and curiosity ('tell me more') over problem-solving in dysregulated states
Topics
Demand-withdraw conflict patterns in couples therapyChildhood trauma transmission in adult relationshipsCross-cultural relationship dynamics and language barriersEmotional regulation and nervous system dysregulationGaslighting and invalidation in intimate partnershipsGender roles and cultural scripts in Latin American relationshipsStonewalling and emotional withdrawal as active conflict participationShame-based defensive responses in conflictVulnerability and emotional availability in marriageRepair and reconnection after high-conflict episodesEntitlement and narcissistic defenses in relationshipsImmigration stress and identity in cross-border marriagesParental enmeshment and boundary-setting in adult relationshipsVerbal aggression and language choice in conflictTrust-building after repeated conflict cycles
People
Esther Perel
Psychotherapist and host conducting the couples counseling session, analyzing relationship dynamics and conflict patt...
Spike Jones
Academy Award-winning filmmaker mentioned as co-host for upcoming South by Southwest live episode of Where Should We ...
Quotes
"There is a dance where you have one person who attacks and one person who stonewalls... Each person is co-creating the other. That is the essence of a dance, especially in negative escalations."
Esther Perel
"There's nothing more annoying than living with a saint."
Esther Perel
"The Lamborghini is inside of her but you often have the ignition key."
Esther Perel
"I became my mom and I hate that."
Wife
"Can she say, I feel something, and you just say, that's interesting. How so?"
Esther Perel
Full Transcript
What you are about to hear is a classic session of Where Should We Begin with Esther Perel. None of the voices in this series are ongoing patients of Esther Perel's, and each episode is a one-time counseling session. For the purposes of maintaining confidentiality, names and some identifiable characteristics have been removed, but their voices and their stories are real. This next session briefly describes an instance of domestic violence. It may not be appropriate for all listeners. Please take care while listening. I got in the water in the very early morning before the sun had risen, and the water was pitch black. I started swimming, and I felt the water hollowing out around me and felt like something really big was swimming below. I'm Phoebe Judge, and this is Love, a show about the surprising things that love can make us do. More than 100 episodes, available now on This Is Love. I thought marrying somebody from Latin America would be easy, even though we speak in Spanish, it feels like two different languages. He's Colombian. She's Mexican. He's 19 years older than her. He never thought he would get married. He had given up on marriage. But now they are married for a year. Being married to him, it started opening this Pandora box that I didn't know I had. She has more explosive ways of reacting to things, and I'm always kind of bringing her back, like, come on, give it a moment. And I know that I hurt him. You know, like, verbally, I can be very abusive. They devolve into rigid, predictable, high conflict. And so they went from heaven to hell very fast. I do not speak with that person when she's extremely upset and explosive. I just become quiet instead of continuing a conversation where very bad words come out and it just becomes really verbally violent. For me, I'm like, how can I communicate with her? Something about the rigidity and the immediacy of these types of negative escalations lets me know that there is a lot more reciprocity in the patterns than any of the two of them allude to. And so we're going to go digging. Encantada a conocerles. Gracias. And we'll do it in English, right? Yes, of course. For sure. But if there are things that are better said in Spanish because your heart lives in Spanish, then we switch and I'll translate. Don't worry about that. Okay. Okay? You see, we have nasty fights from one to ten. How bad? bad for me they like they're like 15 tell me a little bit more about you first so that I have a sense and then we'll go to the scene of the crime okay okay good I am 19 years older than she is so that that there's a different way of seeing the world just because of that how did Did you meet? We met in a place where we did meditation. And I've always had that curiosity to kind of find the deeper meaning of life in many ways. Like, I'm very noble. Yeah, noble in the sense of childlike, almost innocent. A good heart, I feel, that I have a good heart. And because of that, I feel sometimes people might take advantage of that. And what drew you to her? For the first time in my life, I felt that I had matured in the way I am with the person. I'm seeing this person because of what she is, not what she represents. That laundry list was gone. What was on the list? On the list was there's a certain look, there's a certain level of education. So that if she was also extraordinaire, then you would become what? I would look good. Tell me a little bit more about your background in Colombia. Overprotected, I think, by my mom. And dad? My dad, very noble, a good mannered person, the kind of person that never fights, but a bit absent in the process of raising the kids. He was always my mother. I've always felt that the strong women in my family, they're so strong and they've pretty much sucked the man's brain into nothingness. And I kind of feel my dad lost his ability to just to be a man. So you're making sure? I'm making sure that I don't lose my... Your brain doesn't get sucked out of you? Yes, that I don't lose my identity, that I don't, do not suck my brain. This is mine, can't touch it, you know. I mean, I remember our conversation. But hold on a second. Does that mean that in part when you respond to your wife, there's a part of you that says, I'm not going to let you do to me what my mother did to my dad? Most likely, yeah. And I'm going to stand up. Exactly. And what do you say when you're in your fighting mode with your flag defending? I say nothing, which gets her more upset. What do you say inside of you? To her, you say, you ain't going to move me, you ain't going to push me, you ain't going to get an inch of me. But inside, you say what? Oh, she's acting up. She's saying crazy stuff, she'll calm down. She's making stuff up that is not going anywhere. So it's the good old women are hysterical? Yeah, yes. You're smiling. Yes, but yes, yes, I would say that I go in that stereotype. Continue. You're not reasoning. So I cannot have a conversation with that. And then another thing that really gets me is when her language changes into something that is very violent. I'm not used to that. I don't know how to handle that. When I say cabron, you know, like, because when you fight in your language, you let it go. You know, so, like, there's, like, a release when I say it. It's more for me than for him. And I totally forget that it's going to hurt him in some way. I just, like, let my anger go. Yeah, for me, the strong words have, for some reason, a huge impact. Like, I feel that it escalates into a place that is... Well, part of it is you also think of yourself as so good. I'm such a good person. I don't deserve this. You're indignant. Something like that? Sure. Say it in your own words. I'm good and I'm a nice person. I understand my shortcomings, but I don't deserve to be treated with that language. The way he describes the cycle, the escalation, leaves him out of the equation. It's as if he's not an active participant here, and she's doing all of this on her own. In a dance where you have one person who attacks and one person who stonewalls, or one person who withholds or withdraws and one person who pursues, it's very important to understand that the person who withholds contributes in intensifying the pursuit of the other. And the person who pursues intensifies the need of the other to stonewall and to retreat. Each person is co-creating the other. That is the essence of a dance, especially in negative escalations. You close up. you say nothing and the less you say and the more her requests turn into protests and you kind of wait for her to calm down on her own without engaging right and she normally does she does that for me she does what for you? comes back after that tsunami of extravaganza of things she normally comes back down and I could easily go to sleep and sleep it off and then we'll talk tomorrow. She would not allow that ever to happen. We might fight until 3 a.m. She would not let it subside until some sort of communication gets to a place where we can go to sleep giving each other a hug, which is beautiful. So I kind of wait until all of that happens. So she does the dumping and she does the repairing. Yes. And you, just a passive participant. Very much so. I mean, it's very interesting. It's like she runs the whole show and you're kind of almost an audience. Yes. You watch her lose it and then you watch her regain it and then you thank her for doing it so nicely, but she does everything. Well I try to express my point of view and I tried to say okay let talk about this This is how I feel but it just doesn go Because that's not what it's about. You still think that it's about expressing points of views. It's like opening a small umbrella in the middle of a storm. Right. And you're trying to open a small umbrella and have a rational discussion in the middle of something that has completely dysregulated. Exactly. It doesn't work. Right. So that is going to have to change. Because I know when you come in here, you probably think what has to change is her. No, I understand that I'm a big part of the process. Good. Yes. That makes us move a lot faster. No, for sure. I wouldn't be here otherwise. I know that. All right. Let me hear from you a little bit. So you're in the meditation room and you see this man. And what draws you to him? We started as friends. And like the deep conversations. And he had no clue. Like I had to do like all the job of seduction, you know. Like he kept saying that he was already, love was not for him. He was not going to be with someone. Oh, he was doing that part? Yes. Yeah, pretty much. There must be some ballad about that in Spanish too. No? Oh, for sure. There's plenty of those. Where you just drink a lot and listen to boleros. Yeah. Yeah. Some nice bolero that just kind of with a syrup of self-pity. Oh, yeah. No, there's one called La Copa Rota. You should listen to that one. Uh-huh. It says? Oh, my God. It's violent. Yeah. Give me the broken glass because I want to cut my veins. All the songs. But this one, the lyrics, oh, my God. Yeah, I grew up listening to that. That one. There it is. That's it. Oh my goodness, that song. That's the man you married. He knows exactly what I'm talking about. He knows exactly which song to bring up in the Latin blues repertory. of the man who's been treated unkindly by life, of the man who did everything and the woman abandoned him in the songs, right? This is a script that he has learned in his childhood, but also that is part of the cultural tradition that he comes from. By putting it in the larger context of a character, it's taken out of pathology and put back into a cultural legacy. we are in the midst of our session there is still so much to talk about we need to take a brief break so stay with us Esther is coming back to South by Southwest this year for a special live episode of Where Should We Begin this year Esther will be joined by Academy Award winning filmmaker Spike Jones to explore what happens when the being that we feel knows us the best isn't a human being. The session will be open to all South by Southwest badge holders. Visit voxmedia.com slash sxsw to get a discount on an innovation badge and pre-register for our live taping. You can also learn about all the other sessions on the Vox Media podcast stage, which will feature Kara Swisher and Scott Galloway, Brene Brown and Adam Grant, Marquez Brownlee, Vivian Tu, and way more. Visit voxmedia.com slash SXSW to learn more. And I'll see you there. And for you? For me, my upbringing is that it was the opposite of his household. My parents would fight in front of me. They would yell. They would scream. They would shake each other. There was a lot of banging and a lot of, you know, hitting. Like, my mom would hit me a lot. My dad would defend me. So it was like a whole Mexican telenovela that would give you, like, material for years. It was like a lot of pain. And I had to put myself together many times. but I always wanted to see myself in the eyes of a man and to put my value in a relationship. But both of you say I was looking for a person through whom I could see myself. Yeah. It's just that you wanted somebody to fix because then you would know how important you are and you wanted someone who was so perfect there was nothing to fix. These are very old, rather gender-based scripts. In this case, he finds the perfect woman and she becomes the perfect woman by fixing the broken man who cries without solace. Yes, totally. That telenovela has been done too. Many times. No matter how much you've traveled, the two of you, you've stayed rather faithful to some old stories. From where we come. True. From the place where we come. Right, right. They travel with us, you know. For all of us, they travel with us. But sometimes we don't realize it. Tell me something, when you fight, you threaten each other with divorce all the time? All the time. She does. I even go online and I find tickets. And he's like, but your immigration, I don't care about my visa, I don't care about my green card, I'm out. You know, like I always just want to escape. Like, you know, she goes to 100%. Right. Or 120. I cannot stay back at, you know, wait, let's see. I think that for me, it's like when I'm fighting, I go to this void, and it's like this anger takes over me, and it's so difficult for me to explain him, because in his eyes, everything he does is perfect. So, for example, if we're having a conversation and I say, it would be so nice if you brought me flowers. He's like, why are you not buying me flowers? I'm a human too, I have feelings too. Like, oh, it would be so nice that you tell me how nice I look. why are you not telling me that I look so nice? So it's like always about him, and it's never about me. And I don't know if that's a very childlike part of me or what. But I think I'm exhausted because now that you describe it, I was like, wow, I do everything. That's right. It never occurred to me like I do the repair and I do the break and then I do the cleanup. He does the being nice. Yeah. Now he's getting better at least at talking, but before he would just go into the room and like literally put the... He sulks. Yeah, because he doesn't like me to tell him cabron or pendejo, but for me he's saying fuck you. And I'm like, this is a person, your wife talking to you, like help me, like don't let me go through hell alone, like let's talk about this. and then also what happens maybe is that I get angry so fast that it's never about the trigger, it's never about what happened that it got me angry. The conversation then becomes you are a bad person because you got so angry. When you yell and fight and feel like you're not yourself, does it feel like it's similar to how you saw your mom? Yes. I became my mom and I hate that. I mean, she has beautiful parts. So do you. Thank you. But her toxic parts are very, very intense. And the worst thing I see is like seeing myself as fighting as she would be fighting. Right. Because she's a very, very important part of you. She's a mixed blessing. She's the one that has taken you out of many tough situations. But she sometimes fights as if every situation is a tough situation where in fact you're just talking about breakfast. She grew up with tremendous violence and was often threatened. And as a result, she developed vigilant skills to detect threat threat and to take her anger and to turn her fear into belligerence so that she could defend herself. But what happens to us when this is our childhood is that later on we sometimes don't know really to differentiate. Is this a threatening situation or is this just an unpleasant situation? And so our nervous system is geared up to fight as if everything is red alert. The part that struggles more is the one that doesn't necessarily know to assess danger. Since danger is imminent and could happen anywhere at any moment, God forbid you got too comfortable, your whole marriage becomes a threat. it becomes a danger from which you need to leave right away When in fact you having an argument about breakfast About cheese About cheese The last moment about cheese Cheese. Glad. I was close. He didn't want cheese, and I'm like, how dare you? Right. I want cheese. I know he's a good man, and I didn't want my anger to transform him or to push him away. And I think that is something that I would not forgive myself. if I would have pushed him away because of my violence. The thing that I keep being moved by when I listen to you is that nowhere do you justify it. And I think that makes a big difference for him. At the same time, as you learn to speak with him in a way where you speak forcefully but without lashing out, he's going to need to learn to stay and not continuously think, you know, nobody has a right to criticize me on anything or even to ask me for anything or to make me feel anything less than perfect. That's the flip side of this. She then goes around thinking I'm so bad and you go around thinking I'm so good and there's nothing more annoying than living with a saint. For me, it's almost, I don't know how to deal with it, maybe because of that. Well, when she says, I would love for you to bring me flowers, what's the problem with that statement? Exactly. Tell me. Nothing. Obviously, there is. Because you don't hear it as a request. You instantly hear it as a protest. You hear it as a criticism. Yes. And then you say, well, do you do it? Right. And you do this eye-for-eye business. Yes. Then you go into a competition. Who does more? Who sacrifices more? Do you do that one too? Oh, sure. Yeah, all the time. Tell me about that one. He comes home and I have the meal ready. One day I didn't. And he's like, why is the meal not ready? Blah, blah, blah, blah, blah. Kind of, you know, giving me the macho Latino. And I'm like, uh-uh, uh-uh. No, honey, I work too. I'm tired too. You want dinner? You cook it yourself. And then he could go like, whoa, you know, or he gets angry. He gets like a little bit fussy, but that was it. And then on that note, on another day, I was trying to, he was falling asleep. And I was trying to kiss him or, you know, starting to try to do something. And then he's like, I'm falling asleep. I'm tired. And then I got so angry. I'm like, I'm tired too. But like, you know, like we have to make time for this. things no i was just i was just falling asleep i was very tired and i wasn't thinking of that and in a way it's like that you know like he he's always perfect he's always fine whatever he does is great so there's no more room for like improvement or to give like a little bit extra mile you know like i can give all the extra mile there is but he he won't i mean you do put her to work and you have this interesting if you allow me way of thinking that you're entitled yes there is an expectation that there should be a meal ready on the table when you come home i was alone most of my life so i would i would come home and make my own meal i got used to that But now it's probably like, oh, thank you for, this is great. This feels great. But do you tell her this feels great or do you mostly tell her on the one day when she doesn't? I tell her on the day when she does. Well, I also tell her when she cooks for me. Thank you. That was very nice. This is beautiful. I do tell her that as well. But also when it's not there, I'm like, why? You tell me more on the day that there's nothing. Okay. Also, like if I'm watching Netflix and I'm just like my five minutes of Netflix and chill and you open the door, you expect me to come run and kiss you and welcome, honey, how are you? And then he gets annoyed and he says that my iPad is my affair. But it wouldn't occur to you to walk over to her. What do I mean to walk over to her? Instead of waiting for her to leap towards you, you could also go to her. Yes, yes, of course. But you're too good for that. See, that you would consider is humiliating. Yes, I am aware of a tremendous pride that I carry everywhere I go. What do you call him? The one that is so proud that anything that is not catered at the top can instantly make him feel deflated and humiliated? It's like the little prince, the principito. Uh-huh. Yeah. I mean, I catch myself being that person that I despise. Maybe this Principito, it has also helped you at something. Because if you didn't have that pride, you couldn't have gone far in this country as an immigrant. It's a very nice moment here. She caught on to the idea that the part that she struggles with today is also the part that saved her as a child. And she realizes that something similar may be happening with him. That the part of him that he calls his pride and that he struggles with may also have been a part of his survival strategy earlier on. It's just a beautiful, empathic reach from her. And I just wish that I had highlighted it then. We need to take a break, but please stay with us. I'm not sure. I think I could have done much better without him. Describe your relationship with the Principito, because I agree with you. I'm not sure it has been so helpful. I think it has often actually made him say, I'm too good for this. and it has hurt me quite a bit in my career I feel that I feel that say more I would say my career because I had an opportunity to be with amazing people and I could have taken better advantage of that by being more humble and learning from them but the little prince was equal the little prince was too busy trying to show how much he knew yeah Yeah, how good he was. He was just as good as everyone else. And I think in life, every day, walk around with these things, you just lose so much opportunity to meet, talk to people, connect. You come in here and you present like you're a new couple, you're lots of great things, except for the fact that she explodes. and her explosiveness is so disturbing to you and it completely paralyzes you, etc. But then we find out this is predicated on this idea that, you know, you are the saint, you're the grounded guy, and you are the... Emotional, right. Hysterical. Let's put the right word, you know. This way that you live with the how dare you. How dare you ask me? How dare you tell me? How dare you usually is because I very quickly feel ashamed. Mm-hmm. And that creates all this anger. And I would invite you to have a conversation with him about that. You'll probably glean more. Yeah, I can see that. Ask him. Let him do the talking to you since you always do the talking and he waits. Would you like to talk more about why you might feel that you get offended quickly? I'm so good, right? I'm great. I'm so wise. I've done all this meditation and I've done all this schooling. so I deserve to be treated in a certain way. And it goes back to, I guess, the goodness of my dad. My dad was always a good man. But what did you consider him? You considered him good? Weak. Or you considered him weak? Weak. That's what this is. So he's like a beautiful man, always with a great personality, but I always felt like he never got what he wanted. He always was a nice guy. And you spend your time making sure that nobody takes advantage of you. Exactly. And so you fight even when you don't need to fight. Because if I drop that thing, I'm going to be a weak person like my dad. You think that she's the fighter because she explodes. Personality, yeah. But you are both fighters. and like you say or like you allude to it probably has not done you good certainly not in work and it's not going to do you good here either because you are with somebody who's very generous si and generous too and don let him convince you that you not you very generous and he is continuously paying attention to every time you miss a beat and not to every other time when you sing beautifully Because you're so making sure that you are not being screwed. This dynamic is actually an opportunity. Because you are with someone who is not there to take advantage of you. And you're going to learn what it's like to trust in that way. You know, when you have that armor with you, it feels like everything that I'm upset about, it's an illusion. And it's like if you're gaslighting me. And that's not a good feeling. So thank you for being willing to remove that armor. Because it's of no use. How does he gaslight you? Tell him. You guys like me when I tell you, you know, how I feel. And you tell me, oh no, you shouldn't be angry about that. Like I dismiss it. And then you make me feel that I am creating this idea in my head and that what I am feeling is not valid. For me it's difficult when the situation goes from zero to 100 in 0.2 seconds. You're like a Lamborghini. I think that's what's difficult for you. you're so busy with the zero to a hundred but there's a piece before and the piece before is that if she says i feel something my guess is that part of why you tell her no you don't is because it's very hard for you to let her feel something without thinking that you're responsible about it. The zero to 100 happens, the trigger is right behind it. And it's, yeah. But the first thing is she can't really easily tell you whatever she feels without you being defensive about it. Because it instantly triggers in you, I'm responsible for it and I need to do something about it. And since I don't think I should do something about it or I don't agree with it, then I say, no, you have no validity and I disqualify. You shouldn't feel this way. You shouldn't want this. And then the Lamborghini gets going. Yeah. Because then she feels that, you know, she's disqualified and made invisible and she's going to show you. Lamborghini is inside of her but you often have the ignition key. I got the gas. That doesn't mean that you can't learn not to explode. But there is a dance here that sets her up as well. Can she say, I feel something, and you just say, that's interesting. How so? Yes, that's very different. Can you give him a bunch of those statements, things you feel, want, experience, and just you practice being, you know, being available, basically, without being responsible, just being curious. Go ahead. I would like for you to come out with me on Friday night after you come back from work, because it's like our only night off. I would love to You know that Fridays I'm extremely exhausted But we'll do something That will meet Ernie So sometimes I might not be in the mood To go dancing Because I'm physically tired from a long week But we can have a Let me help you I know you would love for us to go out on Friday night I really like that actually I'm not sure I can do it each time but I like the thought and just repeat what she says you don't have to agree with it you don't have to commit to anything you don't have to engage with it you just have to say I like that just have to acknowledge it or I hear that that's something that you would enjoy a lot that's that most of the time people just want to feel that they're acknowledged being heard right And the best way to do that is to repeat what they said. Period. Keep going. Honey, it would be great that you would be able to consider not to talk to your mom every night before we go to bed. And that is the last thing you do before we get to bed together. I know you're worried about her. I know you're worried about your dad. but I feel that when you do that you just go into a different mindset and you get very agitated or very sad and I don't think it's good for us. I hear what you're saying. What I can do is find ways to get information from her at a time that is not disruptive to the time that we can spend together. But I still feel that I want to know. I want to have updates and see how they're doing. Okay. How did we do on that one? You tell me. How did that feel? It felt good. It felt better. It felt more honest. It felt good. What would be the usual? You are not understanding my mom. You don't understand how she feels. She's going through a hard time. How can you not be more empathetic? Blah, blah, blah. Kind of. Which you know is not the case. This is a perfect example of the ignition of the Lamborghini. Because you're throwing stuff at her that is utterly not the case. You bad. You don't care about my mom. You don't care about... Yeah, you bad. You bad. You don't care about my mom. You don't understand my dad. You don't see what the imminent death is like. As if she doesn't, first of all. And then, you're telling me I'm bad? That brings back the entire relationship and the violence that I know. What do you think she was told when she was being hit? That she's, you know, she's bad. And with the family especially, it's been hard because when you say hurtful things like, oh, you don't have a relationship with your mom. So you don't understand the closeness. So you don't understand the closeness. Oh, yeah, you go to that place? You're good. Oh, you don't speak to them. You are the weird ones. You're the ones that are not speaking with each other so often. what makes me smile of course is that this man who is so worried about being manipulated is a master manipulator because it's not just that he tells her you don't understand why i care about my father's health and i need the updates but then he adds another layer of and of course you couldn't understand because you don't nearly have that kind of relationship with your parents is hostile. But he thinks of himself as good. And she has bought into the idea that she's the belligerent one and he's the kind one. All of that is kindle for the fire. But then you only see the fire. And you do not see how much you... Contribute. Yeah. And ignite it. Contribute to ignite it. Doesn't mean she can't resist it. But it doesn't come from nowhere. So this was much better. Find a way to connect with your parents not before you go to sleep so that you can be the husband and not the son of. Yeah. But I think that you have a lot of things on your menu and now it's about putting this in place. and realizing that you won't leave here and suddenly transform, but you're going to practice this. And you have a good idea, actually, of what works, what is helpful, and what is undermining. And if you keep the degree of honesty with which you came here, also with each other, you're on a very good track. you just heard a classic session of where should we begin with esther perel we are part of the vox media podcast network in partnership with new york magazine and the cut. To apply with your partner for a session on the podcast, for the transcripts or show notes on each episode, or to sign up for Esther's monthly newsletter, go to estherperel.com. Esther Perel is the author of Mating in Captivity in the State of Affairs. She also created a game of stories called Where Should We Begin? For details, go to her website, estherperel.com.